Judeau is, as has been said, though not by this exact word, unobtrusive. Which is exactly why I nominated him.
The vast majority of characters nominated in this club are mains. They are dissected and rated on characterisation, development, resonance, psychological makeup and their very humanity. Judeau, on the other hand, is, I feel, literally exemplary as a supporting character, meaning that some of the criteria usually let loose do not apply.
A good supporting character appears when he needs to, adds to a scene without dominating it and, at the same time, is given enough personality to be distinguishable without having so much in the way of background that a story line starts to focus on it.
Like all the main members of the Hawks, Judeau's graphical design is such that he is easily recognisable yet bland enough to be a face in the crowd when need be; his mannerisms make him into a more observant and, probably, more intelligent member.
These same mannerisms - phrasing, little gestures et al. - are enough to provide him with a bit of characterisation. Note, for instance, how his love for Casca is never expressed, not even at the end, but is clear enough. Note also how he often intrudes exactly when necessary to ease tensions or to be the voice of moderation. The very impact of his presence is shown most clearly at the moment of Gutts' leaving, when with but a simple sign of his hand and a 'Walk with me' he transforms the entire scene.
Yet, for all this, he never becomes the centre of attention. He is not given an episode or chapter focused on him, he is not the focal point of some spectre from the past or dramatic action or whatnot; his background is given a few minutes only and told in the most cursory manner, his swan song is as much centred on Casca as on him. His own willingness to sacrifice himself for the one he loves drives him into the background. All the while, the story remains squarely focused on Gutts, Griffith and Casca.
Still, his presence does influence things and adds to the story. He explains the workings of the Hawks. He acts for the sake of the group before his own. He brings Casca and Gutts together. It is enough to have his appearance in a scene be accompanied by a mixed sense of pity and admiration, which, if one stops to think about it, is a strong reaction for someone who is a second-tier character.
In considering Judeau, I would like to have everyone here consider what makes a character a good supporting character, an extra to the main action who does not detract from it, and only then cast their vote. I think few perform their assigned roles better than Judeau does his. |