Ranked #4981

Gyo

If you read the manga and like me, were looking forward to this adaptation - prepare for a dissapointment, that is, if you bother to watch this...

Basically, someone has taken this story and though...
"How can I make this fairly well known story that bit more popular? I know! I'll make it a lot less mature (i.e. easier to follow) and conform to idealism by throwing in some well known cliche's - newbie's and the more impressionable viewers will eat this all up!"
... and her we have this hour long OVA. I'll expand on the above...
Originally, a young couple are at sea, when they see something highly curious; this 'horror' tourments them wherever they go - true harrassment via an unlikely offender. After acting in an arguablely unreasonable and paranoid manner - the girl soon becomes ill, her boyfriend, who is somewhat in the loop when it comes to science and has sceintific connections, works hard to find answers to this mystery whilst avioding constant peril and virtual isolation - it's a true horror story.
In this OVA, we have his girlfriend as the leading character - and isn't she an angel. She's on a hoilday with her friends - she is made aware of this horror, takes it in her stride, goes to 'rescue' her boyfriendwho's in trouble, whilst not knowing hat's going on and not really having a clue; erazing the formality that existed beforehand - along the way, she meets a pretty guy around her age who, like her, as a tragic backstory that has allowed him to be driven.

Basically, we have a role reversal that allows us to follow the 'hot girl' instead of the 'in the know guy' and the disease has been pushed on to lesser characters; the conveinent and 'more deserving'.

Now - I will forget all about he manga and treat this OVA as a stand alone story...
Still, not good!

Story...
We have a pretty female lead, on hoilday with her 'less likable' friends.
An obscure terror shows up and this girl must now leave her friends behind and 'leap into action' (she's no action girl, this is all suppose to be quite realistic) upon coming to the accurate conclusion that her boyfriend is in need of a hero. On her journey, she comes across a guy who is of much help and has somewhat of a similar backstory to hers (rocked by a certian loss).

This story leaves the more observant viewer asking a few questions, such as...
"The body count is massive, yet the main gets attacked often and is never phased - why is this?"
'If paracite monsters are killing and infecting people threwout a mulitude of area's, why are plains still opporating and sending people into the 'eye of the storm'?"
"The train the two mains are on has just crashed out of the blue, all on it look either dead or unconcious - why are the two 'mains' allowed to climb out, unscratched and unshaken before walking down an underground tunnel which I'm sure lacks oxygen, whilst maintaing energy to spare?"
Basically, the plot bends to the will of the famale lead - she's the main character and a decent person, so why shouldn't 'the unlikely' simply open it's door for her whenever she stops by?

This is the immaturity^, now, for the cliche's...

Character...
A typical case of possotive and negitive accossiation.
We have a pretty leading female who's 'sensible' persona arguabely borders on Mary Sue - she's the friendly mediator type; everyones friend who makes friends easily, yet she'll also do all in her power to protect those around her, she'll even speak for the unfortunate who don't have a voice. She always wants the best possible outcome, such as hoping officials will come out with a cure for the many infected, highly dangerous strangers roaming the streets, in favour of killing them. She doesn't get too scared or show a single hint of selfishness or hesitation when it would be perfectly natural to do so either. On a whole, she's ideal.
Her sidekick is a good looking, young (about her age) video photographer who has all the action recorded and is very interested - in a constructive way, in uncovering what is going on - he has a bit in common with the leading female and seems to have a crush on her.
We have the female leads two frineds - a promiscuous, overall stylish 'pretty' girl and a chubby, introvert girl with no particular styling in clothes, hair or facial features and no particular body shape - ofcourse they aren't going to be admirable or acheive anthing!

Art...
Fine, nothing spectacular, but nothing wrong scenery wise - the character design is lovely however; everyone looks different and fairly realistic.

Enjoyment...
It was fine as a stand alone series, not too complex; which is what you shoud really get from a plot like this, but the length was sensible and it did have what most would call an end?
I watched this and threwout I had the though lingering in the back of my head - it all reminded me of a tacky Hollywood movie where the pretty girl screems her way threw to the end (only, minus the screaming, this girl bough us little).
So on a whole - no, I didn't enjoy it personally.

Overall...
For me personally, a bit of a watse of time.
The manga was just 20 chapters long and it moved at a steady to fast pace - everything; begining, middle and end could have been covered in this OVA, why they changed it o something else, I can only put down to marketing?
There was no need for this (again, forgetting the original) to incorporate such cliche's as; character sheild, 'petty behaviour justifies death', 'everyone loves a tragic female lead' and 'mix gneder team with clear romantic feelings apparant' - whilst spoonfeeding information in a way that only fits a story 'aimed at all' (such as; data that answers everything, present on the desktop screen of a computer, which happens to be swithched on, in an importiant person's home, that happened to be easy to access).
On a whole, the simplification and writing tools (cliche's being the critical and more accure term at this time) spoilt things. :( read more

“I wonder if that stench of death will ever vanish.”

It is clear that Gyo was highly anticipated for quite a while since it is the first animated feature from one of the bizarre Ito’s story. For that matter, we may as well say that it will be the only one since Gyo is perhaps the only story that has this cinematic feels to it (and yes, Uzumaki live action was shit). Anyway, Ufotable’s adaptation of the manga completely changes the feeling of the manga to something more action and drama oriented. While it is not a problem by itself, some of those who read the manga might actually feel slightly deceived on how it actually turned out to be. However, for the sake of the review, I won’t pass too much time comparing the two since it would be downright useless; let’s just stick with the OVA, while making some very minor comparisons

For an OVA of merely 70min, the direction isn’t wasting much time for the Story. Precisely, the calm before the shit storm only last for a few minutes, the time we get to identify our main characters. It doesn’t take long to the story before it gets into something quite chaotic. The whole movie feels like a crescendo of what terrible event can happen next until it hits the fan. Then again I have to precise that Junji Ito’s version on paper is much more extravagant than this anime, where, compared to the manga, is more down to earth. And of course, it wouldn’t be a Junji Ito’s work if it didn’t have its typical signature: a romance story behind all that. And even if it was never the strong part of any of his work, Ufotable seems to have placed it as a priority in the anime. In a way, it makes the story much more of drama than an actual horror one. As for the bad thing, Gyo actually have quite a few useless scenes that certainly feels out of place, but there not so much of them. As a whole, the story is direct and doesn’t waste much time.

And for having so little introductions, it is hard to evaluate the characters. Since the plot is mostly driven by some apocalyptic events, the cast obviously won’t leave a spot in your memory, there are for the most completely forgettable. In the essence of a horror story, Gyo is composed of a main heroine, a main hero and some other characters that go to the name of: potential victims. As such, the only back story of the heroine that is given is actually related to the story, but doesn’t add much of it. As for the progression of the characters, the most interesting part is no doubt when the hero and heroine teams up together. However, this is like saying apples are tastier than shit.

The artwork is generally well done. Of course, Gyo suffers from some awkward 2d – 3d relation on the screen that may feel completely off, but didn’t seem to irritate me as much as others said. The character design is more clean and polished than the manga, and thus they look more beautiful than what we would’ve expected to be. Certainly, at some points in the anime, Junji Ito’s drawing style can be seen to make a focus on “when you should be terrified”. It is questionable whether it actually worked, but I thought the intention of having a mix bag of different art style actually felt nice.

As for the matter of sound, Gyo has a soundtrack of typical horror music that really set the mood correctly. On the bad side, I may have to say that Kaori’s performance wasn’t the greatest I ever heard. Her many dramatic break outs never felt passionate, nor could I take her seriously.

In conclusion, Ufotable presents their own version of the story by making it more action oriented and dramatic. Still, while having some obvious and minor issues, Gyo mostly succeed at being a fast paced and intense ride from start to the finish, even though it may look awkward and clumsy for a certain audience.
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