The year is 2977. Mankind has become complacent and stagnant. All work is done by machines, while humans spend all their time on entertainment. But when a mysterious invader from the stars catches Earth unawares, only the legendary space pirate Captain Harlock and the crew of the Arcadia have the will to stand against them.
There is a reason this is considered to be one of the greatest anime series ever made. Take a healthy dose of outlaw vigilantism from the wild west, combine it with all your favorite pirate fantasy escapades, put it on a vaguely WWII-era stylized battleship, and set it in space. If you replace the six-shooter revolvers with plasma lasers that can double as rapiers, replace the battleship guns with ultra-powerful “pulsar cannons”, and replace the high seas and prevailing winds with gravitational anomalies and solar radiation, what will remain is about what you’ve got with Space Pirate Captain Harlock. Add one of the most endearing and enduring characters anime ever produced, and this is the series you’ll end up with. It even comes complete with a seemingly-unstoppable alien invasion, a lush back story to fill out the appropriate pacing measures, and a gunfight/dogfight/fistfight in nearly every episode!
The animation is surprisingly good for its time. You can certainly expect reuse of footage, along with sometimes-choppy transitions or movements, but it holds up fine today provided you’ve got an appreciation for older animation. There are some slight errors in how the cells are layered (one of which includes lights illogically going through Harlock’s slightly-transparent chest, for instance), but all of them are minor, brief, and they don’t interrupt the flow/continuity at all.
The story is classic. Perhaps typical of Leiji Matsumoto, the story is a hardcore adventure tale, taking all the aesthetics & themes of the wild west, high seas, and last frontier and blending them together into a wonderful story of loss, vengeance, desperation, and hope.
The directing is well-done for its time as well, though in some ways this shouldn’t be TOO much of a surprise (considering it was directed by none other than Rin Taro, who also directed another one of Matsumoto’s big-titles, the Galaxy Express 999 movie, among others). Framing techniques, contrast, use of forced perspective, and generally well-placed shots are used to wonderful affect; add to the table his proficient editing and it isn’t hard to see why he receives praise.
The soundtrack is easily one of the most memorable to date, bringing the atmosphere, writing, and directing into a cohesive whole with its western-style instrumentation and tone. It uses music to blend together the themes of hopelessness and despair with the constant heroism, lonesomeness, and melancholy that exemplify the tone of the series, as well as the crew of the Arcadia and the oppressors they fight against.
So… why a 9 instead of a 10? To be honest, it was a tough call to make. In fairness, I believe that it deserves the 10 for its time, however, even by today’s somewhat retro-standards, I think there were a few things that it “could have done better”. The characters, while perfectly suited to their setting, atmosphere, and interactions, will fail to live up to many audiences’ ‘modern’ standards of development. The story may come off as contrived to some, possibly two-dimensional with only a few remarkable plot twists to others. The way the narrative takes its time fleshing out its history may cause some to complain about its pace. And of course there are the rather dated issues of character models, backgrounds, and general animation quality. I personally believe that these things are not “faults” or “failings” of the show at all; rather, I think they simply serve to highlight how well the show sculpted an epic narrative out of the varying resources, tools, and ideals it had at its disposal.
The 10 it deserves implies that nearly everyone will enjoy this title, which sadly isn’t true. It’s dated qualities will no doubt turn many away, and it’s superficially two-dimensional story may ward off those unwilling to see some of the more subtle things going on under the surface. It has aged surprisingly well in spite of this, however, or perhaps because of it—Captain Harlock’s determined, stoic, resourceful, courageous, and only slightly brooding character has been impersonated, regurgitated, and repeated many times at this point, but even when this archetype is reiterated well, it always fails to live up to the original. Harlock is one of a kind, and Space Pirate Captain Harlock is similarly one of a kind.read more
I went into Space Captain Harlock thinking I'd be able to give it all the allowances I could for the time it was made in and and all that comes with. I really did try. I've heard nothing but good things about this show, and I was really looking forward to my first foray into the Leijiverse. For what its worth I did watch every episode, but I just can't recommend it. I just can't. I'm mostly going to focus on the story and characters here. This review is meant to warn people about this show, and in no way am I trying to bash it. I understand that most people will have a vastly different opinion of this show. This is meant to give people a different viewpoint, and that's all. The only thing I can say is I probably would have had a vastly different opinion of this show if I had seen it in the 80's rather than 2012
Story (Heavy Spoilers)
Most of my complaints can be lodged in this department. First on the hit list is The earth government. The earth government basically consists of the Prime Minister and a bunch of place holders that want nothing more to do than bet on races and nothing else. I understand he's supposed to be allegorical and all but I can't appreciate any point Leiji is trying to make with him with my seething rage every blinding every second he's on screen There's also the Mazone. They're the main antagonists in the show and it regularly shifts between them being only women, asexual, plant people, snow people, humans and god knows what else. Setting the confusion at their nature, is their motivation. They are supposed to be plant people now, and they want to take over Earth. Earth is a desolate wasteland almost, and at one point the story focuses on this planet they've taken over that is nothing but plants. All plants all the time and it's little more than completely ignored. I don't care if Earth used to be their homeworld. That is just terrible plot. The rest of the plot goes from focusing on characters that no one in their right mind would consider caring about and Harlock being a completely negligent Guardian to his dead friend's daughter. Leiji has absolutely no concept of how space works, at all. There's a lot I could say about how cavalier he is with physics, science, and common sense and general, but the main thing is space travel. There is no attempt whatsoever to explain how the Arcadia gets around. Sometimes it takes a day for the ship to get from Earth to some nebula somewhere, and then when they leave it takes them a week to get back. I guess it's fine not to sweat the details, but I for one expect better structuring out of a Space Opera.
Characters (some spoilers)
Almost no character growth can be seen in this show, and that's bad since most of the characters start off bland. Harlock in particular is a terrible person. The biggest flaw is this subplot with his dead friend's daughter, Mayu. Her dad wanted her to grow up on Earth where it was safe, rather than on the nigh invincible Arcadia where she would be loved by all. She is set up in an orphanage where she is constantly abused and taken advantage of because of her connection to Harlock. Harlock is aware of this, and despite all her desperate pleas he constantly leaves her in the care of her tormentors.
It's pretty good for its time but there is an abnormal amount of cels that are layered incorrectly making quite a few scenes incomprehensible. Leiji has a tendency to draw all women the same, but considering everything else that was disappointing with this show I can let it go.
There is a tremendous amount of completely random noises being flung around in almost every episode. There are also times when say a door opens in one scene there is a specific noise, and in the next scene the same door will open and it will be another noise. You better get used to women screaming and laughing because whenever a Mazone is onscreen regardless if their mouths are open or not that's what they're doing. I used to love Ocarina music until this show, but after Mayu droning the same song over and over on her ocarina I never want to hear a wind instrument again. The voice acting is about the best the sound department gets in this show.
To me, 1978 is a special year in anime. We got so many good anime; I just have to watch them all. Of course, when someone says there is an anime about space pirates and by Leiji Matsumoto (Yamato series), shut up and take my money. It was also directed by Rin Taro, whom has directed many shows from Astro Boy Brave in Space to the 1999 X Movie. Basically, his stuff is a coin flip. Luckily this anime did not disappoint.
Set in 2977, this is a world where technology does most of the work like in The Jetsons, and humans have become so lazy and relaxed like in Disney’s Wall-E. However, when a foreign “blue” alien invading race is bent on conquering Earth for their own reasons (sounds familiar), there stands only one man and his crew... Captain Harlock with his “strange” crew on the massive battleship Arcadia.
Much like in Yamato, the alien invader is incredibly interesting. However, unlike in Yamato, the characters are also fairly interesting with some development and decent enough back stories. However, when it came to deep explanations, deep back stories, deep anything, this is where the anime lacked the most. The viewer always felt like some episodes that became “destroy the alien ship of week” could have easily been replaced with more explanations towards almost anything or just left out completely. This was a real shame, but still manages to not take too much away from the action and story progression. One example of this is Harlock’s closest companion, the alien Miime. We are shown in one episode of Miime’s total backstory that tries to explain everything. It feels rushed and you want more. This is how the anime works. You will get answers, but they are extremely simplistic and are never touched on again.
The artwork, writing, story, and more are very similar to Yamato with some improvement, but there is no problem there and to be expected in Matsumoto’s work. Be prepared. This show has multiple side stories, a sequel that came out 20 years later, and a 2013 movie. This is a slower paced 42 episode anime. There are the occasional deep-gripping moments which were a real surprise, and had me fall in love with the show more. All-in-all, give the Space Pirate a try and if the first six or so episodes don’t convince you, then maybe it just isn’t for you. read more
The seemingly endless afternoon I spent reading an Anime encyclopedia a few months ago did not only provide me with more insight on glorified child pornography than I would have ever imagined: it also displayed a mysterious picture of a woman under the title "Queen Emeraldas." Somehow fascinated by a few passages describing the Leijiverse, I spent some time researching Leiji Matsumoto on the internet and eventually ended up seeing Captain Harlock. I approached this, by comparison to most other anime, antiquity with high expectations. It turned out to differ quite fundamentally from my personal vision of warfare and human drama, but by no means did it disappoint me. In this review I explain why.
After a quick narration that introduces earth, which has developed for 900 years from our time into a state of apathy and corruption, the story initiates with a form of episodic nature. The protagonist captain Harlock finds himself in trouble every time he visits Mayu, the daughter of one of his past comrades. As he is an outlaw, the prime minister on earth is determined to use Mayu in order to trap the infamous space pirate, but fails each time. Meanwhile we're introduced to other characters who eventually come to complement the crew on Arcadia; Harlock's space ship.
The story takes its time to pick up, but by the time you grow attached to the characters and the real point of the narration reveals itself, watching the show turns into an addiction. As an extraterrestrial race attempts to invade earth, Harlock and his crew sets out to protect the very planet they've abandoned. Known as the Mazone, their enemies engage in psychological and biological warfare in the name of their beloved but merciless queen Rafflesia. Turbulent space battles are combined with a profound sense of melancholia in an epic adventure that reaches admirable heights of quality. It relies more heavily on characterization than plot progression, but with plenty of twists up its sleeve, the story of Captain Harlock quickly leaves behind its initially boring episodes and blasts off towards awesomeness.
Though not below standard for its time, Captain Harlock is still unable to reach equal heights of splendor when it comes to animation that contemporary contestants like Rose of Versailles and Mobile Suit Gundam did. Movement tends to be awkward and the numbers of mistakes you find throughout the series are far too many to list. Admittedly though, the character designs of Leiji Matsumoto are what make the show stand out. Minor characters are usually subdued to a state of cartoonism but Harlock and other various noble characters we meet later on are somewhat detailed and well made. Women tend to have long beautiful hair and slender bodies and overall there's something unique over the proportions and the eyes of the characters that the otherwise poor animation benefits heavily from.
Unfortunately, the space battles are unable to reach compelling levels as the animation does not allow that to happen. This is not a particularly big loss as the primary focus on the show lies within the characters and dialogue. It might put some people off though.
The soundtrack is equipped with a large variety of instruments and several songs designed specifically to fit the content of the story. As such, the opening theme is a direct reference to Harlock's dedication to protect earth despite its corrupted state.
A usual occurrence is that the characters themselves grab an instrument to play in a sudden state of melancholia. Whether it's Mayu playing on her ocarina or the mysterious extraterrestrial female Miime diligently using her harp, it's an interesting thing to see such a large portion of the soundtrack comprised of their melodies. Another memorable scene is when Harlock and his crew (SPOILERSPOILERSPOILERSPOILER) face to face. Mysterious voices that reminded me of Suspiria dominated the soundtrack at that moment and truly emphasized what mysterious creatures the Mazone are.
Voice acting deserves some praise as well, in particular that of Captain Harlock.
I realized it sooner than I thought, but during the 42 episodes I fell in love with the characters. Somewhat detailed characterization is a very big priority in the show, and most of the crewmembers aboard the Arcadia get their moments under the spotlight in the form of monologues or flashbacks. United by their inability to find their places in life on earth, as well as their common enemy, they all have harrowing stories of sorrow and agony to tell. Perhaps most memorable among the crewmembers is the mysterious and melancholic Miime. As the sole survivor of her kind she suffers from a grand feeling of alienation and loneliness. She swears to follow the man who saved her (Harlock) whether he chooses to roam the sea of space throughout the remainder of his life or venture deep into the pits of hell.
Even amongst the vicious Mazone there are several interesting characters to follow; Queen Rafflesia being the most prominent one. Bewildered over Harlock's dedication to protect the very earth he despises she tries hard to understand her enemy. We also get to witness her initially prideful and strong persona undergo a gruesome metamorphosis to the point of desperation and cruelty. The one thing that's for sure though is that Leiji Matsumoto remains somewhat neutral in his depiction of humans and the Mazone. He makes sure to emphasize both virtues and corruption on both opposing sides, and even though the Mazone in general are depicted as malicious, their actions and feelings succeed at generating sympathy.
It only hints the grandeur within the Leijiverse, but Captain Harlock is a rewarding experience not only because of the excellent and loveable characters, but also thanks to its well applied soundtrack and narration. It also introduces a character whom I know little of, but who I find absolutely fascinating, a woman named Emeraldas who seems to be a female equivalent of Harlock. There's still a long way to go but I plan to continue exploring the Leijiverse, and hopefully I'll have the time and energy to review other titles as well. read more