May 4, 2024
Banana Fish was a manga that I couldn't help but judge HARD due to recurring annoyances, yet I eagerly anticipated each new volume. It begins with the main characters investigating the enigma of Banana Fish but evolves into a larger narrative involving crime syndicates and government corruption, particularly concerning Ash. As the story progresses, Banana Fish itself takes a backseat, with other elements becoming more prominent.
One recurring issue is the repetitive scenarios, especially involving Ash, where villains hunt him but must capture him alive, leading to a cycle of capture and escape. Additionally, the constant emphasis on Ash's extraordinary abilities, such as his intelligence and combat skills, becomes excessive and somewhat absurd, despite occasional clever depictions.
However, what truly captivated me were the characters and their dynamics. Ash's vulnerability and inner turmoil, particularly in intimate moments with Eiji, Max, or Blanca, added depth to his character. Eiji, despite being seemingly ordinary, stands out for his empathy and unwavering support for others, serving as a catalyst for self-reflection among the cast.
The supporting characters, such as Max, Chun, and Shorter, each contribute uniquely to the narrative, with Blanca and Yut-Lung standing out as compelling villains with complex motivations. Even Golzine, initially overshadowed, reveals layers of ego and delusion that make his character satisfyingly nuanced.
The artwork, while occasionally humorous in its depiction of blood, excels in character design and setting, immersing readers in the world of New York City.
In conclusion, Banana Fish boasts a remarkable supporting cast and pacing, despite persistent quirks. The ending, in particular, stands out as a bittersweet and beautiful conclusion to a captivating story.
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