*switches off the TV* So that's your real shell of a dark personality huh?
Uramichi Oniisan can just be summed up in these one-word caricatures: (simply *chef's kiss*) amazing, comical, wholesome (if you understood the show's intents), magnifiquely magnificent (all-around). It's "Expectations vs. Reality" in the most dark, crude stance of a satirical parody, or as I like to call it in a better light: "Adulting/Adulthood" the Animation. It's OK because the "OK Boomers" young generation will absolutely not understand how #Relatable this show is to young adults in their late 20s or adults in their early 30s (of which I am one, hands up if you belong to the Millennial generation) who have gone through this stage of handling jobs and juggling life at the same time, and now passing this knowledge down to children. How depressing can your life be when you've reached the point of no return?
Uramichi Oniisan tells the story of 31-year old Uramichi Omota, a lively and bubbly adult imitating the parody of Okaasan to Issho, a children's television program on Japan's largest TV network NHK (that's the children's arm of NHK Educational TV for ya), dubbed "Together with Maman" on MHK, also a gymnastics show for children. In truth, he is the same 31-year-old guy who was a former gymnast with a really good smile and physique, but with a caveat: he is mentally unstable. He can get away with his upbeat personality on camera, but off-camera, his life is reduced to an old man's activity of some heavy smoking and drinking while doing his muscle training hobby at times. But if there's one thing that you do not want to do: point the facts out, or Uramichi Oniisan will bite the hell out of you with his culminating depression. That's a life lesson to be taught.
Uramichi Oniisan is not alone though, he has helpers performing alongside him, and display the same fervor of lifelessness that's simiarly identical or less worse than what Uramichi is going through: his juniors of Tobikichi Usahara and Mitsuo Kumatani, both 28-years old and are once Uramichi's juniors in college, and formerly music actors 27-year old Iketeru Daga and and 32-year old Utano Tadano. What I love about their names is that mangaka Gaku Kuze has a legit reason why he has given these very memorable and likable characters names as such. See the simiarlities: Uramichi full name implies a double-faced personality (inner and outer side), Tobikichi plays the rabbit mascot "Usao" while Mitsuo plays the bear mascot "Kumao", and get this: Iketeru's full name is a pun meaning "But I'm handsome" while Utano's means "Just a singer". There's more though: "Together with Maman"'s director Tekito Derekida meaning careless director, Furitsuke Capellini meaning a literate capellini (pasta)-haired choreographer, to name a few. What insane creativity is this!?
Uramichi Oniisan has a caveat that strikes the "Home Run" effect of being very likeable: the stacked VA character cast that accompanies the entire character cast in their conquest to become the most boring, unequivocal, yet realistic human beings that we've come to love. Hiroshi Kamiya for Uramichi, Tomokazu Sugita for Usahara, Yuuichi Nakamura for Kumatani, Miyano Mamoru for Iketeru, Nana Mizuki for Utano, the list goes on and on. It's just pure undulated, unfiltered, uncensored dark comedic vibes for the realism of knowing what's in the minds of adults, and how like Uramichi, can slowly burst his misery to the children who has to bear the heavy burdens from an adult teaching them mature life values while on-set. The on-set children under the Oniisans and Utano Oneesan though, I love the children who can just ask them hard questions taught from their parents, and to slowly see the creeps befall their faces, drooping down in quietness, trying their best to not be coercive to the children who still have a long life to go. Also, this show always defaults on its running gags, which can be tiresome on repeat, but IMO it's a blast to see such "atrocities" ensue. For example, Tobikichi always bad-mouths Uramichi to the point of sheer terror if exposed; Iketeru always shudders in laughter when he hears "dick jokes", always thinks of rice balls and is unable to read analog watches; and Utano's the saddest of all: she's an idol job hopper-cum-singer, and has a boyfriend of 6 years whom is unpopular. Yikes, talk about a hundred feet drop there.
Uramichi Oniisan's production values aren't really the best, but if all it does is to adapt Gaku Kuze's manga content to a T (which it did), then I'm more than happy enough. For reference, the manga's visuals are quite simple with not a lot of attention to detail (well, just a teeny bit), so getting a low budget studio such as Studio Blanc is of no difficult manner. A fun fact that this marks the first individual-produced show for the studio in over 10 years (while 2011's Ro-Kyu-Bu! and 2017's Shobitch are co-animated shows, plus some OVAs rounding up its miniscule works list). There's not a whole lot to say about the dull visuals because it's just that to translate the manga onto the small screen as decent as it could be, but it's viable enough. The music though I must say is an acquired taste, but a well-rounded set with the duet of the singer actors Iketeru Oniisan (Mamoru Miyano) and Utano Oneesan (Nana Mizuki) for the OP, and Mamoru Miyano for the ED. The clicking kids and adult contrast vibes are there, and I absolutely love it.
Uramichi Oniisan, it pains me to see that this show is not as popular in the mainstream, but that's OK because this show fits to a certain demographic of people who can vibe what the anime is all about, me included. This is just pure abject, hilarious parodied creativity of levels I've honestly never seen before in anime, and in such a low-key series as Uramichi Oniisan, I'm very dumbfounded as to how this series manages to lay low under the radar to become one of my guilty favourites of the Summer season. It's been long since I've had my share of pure, unadulterated laughter (after last season's "Dragon, Ie wo Kau."), and more people should give this a chance (especially to the Millennials), you're truly missing out on a modern cult-following show that is a comedic, heart and gut-wrenching suckerpunch to your eternalistic reality.
