Aug 17, 2010
When you think of the genre of horror, the first things that might come to your head are words like blood, fear, and death. Junji Ito takes the word horror and literally twists and squeezes the life out of it towards a whole different meaning.
Looking at the cover you may notice the abundance of spirals. And Spirals there are a plenty. The symbol of the Spiral can often mean mesmerizing, entrancing or hypnotic, but Ito has turned this rather beautiful symbol into a deranged, inescapable hellhole.
Story: 8
Without trying to spoil the mystery that awaits interested readers, Junji Ito weaves his precious symbol the spiral by
...
incorporating the opposite side of this coin. With concepts such as passion-turned-twisted obsession, phobias turned into day and night realistic nightmares, and even has the chance to play with the innocence of love be it romantic or maternal. Guaranteed, Ito has something in store for everyone of different circumstances.
The story begins rather from rather small suspicious events and drills further deep into the limits of the human psyche in a dreadfully consistent manner. Ito guides the reader into the bowels of the rather simultaneous happenings within the town of Kurouzu-cho. These events are divided into chapters in which each could be a high-rating horror one-shot all on its own.
Art: 9
Very well done for its time. The artwork beautifully (for the lack of a better word) reflects the happenings of each chapter beginning from it's rather ordinary and simply living inhabitants to the twisted rather monstrous outcomes of the events. It's old, heavy pencil drawn designs add to the plain, but gritty nature of the story as you can tell the amount of detail difference in the human characters and the other "entities" that exist in the manga.
Character: 7
The main protagonist Kirie Goshima, is followed throughout the novel as strangely, but predictably enough everything that goes wrong happens around her. Her character doesn't exactly change or develop in comparison to her counterpart Shuichi Saito who reveals the most mental instability as can be seen from the first chapter. I won't reveal what happens around him but he appears to understand the most of what's going on throughout the novel. These characters appear to have little to no development other than learning and surviving, perhaps because the interesting ones aren't the main ones.
Junji Ito puts a plethora of different entities that Kirie encounters, each with their own unique story to tell. Although, aside from a few, most of them are simply discarded and unheard of after Kirie flees from them. Regardless, at least in my point of view, it only adds on to the slowly, spiraling and deteriorating world around the main characters.
Enjoyment: 8
It takes an iron stomach and "experienced" eyes to truly enjoy the horrific and twisted masterpiece that is Uzumaki. One can easily be turned away by the first two chapters if he/she can't appreciate what it takes to make a psychologically disturbing piece without going into mindless gore and mutilation.
The best part, at least in my opinion would not be the end, but how Junji Ito crafts the individual stories so well that each story can become more disturbing than the next without losing it's essence of giving readers a feeling of "being sucked in and the inability to escape from it's gaze".
Overall: 10
I classify this manga a masterpiece in it's own unique right. I am no experienced horror genre junkie, but I can sense a classic when I see one. I warn potential readers that this is not your everyday blood and guts horror show, but a truly psychological tragedy. A story that might disgust or disturb you, but will definitely make you feel like there's no escape but death itself.
Reviewer’s Rating: 10
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