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Dec 25, 2019
“Amatsuyu “Joro” Kisaragi is your typical dense harem lead who is showered in affection by a cute childhood friend, a mature student council president, and many others as the series progresses” – this is the false pretense that Oresuki presents to cover its true premise: that Joro is aware of this trope and is actually a manipulative scumbag invoking it intentionally to pick up girls. However, one of these being true does not negate the other, and both are layers of the show’s narrative.

Oresuki is a show that is about subtext and layered narratives. Basically every character in the show lies about what motivates their read more
Sep 28, 2019
“Kohinata Miku, you’re my sunshine. I feel warmest when I’m next to you, and I’ll always come back to you. It’s always been that way, and I’m sure that it’ll stay that way.”

Symphogear is a series that’s not for everyone. In the words of ANN’s Nick Creamer, it’s “a singing idol mecha yuri romcom battle melodrama with JoJo's sense of irreverence and a lot of fanservice,” and that amalgamation is no doubt going to scare some people off. But considering that this is a review of the show’s fifth season, I’m assuming that everyone reading doesn’t need to be convinced that this combination is actually read more
Apr 5, 2019
It’s been eight years since the previous season of Index, and six years since I started watching anime. Index was one of the earlier series that I saw, and at the time I really enjoyed it. However, a lot has changed in my life since then, and I’m not the same person I was back in 2013. I’ve been looking at this third season as an opportunity to reevaluate the series, and unfortunately, it doesn’t hold up under scrutiny. Many of the preliminary reviews suggest that this dissatisfaction is purely with the quality of this particular adaptation, but I feel the source material isn’t blameless read more
Apr 1, 2019
Hoshiiro Girldrop was one of my favorite animes of last year, and I went into the second season with the expectation that it would be similarly meaningful. And when it started off, I had every reason to believe that it would be. Needless to say, every episode was easily the highlight of its week, and I watched each one at least 28 times (maybe twice that for episode 10, which I’m sure other viewers will understand). But looking back on this season now that it’s reached its conclusion, it doesn’t fit together as neatly as I would have hoped. It sacrificed cohesion in favor of read more
Mar 28, 2019
With a multimedia franchise like BanG Dream, it can be difficult to figure out where to start. While this may be labeled as the second season, it’s also something of a soft reboot, and intended to be viewable even if you haven’t seen the first season. But at the same time, this season doesn’t include formal character introductions, even for characters who hadn’t been present in the first season, so new viewers may be a bit lost initially. If you want to consume some other material before jumping in, it probably wouldn’t hurt, but at the same time, if you’re interested in the franchise because read more
Dec 26, 2018
The challenges we face during our adolescence may be irrelevant in the grand scheme of things, though their magnitude in the moment can feel overwhelming. It's no surprise then that media which intensifies these issues through supernatural phenomenon would be popular, since teenage audiences feel as if the weight of their problems is understood. However, does this media actually help its audience to overcome their problems, or is it merely wish fulfillment to escape from them? Seishun Buta Yarou may have something compelling to say about the adolescent experience, but it's unfortunately buried under layers of tropes and cliches.

But of all the elements of the read more
Dec 22, 2018
When SSSS.Gridman first began, people really didn’t like it. I think a lot of the surface-level elements turned people away, especially since the first few episodes were fairly slow and predictable. But once the show actually got going, the actual content there kept us coming back week after week, and it ended up being not just one of my favorite shows of its season, but of the year as a whole.

Gridman is a precarious mix of genres, balancing seemingly everyday school life against giant mecha fights. The former goes against what people expect from mecha anime, and is likely responsible for the show being labeled read more
Oct 26, 2018
Mod Edit: This review was originally written for the final 4 episodes which was previously a separate entry and was subsequently merged into Satsuriku no Tenshi.

At the time of my writing this, the main page for Angels of Death is sitting at a 6.92, and the top reviews are either negative or not seriously written. However, this was one of the shows I enjoyed most during the Summer 2018 season, so I wanted to write a brief review on its behalf.

A major contributing factor to these low scores is that people don’t know what to expect from this show. You wouldn’t know this from the read more
Sep 30, 2018
“this badminton anime has had like 6 or 7 different characters break down crying in the first episode. badminton must be absolutely miserable” -@shaun_jen

The protagonist of a sports anime will typically have some talent that makes them eligible to be the protagonist – Kuroko lacks presence, Hinata jumps high, Sawamura has flexible wrists, and the list goes on. This is an ability that they have, that no one else will be able to develop, no matter how hard they try, and it’s what gives them the edge over their competition. Hanasaki Ayano has every talent there could be when it comes to badminton – handedness, read more
Sep 27, 2018
Honestly, I went into Revue Starlight expecting it to be another idolesque multimedia project trying to recapture Love Live’s success, and once the series actually began, it was swarmed with comparisons to Revolutionary Girl Utena. Unfortunately, these comparisons have been unavoidable in the discourse surrounding this anime, and few people are trying to appreciate the series for its own appeal. So, before going into what makes this series great, here’s a bit of background.

The idea that Revue Starlight is just another Utena-like is mainly based on the director of the anime being Tomohiro Furukawa, who worked under Ikuhara on Mawaru Penguindrum and Yuri Kuma Arashi. read more