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Jul 2, 2025
Revue Starlight wants to be 24 episodes so badly.
Starlight is a very interesting case study when it comes to anime. It's 12 episodes. It's a transmedia franchise spanning anime, manga, and stage shows. There's nothing else quite like it. It's an Utena-like. It's a slice of life drama with low stakes. The fate of these girls are on the line. It only succeeds at some of this.
I think Starlight could have been truly brilliant if it had been given more time to breathe, but it has a lot it wants to say and not enough time to say it. Episode one bombards us with a
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cast of unique characters and expects us to keep track of all of them, giving them all just enough screentime for the plot to make sense but not enough screentime for me to care that much about anything that happens to them. It could have been deep, but the characters read more as outlines of characters that *could* exist rather than flesh-and-blood people. Their motivations are all very compelling but they don't delve deep enough into who these characters actually are enough for it to matter. I like to call this Angel Beats syndrome.
With 9 main characters, that hardly leaves one episode for each of them. It's clearly taking after Utena, but Utena can balance its 8 main characters across 40 episodes.
Revue Starlight could have been a masterpiece, but as it stands, I think there's a reason not even 100k people have watched it (as of July 2025). It has so much it wants to be, do, and say but ultimately doesn't accomplish much of it because the author didn't know how to kill their darlings. With only 12 episodes to go around, I would have cut out Junna and Daiba, and possibly Futaba and Kaoruko as well, and just reassigned their roles in the story. Claudine and Maya could easily have taken over Junna and Daiba, and some of Futaba and Kaoruko is already reflected in Mahiru and Karen. And I understand that obviously these characters won't fuse into a perfect amalgam that can reflect that purpose and story of the devoured character as it was fully and originally intended, but when you write, you have to make sacrifices.
I respect ambition, but they really bit off more than they could chew here.
Reviewer’s Rating: 7
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May 20, 2025
The Rose of Versailles (2025): The Good, The Bad, and The Pop Songs
Okay, let's start with the good.
First of all, it's The Rose of Versailles, so no matter what it kicks ass. Secondly, the animation is absolutely gorgeous. It perfectly captures the beauty of the classic 1970s shoujo art with its meticulous details and sparkles, and I could hope for nothing less in a modern take on The Rose of Versailles. It also contains a few plot points from the original manga that the original TV series didn't adapt, so fans who haven't read the manga will see them, and it shows an appreciation for
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the source material.
And...well, that's about it, sadly. Woof
So, the bad.
Let's get this out of the way: a ten volume manga, originally adapted into a 40 episode TV anime, will not adapt neatly into a two hour movie. From the project's inception, it was going to have to abridge the story, and I think anyone expecting otherwise is a fool. And I'm actually mostly fine with this. As I see it, it's a 50th anniversary celebration for people who were already fans of the series and thus would already know the entire plot, and *not* an attempt to bring the classic story in its full glory to new fans. I think this can be seen with details such as Rosalie making a cameo appearance rather than being cut entirely.
And this is why I've given the movie a rather generous 6/10. The pretty severe abridgement of the story is a major downside, so I do have to bring down the movie's score, but I think if you reframe your mindset to view it as a a celebration rather than something meant to deliver you the full story, it works a lot better, especially considering you can tell the movie was made with a lot of love for the manga.
And finally, the pop songs.
The pop song are, in my opinion, the movie's biggest problem. I might have given it a seven without them, because at the end of the day I love The Rose of Versailles and I think the movie isn't bad as a 50th anniversary celebration. But...God, okay.
Let me make this clear: I love musicals. Musicals are one of my favorite forms of art period. But this movie...
First of all, the songs are sung in-character, but they're not actually sung by the characters on screen, and are rather overlaid over scenes of the characters doing whatever else. This movie has been compared to an AMV, and...yeah lol. It's an extremely weird and awkward choice for a musical. Secondly...listen, maybe they work much better in Japanese, but the lyrics are extremely awkward, forced, and corny. They're so on the nose and basically just say exactly what's happening. And most importantly: they're *pop* songs. In a story about the French revolution.
And I'm not saying anachronistic soundtracks can't work. There are many examples of them working well in film (for example, Baz Luhrmann's filmography). However, when a work utilizes an anachronistic soundtrack, it usually leans into the dissonance created and purposefully juxtaposes the time periods as a stylistic choice. The Rose of Versailles...plays its setting completely straight. So...needless to say the songs do not work at all! The only song I kind of liked was the Masquerade song but that's just because it wasn't really a pop song and it was played at a time I could think of it as diagetic.
I like this movie more than most Rose of Versailles fans. I think it's rather beautiful and was made with love as a celebration of the series reaching its 50th anniversary. But, well, all of those years of development hell clearly weren't kind to it.
Reviewer’s Rating: 6
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May 9, 2025
Mysterious Girlfriend X is weird; there's no denying that. It's known less by its title and more by the moniker of "The Spit Fetish Anime." It's an anime I absolutely cannot recommend to anyone.
But I'm going to try anyways.
For a moment, let's put a pin in the spit stuff, because it's actually a relatively small part of the anime when you look at the bigger picture. What Mysterious Girlfriend X really is is a rather honest and true-to-life depiction of coming-of-age and growing into your own sexuality with your equally interested peers who are undergoing all of the same discovery that you are.
If
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anyone is interested in this show but is reserved because of the drool in the room, I recommend you watch the OP, because *that* is what can give you an accurate impression of the show's overall vibe, not word of mouth. Despite being about a strange weirdo girl, the romantic montage depicted in the OP is incredibly sweet, and that's also what the show is. Despite how she puts off her classmates, our main character so honestly and genuinely likes her, and that's not only refreshing but extremely charming for a romance anime.
A lot anime set in high school is only set there by happenstance and the characters could be aged up without consequence. Something I like about Mysterious Girlfriend X is that that's not the case. MGX is a coming-of-age show in the truest sense of the word, and despite centering an absolute freak (supernatural) of a girl who has something supernatural about her, it's an incredibly realistic depiction of what it means to discover relationships and sexuality in your hormonal teenage years. Even better, it's about discovering your sexuality in a safe, sane, and consensual environment with someone who likes you back. The male characters in this show are nothing short of horny, but it is specifically in regards to the girls they are in committed relationships with who they want to experiment and go further with, because this is new to all of them.
For such a bizarre, gross concept, its one of the most realistic teen romances I have ever seen.
The presentation is also great. The art style is extremely charming and unique, and the soundtrack is different from most romance anime to fit the supernatural, sometimes spooky vibes. Also, I watched it in English, and though it does do that weird early 2010s dub thing of leaving in some honorifics, it's a very well dubbed show. I'm not the biggest an of Greg Ayres and Brittany Karbowski, but they did a really great job here as the supporting couple and friends of the leads, who have a fun little relationship in their own right, being the more experienced couple our leads can fall back on. Karbowski's character was actually my favorite; what a silly bisexual freak (kinky) of a girl. And though I had never heard Urabe's voice actress before this, I too was impressed by her work. Though, the real winner of the dub is JJ Grelle as the lead, who delivered their lines in an incredibly natural way that really made the lead a charming and likable guy.
"But what about the spit stuff???" I hear you cry. Yes, what *about* the spit stuff?
Well...it's certainly...spit stuff. I.E: it's gross and weird. However, I cannot imagine MGX without it. You'll just have to take my word on this one, and I know it's a big ask, but it really does add a compelling driving force to the show, and it bizarrely fits right in with the coming-of-age and sexuality discovery. It's freaky. It's supernatural. It's about psychic powers and soul bonds. It's a disgusting bodily fluid. It's *weird,* I know, but you have to at least hear me out when I say MGX makes it work. Somehow, these scenes of swapping spit in a certifiably unsexy way are some of the most heartfelt I have ever seen. I mean, what encompasses discovering your sexuality more than sharing your emotions through bodily fluids?
Mysterious Girlfriend X isn't good in spite of the spit stuff. No, it's good *because* of the spit stuff (at least in part). And I know that I will not be able to sell this to most people, but I implore you to at least think about this show with an open mind.
It's not perfect. It occasionally falls into tired romance cliches, the male lead is still rather generic, and it's certainly a hard sell, but it's also one of the most creative, realistic, and refreshing romance anime I have ever seen, and even more than that, it is elevated by its bizarre premise.
Reviewer’s Rating: 9
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Apr 26, 2025
What made Madoka Magica soar was its clever playing with the pre-established tropes of the magical girl genre and how it created characters with depth and complexity that could not exist outside of the story's darker take on the tropes.
Magia record...does not do that.
There's nothing wrong with the story, per say, but it's really more like these characters just so happen to be magical girls. It does not focus in on the inherent trauma that is becoming a child who fights monsters and having your emotions exploited for personal gain like its parent series does. And why set a story in the Madoka universe
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if you're not going to do that? It's moreso just a magical girl story played completely straight that happens to be dark. These girls fight witches, but they don't feel like they're under the constant pressure of the knowledge they're living on borrowed time. Granted, this is because the characters don't know the truth about what being a magical girl is until the end of the show, but 1) no one was making the writers keep them in the dark and 2) more offensively, that means is it's a huge missed opportunity to utilize that dramatic irony to disturb the audience.
The characters of Puelli Magi Madoka Magica could never exist in another story. The characters of Magia Record could exist in any slightly darker magical girl story. Hell, they could exist in any dark fantasy story, really. It's definitely the Madoka universe, with it's witches, soul gems, wishes, and incubators, but it really doesn't need to be. It took the bones of Madoka but none of what actually matters: the flesh.
Furthermore, this show features a cast of original gaiden characters, but the main cast of PMMM make cameo appearances. These cameos feel awkward, shoehorned in, and unnecessary, clearly only included to draw more viewers in. It would be much stronger of a show if it didn't include these classic characters, clearly relying on them as a crutch when it should be naturally folding the gaiden characters into this world. This is especially bad because the cast of Magia Record was already bloated, so the characters really needed much tighter focus (and probably to kill some darlings).
I'm not going to say not to watch it because it's a functional story set within the PMMM world. It's easy to watch and be entertained by. But for something spawned of such an incredible source material, it's unfortunately mediocre.
The story is fine. The characters are fine. It is easy to watch and makes sense. But for a Madoka Magica series, it has so little of the Madoka spirit.
Reviewer’s Rating: 6
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Apr 17, 2025
Ano Yoru no Pool (lit. The Pool That Night) is a beautifully profound story of human connection and adolescence, packing so much care and meaning into a short chapter.
It follows two teenage boys who attend high school together—one popular, one not—who bond with each other over the fact that they're both outsiders. Koizumi is bullied by his classmates for being awkward and frail, but despite this, he forms a connection with the popular Hayato, who is something of an outcast within his own friend group due to his disinterest in romance and relationships (which, as I'm sure anyone who once attended high school will remember,
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seems to be the only thing on the mind of so many people that age).
The friendship these two strike up is such a caring, empathetic portrayal of the value of friendship and kindness, showing how we should be treating the people in our lives, even if they're "different." Its portrayal of both bullying and the resulting mental illness as well as the aromantic experience are, from my personal perspective, very respectful and accurate to life.
The art style—leaning towards the more realistic, gritty look as far as manga go—is perfect for telling a story as grounded as this one, and it's very nice to look at. I was disappointed to see that apparently this author hadn't published anything else, and a large part of that was because I liked the art style so much.
For as short as it is, there is literally no reason not to read this, ever.
Reviewer’s Rating: 10
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Mar 13, 2025
If this anime does anything right, it's that it gives people absolutely no reason to ever play the game it's based on. Not only does it actually answer the biggest question the game left hanging (and the only question fans actually wanted to see answered), but it also fleshes out the original game's adapted storyline. It's kind of crazy how much more depth and complexity it adds to their versions of the game's cases, considering they're about 40 minutes shorter than their originals.
And...that's about it.
For what it's worth, Hershel Layton becoming a father feels like a very natural next step for his character, and seeing
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his daughter become a detective seems like an amazing concept, but then they just do so...little with it.
They propose this grand, overarching mystery about The Professor, saying he (and Luke) went missing years ago, and it will be up to Katrielle to find them. That sounds awesome, naturally. But in the meantime, she spends the other 44 episodes meandering around doing fuck all.
Okay, that's mean. She solves her own mysteries. But the mysteries she solves are boring, dull, and sometimes downright stupid. However, worst of all, they never mean anything. Nothing of consequence happens in this show. Nothing ever changes. When characters do bad things, they never face ANY sort of punishment, because this series thinks that low-stakes shows are never allowed to change the status quo.
A lot of the mysteries had me laughing at just how stupid they were. I know it's a kids show, but so many times I was saying "really?" It's also laughable that it presents itself as a fairplay type of mystery when it really is not. Halfway through each episode Ernest will look right at the camera and say "well kids? Can you solve it? Here are the clues so far" and then Katrielle will solve it with information the audience was not privy to.
One of the biggest problems though, in my opinion, is Katrielle herself.
Good characters can save a bad plot. And Katrielle is...
Okay. Listen. I want to like her. She's Professor Layton's daughter, and absolutely adorable, mind you. But I find her to be absolutely egotistical and selfish. And the problem is that the writers think it's charming. She proudly hypes up how great she is and then says pretty mean things about the other characters, even though she tends to be rather lazy and gets distracted from her responsibilities by food or shopping. Like many great detectives, she really only seems interested in helping people for the personal fun of solving a mystery, but unlike other great detectives it's never acknowledged as a character flaw.
To give an example of her behavior, there's this one episode where she sees her assistant, Ernest, on what appears to be a date, and she interrupts it to yell at him because he's eating a dessert that she hasn't gotten to eat yet and she wanted to try it first, because she's also something of a glutton. And that's supposed to be...cute? funny?
She's honestly pretty mean to Ernest, and not even in a teasing way. Like, she'll do things like just...call him useless for no reason? And I get that she doesn't return his crush on her but like. Damn!
Now, having a protagonist be kind of an asshole can certainly work. It can even work for comedy. But there's an art to making it work. For example, Layton's sister series: Ace Attorney. Ace Attorney protagonists tend to be rather judgmental and snide, however it works a lot better for them because their rude comments are usually teasing or banter, meaning they tend to be very clever and witty, not meant to be taken seriously, and intended to be (and usually are) met back with comments of equal snark. It works because they're joking around in a series where launching sick burns at each other is the norm.
But Katrielle...
Katrielle is kind of a self-absorbed bully who is right all of the time and everything always goes her way and everyone marvels at how cool she is in spite of her behavior. The mean things she says and does aren't clever or funny teasing, and she never gets any of that treatment in return. I could probably be more forgiving of it if she were a teenager, as she acts, but she is a fully grown twenty one years of age.
The rest of the characters aren't anything special either. Ernest is rather mediocre (even in spite of getting his own arc), and his crush on Katrielle can get pretty annoying. He's a total simp, and it's like. Come on man. They actually do focus on his character near the end of the show, but it's pretty poorly built up and in the end means nothing because, as I said before, nothing of consequence happens in this show and everything always goes back to status quo.
The tritagonist is a talking dog, Sherl (you'll never guess who he's named after) who is also mediocre. Although, I'm a bit offended by the fact, the dog joined the detective agency so Katrielle could solve the mystery of his identity and then they never solve it. What? Why would you propose a mystery and then never solve it?
Well, Sherl is easily the most tolerable of the three characters, so I guess I can't complain that much.
And finally, this show is just a barrel of missed opportunities.
At the end of the show, we briefly see a young man on screen for a few seconds in a nonspeaking cameo. Who is he? Why, Katrielle's brother of course!
Oh, you don't know that Hershel Layton has another kid? Yeah I don't blame you.
Not only is not including him (his name's Alfendi btw) a huge, HUGE missed opportunity, but it actively makes the story make less sense. There's also the mystery of where Flora has been all this time, which is also the world's biggest missed opportunity. But Level-5 hates Flora I guess so they're going to prioritize that over writing that makes sense and is fleshed out and well rounded.
There are six episodes of this 50 episode TV anime worth watching. I do recommend that six episodes, very much so, the res of them? They are dull, boring, and stupid, because this show is so afraid of breaking status quo none of the plot events actually mean anything. And to top it all off, the characters are mediocre and unpleasant.
I know it's a show for children, but children deserve good shows.
Reviewer’s Rating: 5
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Feb 28, 2025
Great Pretender is a manga based on the original anime of the same name. The anime ran for 23 episodes, successfully telling a smashing story of action, mystery, drama, and crime. The manga hit the ground running getting the same thing started, setting out to be a fresh take on this action-packed tale of worldwide spectacle.
And then it...wasn't.
After such a promising start, it was cancelled after three chapters due to the author's health issues.
Well.
I can't say there's much incentive to read this now is there?
The three chapters we did get were great, of course. It's Great Pretender, after all. What a great
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start to an awesome story of exciting large-scale white collar crime. But considering it never goes anywhere...there's nothing you can get out of this that the anime doesn't already give you, and you absolutely want to watch that; it's the only way to see the entire story.
It looked like this manga was going to feature some changes from the anime that could have been interesting (for example, Abby having long hair), but ultimately it amounted to nothing.
I did still really enjoy the three chapters I read, but since it doesn't amount to anything at all, there's no reason for anyone but the most diehard of Great Pretender fans to read this.
Reviewer’s Rating: 8
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Feb 26, 2025
Man, remember how in the 2000s companies would just pay fanfiction authors to officially publish their doujinshi? Good times. Bring that back. And if you're in the mood for some officially licensed 2000s fanfiction, oh boy does this have you covered.
This doujin anthology has Capcom's official seal of approval on it, so you can expect that the authors know what they're doing. They have a very good grasp of the characters, and do well mixing the comedic with the dramatic. I found a lot of the stories in this anthology to be very poignant and introspective, and I could tell the authors really loved and
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understood the characters. Some of the art was kind of rough, but again, for literal fanfiction it's all very nice to look at, and I appreciated the variety of styles.
This anthology was actually published not long after the DS ports of the original trilogy came out, so it actually heavily features Lana and young Ema Skye. This is actually a treat, because this is the most attention Lana has *ever* been given by Capcom, and it's interesting seeing people work with young Ema when that was literally the only Ema that they had. It kind of makes me yearn for this era of the fandom, even though I was two years old and American.
Anyways, as far as fanficton goes, this stuff is pretty good! Of course, I didn't love every story (there were a few I didn't seem to agree with the author on), but that's just how doujin anthologies are going to be.
Man, I wish they'd reprint this, because it's very enjoyable both as fan content for a good series as well as a time capsule of a certain type of fandom culture from the 2000s in Japan. It's very easy to appreciate, and I recommend looking back at this one if you can get your hands on it.
Reviewer’s Rating: 9
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Feb 26, 2025
It's absolutely bizarre to me that this manga has gotten little to no attention since its publication in English, because it is an absolute treat.
Sexuality and gender are more fluid than most people would like to admit. Of course, for the vast majority of people—gay or straight, trans or cis, or anywhere in between—those things will not be fluid. Once people realize who they are, it generally stays that way. However, that absolutely does not apply to everybody, and in fact, the opposite is much more common than people often think.
Deborah is my Rival is the story of a fussy okama falling for a sweet
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shoujo heroine, calling into question societal expectations and their own emotions. For those unaware, "okama" is traditionally a derogatory word aimed towards feminine gay men and transgender women, although it is also often used in a reclaimed way.
Deborah is an okama in every sense of the word. Flamboyant, extravagant, and hopelessly chasing after cute boys. As far as he is aware (and yes, I will be using he/him pronouns, because that is what the translation I read used, and he shows much more attachment to his male identity than another okama in the series, who is gendered exclusively with she/her), he is exclusively attracted to men, much like a woman is—a "woman on the inside," one could say. And then Asayo enters the picture and turns everything upside-down.
He likes her, but he's never liked a woman before (then again, he *is* quite young. Do most people have themselves figured out at age 19?). He feels as though he likes her the way a man does a woman, but he still feels partially like a woman himself due to his remaining attraction to men. So what does this all mean?
Well, first of all, it stands to be said that obviously gender does not equate to sexuality. Liking men does not automatically make you a woman and vice versa. The manga knows this, however, as it also clearly shows gay men who are simply just men. Just because sexuality and gender do not equate, however, that does not mean that they can't influence how one experiences them. If someone's personal experience is that their sexuality informs their gender identity, that is perfectly reasonable as their own personal experience.
Some people might find this manga homophobic, as a blatantly gay man turns out to actually like a woman, thus making him feel more like "a man," but I don't think that at all. Because despite his love for Asayo, he remains attracted to men and attached to the womanly side of his identity. He does not change, even if he discovers new things about himself. And, as I've said so many times, sexuality can be fluid for a lot of people. One may discover their preferences have changed, including developing a previously absent attraction to the opposite sex.
And no matter what, even if you think it didn't age well, the manga's representation of queer characters aged remarkably for a manga published 30 years ago as of when I write this. Something I actually appreciate is that, even in 1996, Asayo was actually accepting of the prospect Deborah is really a woman who could never like her back, and she would have been content with that if it had been true. The thing about the queer community is that only in the last 15 years has it become so streamlined into neat little boxes, when before that it was always messy and complicated, and I don't see why we should expect it to be neat and particular. I think this manga does a great job showcasing the messy fluidity of the queer experience in a very empathetic and kind way, considering it's a heterosexual romance manga from the 90s.
As for the actual plot, it's just a quirky, funny, cute queer romp featuring compelling drama and charming characters. Deborah is wildly entertaining with his pretentious and dickish attitude developing into a softer side for the sweet-as-pie Asayo, with them having a bit of a back-and-forth dynamic that's very funny in between their moments of genuine romance. Unfortunately there isn't nearly as much to say there as there is about the queer themes.
Fantastic 90s shoujo that isn't long at all. It may have taken years to get licensed in English, but now that it finally has, I highly recommend you pick it up.
Reviewer’s Rating: 8
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Feb 6, 2025
On one hand, it's a less complex version of House where the problematic doctor is a cute anime girl instead of a gross 40 year old man.
On the other hand, it's just an ordinary detective story that uses the medical environment as set dressing and in reality has very little reason to be about a doctor.
Neither hand is particularly appealing.
I mean, if you're a huge fan of detective stories, it's not bad. Detective is one of my favorite genres, and I enjoy watching Ameku MD solve the mysteries. However, the sell of the series is the "doctor" gimmick, and it relies on its gimmick for
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the sell far too much for something that hardly even utilizes it, as these are moreso just regular mysteries (usually relating to death) that have a little medical flavoring. If you're going to do a gimmick, you really need to use it. The detective doesn't really need to be a doctor, just someone with investigative skills and basic medical knowledge. It just leaves me feeling disappointed that the gimmick isn't utilized.
In fact, sometimes medical knowledge is hardly even required. I'm all for a fairplay whodunnit, but some of these mysteries are pretty predictable, so it's really funny how no one in the show can seem to solve it. Come on now.
And I don't find our eponymous character to be all that compelling either. She's your standard eccentric detective character, although they act like she's much more eccentric than she really is. As I stated before, this show was obviously inspired by House (they drop an "it's not Lupus" two minutes in) but she lacks the psychological complexity of the bad doctor. Her "eccentricity" is summed up by just being a little meaner and unprofessional than most people, but if I wanted to see that I would go back to working my customer service job. Just being kind of a jerk does not a compelling detective make.
Her Watson is also not compelling in the slightest. Detectives have assistants because they need someone to ask all of the characters the audience is asking, but those assistants should not be used only for that. A good Watson is a character in his own right. This guy (I can't even remember his name he's so nothing) is just a piece of anime white bread.
Also, the animation is a little off model. That doesn't bother me, but it might bother you.
It's not bad. It is entertaining to see the mysteries be solved. But it's nothing special.
Reviewer’s Rating: 6
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