Utsuro no Hako to Zero no Maria
The Empty Box and Zeroth Maria

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After an excruciatingly long time of waiting, at long last the seventh volume of Utsuro no Hako to Zero no Maria (more commonly referred to as HakoMari) has now been released, and with that it's finally time to close the lid on one of the greatest works of literature to have ever originated from Japan, and the overall best light novel I've ever had the pleasure of reading.

HakoMari's story is... *unique* to say the least. It can be classified as fantasy, mystery and psychological above all else, but it really touches upon just about every genre imaginable during the course of its progression. It starts ... out seemingly ordinary with a typical high-school boy named Hoshino Kazuki who is extremely fond of the idea of having a so-called "normal, everyday life". But when a mysterious girl called Otonashi Aya one day joins his class, announces that it's her 13,118th school transfer and that she's here to "break him", Kazuki's life immediately becomes as far from normal as humanly possible.

The plot progression of HakoMari is very difficult to explain to anyone who hasn't read it, because it's unbelievably complex and also very niche. It primarily revolves around a wish-granting device called a "box". The "boxes" are given to various people and function in different ways depending on the characters' personalities, what they wish for and also how much they truly believe in the concept of granting wishes to begin with. But either way a box can be considered a space like a fictional world which people can be trapped inside, and it operates under its own rules. In this way, effectively anything is possibly in HakoMari because all laws of normality are completely thrown out the window.

I think HakoMari can be classified as "Chaos Theory". It's completely erratic, yet very systematic. It's completely irrational, yet makes absolutely perfect sense. It's abstract, yet completely logical. It messes with your head like nothing else from essentially the first sentence of the first volume and it never ever stops, but neither does it stop fascinating you with what it's capable of. The plot twists are so incredibly difficult to predict, but they always make you feel like the answer was so obvious all along once the truth is revealed. It's just that well-written, and as a result it never fails to make you smile and impress you.

Almost every single volume is very different from the rest since every box operates under its own set of rules, but they still always maintain the same dark, cryptic yet incredibly captivating atmosphere. This is all possible because the writing and narration is simply superb. The author makes the readers dance to his tune like puppets with his almost cult-like writing style, and when all is said and done it's probably the main reason why HakoMari is so interesting to read. It's like trying to lay a three-dimensional puzzle in the dark, except the author is helping you by guiding your hands for you. In that way it feels like you're being presented an overall storyline that reasonably shouldn't be possible to write, except somehow it actually works out. But it's something that cannot really be explained in words alone, you have to read it for yourself.

Another interesting aspect is that HakoMari has multiple protagonists. It constantly changes perspective. Each and every character is thus provided incredible depth, much more so than you would ever expect from a novel only seven volumes long in total. Furthermore, given the abnormal nature of the story itself, the different perspectives give you vastly different impressions of the flow of events.

Overall, what you have is a light novel which is unlike anything else on the market, has some of the best writing I've ever seen and never ceases to amaze you with its unbelievable twists and turns. It makes you care about the characters something tremendously due to how captivating it is from the very beginning, and presents you with a storyline which is as about as close to flawless as you can possibly get. I don't think I've ever talked to anyone who's read HakoMari and didn't like it, which is something I don't think I've experienced with any other series, regardless of medium.

As it is though, HakoMari is only hyped in the west, but it's basically unknown in Japan. Thus the chances of HakoMari ever getting an anime adaptation are probably rather slim, even now after the novels have finished publishing. However, I do not believe it is humanly possible to make an adaptation of HakoMari that would do the novels justice anyway, so maybe that's for the best. Either way, I'm more than happy with what we got, because it is my all-time favorite light novel and quite simply one of the overall best reads I've ever had in my life. Highly recommended to essentially everyone.

As, of now, one of the top 5 light novel series on MAL, and as someone whose only read a few light novels, I thought it would be fair to take a dip into this series to get me more into the medium. With countless reviews praising it as genius, and some spouting it as a masterpiece, I thought I would also be rating this a 10 in the end along with the many others. However, as you can see by my score, HakoMaria is by all means not what its all cut out to be.

When I finished this series, because of the ... little light novel exposure I had, I thought it would be best not to treat it as just a light novel and compare to light novels, but as a book series. With this perspective in mind, let me tell why I don't think this is a super great book series.

I think one of the main problems with this story are two things: complexity and characters. To begin, if we strip away all the fluff from the conflicts, if we actually look at the stories without all the dressing, we get some pretty overused clichés and concepts. Now, I am not saying these clichés and concepts are a bad thing, I am just saying there is nothing original about it. The author tries to add these complex tidbits as a way to, in a sense, "distract" the reader from what is going on, but for a person like myself, I already new what was going to happen next. Not only that, he extrapolates those idea and draws them out as long as possible. It gets to the point were the worst arc takes up an entire two novels! I forced myself to get through. In other words, the author tries to add complexity to predictable story plots which in some cases, makes reading such a drag.

And then there is volume 7, something, in comparison to the rest, is actually pretty good. So does having a good ending mean all the rest is good as well? That is up to debate, but I will allow you to make the choice for yourself.

Another problem with this story is the characters, in particular, those stereotypes. You got your pretty stereotypical protagonist, that bossy girl, that pretty girl, that smart girl, that smart evil guy, the cool guy, that quite girl, and then might as well throw in a villain that really doesn't have a reason for doing anything except add to the plot. If this work was a masterpiece, I need more realistic characters please. Now, I am not saying I don't like the characters, I particularly enjoyed Oomine the most, but I just need better character development and something that can really relate me to them, not just some protagonist whose like "oh, I want to maintain my normal life" and that is it. And then, suddenly, he starts doing some mad #### to protect this philosophy. Even though the character's thoughts and psyche are explored, that does not entail realism or relatability.

Overall, do I hate this series? No. I enjoyed reading it, and I enjoyed the entire concept, and I thought it was cool. I don't want to hate upon the series, I do think its good, the ending was great, but in my opinion, this series by no means deserves masterpiece status.

Anyway, I'll leave the rest up to you. Take a dip.

Plainly put, this is garbage.

This is the type of story writing and story telling that is killing the writing industry.
It's a story disguised as a complex one, but at the core, it is simple beyond belief.

The twists and turns of the plot are simply there to briefly trick you even though you've already known the outcome of a certain event.

All its "complexity" just seems like the author getting new ideas and then cramming that idea into the story, realizing it doesn't end in a favorable outcome, and then finding ridiculous ways to explain why the favorable outcome was achieved.

This is just over-hyped beyond belief.
...
--An update--
I never imagined my review would get top.
I've had countless angry fans raid my inbox and comments. Most want to just berate me, but some do want more information. For those few people, I will add some more:

The interaction and dialogue between characters seems off. To me, they do not communicate like a normal person. I know they are meant to be odd people, but the writing made it difficult to understand or even become interested in what they had to say. The best way I could describe it is if aliens came to Earth and only studied humans via anime. And then they tried to write a story based around two awkward anime characters, that's what this felt like.

Some people have pointed out that it is due to bad translation. My first language is Japanese, I read all Japanese literature untranslated.

As stated before, the "complexity" is just a mess. The many "rules" of the world are not defined, but this seems to be very intentional, but not to provide "mystery" or "twists". It seems as though the author made it so they can add or modify rules for their needs. The "twists" only seek to surprise us without adding any value to the plot. Situations in the novel change, drastically at times, for no apparent reason but only to meet the author's objective. This is a classic blunder by bad writers. They have a beginning and an end, but they don't know how to write the middle to tie the two. "the man fell off the cliff...but didn't die because a dragon saved him! and the dragon never comes back into the story"

Hope this helps