shanimebib said:Eita_Izumi said:Man, you just summed up the real story...
I don't have any intention to spoil anyone. I just summarized the PV and my thoughts on it based on what I saw. I have no intention to read the novel because I want to experience the anime. It was a
grand prize winner novel, so I am expecting the story to be good.
BadassAckerman said:
Really?! Im in the middle of learning japanese but not good enough to be able to understand a novel. With you saying this just make me more and more curious, wanting the series to be aired as soon as possible! Agreed! Even I only know a little about the story but the art kyoani providing just unbearable. I cant wait anymore!!
Is your Ackerman comes from the Ackerman we know? Because she is Violet in case you did not know.
KyotoAnimation keeps on setting benchmark for them and everyone else one after the other when it comes to art and animation, directing, attention to details and visual story telling. When Kanon (2006) came out, we were like "is this really TV animation?" compared to the anime that were around at that time. Then came Clannad (2007) and Clannad After Story (2008) with some of the most beautiful animation you'd come across in TV anime, setting even a higher bar. When they decided to do a featured movie on Shoushitsu, everyone was asking if their style would actually go with a theatre release. They produced a masterpiece and a Box Office hit in Shoushitsu (2010). And then again with another Box Office hit in K-On! Movie (2011). When we started to think we have already seen the best of KyoAni, they produced Hyouka (2012) with the most refined animation and extraordinary attention to details you'd see in a TV anime at that time. As they continued with their beautiful animation that we saw in Chuunibyou, Tamako Market, Kyoukai no Kanata, Free! etc. everyone started to think KyoAni have reached their potential. But we were again proved wrong when they produced Hibike! Euphonium (2015). That was considered to be a gold standard. An anime made with so refined animation and attention to details that drew appraisals from contemporary animators, directors and other important people in the industry, some labeling their animation as unreal. And now we have Violet Evergarden which already looks more beautiful on the PVs alone.
While the whole world praised Shinkai Makoto for his Kimi no Na wa, the director himself said Koe no Katachi is at such a standard that something you can never replicate. That sums up Kyoto Animation.
The naysayers will always bash Kyoto Animation, but they are the only studio that kept on evolving for the better over the past 15 years. A studio that works with a small group of people, and produce everything in house, they are simply amazing.
Violet Evergarden aside, I am already looking forward to Take On Me, Liz to Aoi Tori, 2-nensei ni Natta and Tsurune next year!