New
Sep 4, 12:33 PM
#51
Sep 4, 12:45 PM
#52
Sep 4, 1:10 PM
#53
Reply to deg
@feyyazu35 is jc staff even part of the production committee?
@deg Dude, that's not important. J.C. Staff shouldn't have agreed to make Opm when they make 20 anime a year. |
Sep 4, 2:42 PM
#54
They hired a fucking pornographer for their biggest anime?!?! Hahahahaha no way What a trainwreck |
giantpuddingSep 4, 2:49 PM
Sep 4, 3:24 PM
#55
Reply to deg
@Old_Greggu did you check the directors track record? is he a genius director like shingo natsume that made season 1 so popular? we are not psychics but we can do educated guess
@deg I don't know how educated any of you are, and my point still stands, better to be surprised, than dismissive. |
Sep 4, 4:27 PM
#56
Reply to feyyazu35
@deg Dude, that's not important. J.C. Staff shouldn't have agreed to make Opm when they make 20 anime a year.
@feyyazu35 what kind of business or capitalist that denies more profit though? most anime studios are just hired contractors except maybe kyoto animation so the blame lies more on their customers the production committee in this case that knows well the studio jc staff is overwork or overloaded already |
Sep 4, 4:28 PM
#57
Reply to Old_Greggu
@deg I don't know how educated any of you are, and my point still stands, better to be surprised, than dismissive.
@Old_Greggu or you can treat this as a red flag to lower your expectations and be surprise if it turns out decent or good enough at least because hyping an anime show to the max is the main source of disappointment when it did not meet fan expectations |
Sep 4, 4:38 PM
#58
Reply to deg
@feyyazu35 what kind of business or capitalist that denies more profit though? most anime studios are just hired contractors except maybe kyoto animation so the blame lies more on their customers the production committee in this case that knows well the studio jc staff is overwork or overloaded already
@deg Are you seriously defending JC Staff :D? Dude, JC Staff needing money doesn't mean they have to make 20 anime at once :D. There are plenty of indie studios like JC Staff, but none of them can survive without making 20 anime a year. |
Sep 4, 4:41 PM
#59
Reply to feyyazu35
@deg Are you seriously defending JC Staff :D?
Dude, JC Staff needing money doesn't mean they have to make 20 anime at once :D. There are plenty of indie studios like JC Staff, but none of them can survive without making 20 anime a year.
Dude, JC Staff needing money doesn't mean they have to make 20 anime at once :D. There are plenty of indie studios like JC Staff, but none of them can survive without making 20 anime a year.
@feyyazu35 im saying how a capitalist or business work, its no secret that jc staff does a lot of anime projects per year more than mappa that people meme about so the production committee knowing that still choose them so again the production committee of one punch man does not care about quality |
Sep 4, 4:50 PM
#60
Reply to deg
@feyyazu35 im saying how a capitalist or business work, its no secret that jc staff does a lot of anime projects per year more than mappa that people meme about so the production committee knowing that still choose them so again the production committee of one punch man does not care about quality
@deg Dude, production committee are already like that, but JC Staff shouldn't accept projects in such situations. |
Sep 4, 5:01 PM
#61
Sep 5, 1:14 AM
#62
Frankie3 said: I love watching people not from Japan cry about stuff made for Japanese people. Art is made for people, not just japanese people. You sound miserable as hell. They want everybody to like their work. |
Sep 5, 1:23 AM
#63
GabiiNova said: Frankie3 said: I love watching people not from Japan cry about stuff made for Japanese people. Art is made for people, not just japanese people. You sound miserable as hell. They want everybody to like their work. Pointing out that anime is targeted for Japanese people does not make someone miserable. Of course they want more people to like it but the cultural references in the shows and themes are targeted for Japanese people. Keep going with the personal insults and good luck with your shitty rap music linked in your profile and enjoy never being able to buy a house or provide for your family living in Vancouver. At least it has rainbow cross walks for you to feel better about. |
Sep 5, 1:39 AM
#64
Frankie3 said: GabiiNova said: Frankie3 said: I love watching people not from Japan cry about stuff made for Japanese people. Art is made for people, not just japanese people. You sound miserable as hell. They want everybody to like their work. Pointing out that anime is targeted for Japanese people does not make someone miserable. Of course they want more people to like it but the cultural references in the shows and themes are targeted for Japanese people. Keep going with the personal insults and good luck with your shitty rap music linked in your profile and enjoy never being able to buy a house or provide for your family living in Vancouver. At least it has rainbow cross walks for you to feel better about. Having cultural references and themes is different then being made for japanese people. You're saying 2 different things now😵 In alot of anime/manga there are references to the creators background. That goes for alot of creators around the world. And I said you sound miserable because that comment is extremely ignorant which is what miserable people are. I'm only speaking facts. And look how hurt you are by one comment, checking my profile and bringing up things that are completely irrelevant to the topic at hand which is typical for miserable people to do which just further proves my point...you sound miserable. |
Sep 5, 1:56 AM
#65
At this point, I do not know what to say. Even if shingo natsume would return as a director and madhouse being production studio, opm 2 would still have noticable dip in quality because most of the veterans animators that were working on opm 1 (they are the ones made insane quality as it was) were busy working on other projects, and considering how demanding opm is to make, they did very good job at opm 2 being very well animated series as a high profile series. |
Sep 5, 1:57 AM
#66
Reply to jacobPOL
At this point, I do not know what to say. Even if shingo natsume would return as a director and madhouse being production studio, opm 2 would still have noticable dip in quality because most of the veterans animators that were working on opm 1 (they are the ones made insane quality as it was) were busy working on other projects, and considering how demanding opm is to make, they did very good job at opm 2 being very well animated series as a high profile series.
https://sakugabooru.com/post?tags=one-punch_man_2 https://www.youtube.com/watch?v=-C-scSEY-M0 |
Sep 5, 2:12 AM
#67
V1P3R0P said: So you want us to blame the higher ups for appointing them as the director? How is it different from blaming them? Blaming the director "Hentai director ruined One punch man" Blaming the higher ups "producers ruined One punch man by appointing a Hentai director" My point is, ultimately blame anyone, the bullet hits the staff who worked on it. You are just hitting the same person indirectly. The director themself appears to be acceptable (depends on what you consider acceptable), so given the proper time they should be capable of adapting the story. However, things can turn out much differently when directors are forced to rush things. Based on how long it took for them to be announced, it wouldn’t be insincere to think that’s the case. |
ossuarySep 5, 2:17 AM
Sep 5, 5:27 AM
#68
Ima let him cook. Imagine S3 ends up being better than S2, or even S1. The content of S3 is going to be a blast to watch regardless |
Sep 5, 6:37 AM
#69
Too bad it isn't the hentai director of Kite and Mezzo Forte. |
DesuMaiden said: Nobody resembles me physically because I don't even physically exist. |
Sep 5, 10:22 AM
#70
Okay, maybe I shouldn't be speaking about this since I'm not a big fan of One Punch Man. But I'll say it anyway. Quiet a few anime directors have done hentai in some shape or form. A lot of animators have worked in hentai. But that doesn't stop them from making some good non-hentai related projects. I think people should give this project. Some faith. Hell, directors of live action cult classic movies have done porn before as well. Hell, if I remember right Wes Craven directed a porn under some fake name to get more funding for The Hills Have Eyes. |
"Even if there isn't a God or meaning behind life. That doesn't mean you can't create your own meaning and make the best out of life." |
Sep 5, 10:37 AM
#71
One Punch Man is one of my favorite manga of all time, but I’ve already made my peace with not expecting much from the anime. The only thing I ask at the moment is that OPM S3 not have the atrocious, godawful blurring/ghosting/dimming effect caused by that shitty Japanese TV law or whatever, because I hate that shit with a passion. It ruins my enjoyment, and I had to endure it while watching OPM S2, which made me hate S2 more than I otherwise would have. OPM S1 didn’t have it, but OPM S2 did, and it was fucking horrendous. Edit: I'm rewatching episode 12 of the TV version of OPM S1, and it does have the dimming effect, but at least the blurring/ghosting effect is barely noticeable; those effects are way, WAY worse in the TV version of OPM S2. |
xZabuzaxSep 5, 11:07 AM
Sep 5, 11:35 AM
#72
Reply to Edgeoftwilight
Okay, maybe I shouldn't be speaking about this since I'm not a big fan of One Punch Man. But I'll say it anyway. Quiet a few anime directors have done hentai in some shape or form. A lot of animators have worked in hentai.
But that doesn't stop them from making some good non-hentai related projects.
I think people should give this project. Some faith. Hell, directors of live action cult classic movies have done porn before as well. Hell, if I remember right Wes Craven directed a porn under some fake name to get more funding for The Hills Have Eyes.
But that doesn't stop them from making some good non-hentai related projects.
I think people should give this project. Some faith. Hell, directors of live action cult classic movies have done porn before as well. Hell, if I remember right Wes Craven directed a porn under some fake name to get more funding for The Hills Have Eyes.
@Edgeoftwilight You are giving a serious and well made comment to one of the biggest karens of the website. Byt I fully agree with you. Excellent points |
Sep 5, 11:41 AM
#73
Reply to giantpudding
They hired a fucking pornographer for their biggest anime?!?!
Hahahahaha no way
What a trainwreck
Hahahahaha no way
What a trainwreck
@giantpudding If virtual sex scares you so much imagine the reaction you have for irl |
Sep 5, 1:25 PM
#74
Reply to Yubisoft
@giantpudding If virtual sex scares you so much imagine the reaction you have for irl
@Yubisoft I know he's a porn pervert and all, but I think even Shinpei Nagai would be second-hand embarrassed reading what you just wrote. |
Sep 5, 7:51 PM
#75
Or we can blame both? The higher ups for hiring a mid director and the director for just being average at his work. |
Sep 5, 7:52 PM
#76
Sep 5, 8:47 PM
#77
Reply to Frankie3
deg said:
@Frankie3 thats so old school thinking the anime industry wants the global market now obviously for the sake of maximizing profit like how a capitalist should be
@Frankie3 thats so old school thinking the anime industry wants the global market now obviously for the sake of maximizing profit like how a capitalist should be
No the majority of it is still made for Japanese people and they ship it out to the west to make money. They don’t care about you or your feelings or what you want. The only ones that do are the studios owned by western companies like Netflix.
@Frankie3 I see... is that why he tweeted in English? |
Signature removed. Please follow the signature rules, as defined in the Site & Forum Guidelines. |
Sep 5, 9:26 PM
#78
He was probably forced to tweet to calm down the crybabies in the west. Just because it’s made for Japanese people doesn’t mean they don’t want to sell it in other places. |
Sep 5, 10:24 PM
#79
Reply to Frankie3
He was probably forced to tweet to calm down the crybabies in the west. Just because it’s made for Japanese people doesn’t mean they don’t want to sell it in other places.
@Frankie3 That's exactly what op said. |
Signature removed. Please follow the signature rules, as defined in the Site & Forum Guidelines. |
Sep 5, 11:02 PM
#80
deg said: @Old_Greggu or you can treat this as a red flag to lower your expectations and be surprise if it turns out decent or good enough at least because hyping an anime show to the max is the main source of disappointment when it did not meet fan expectations I don’t try to expect anything, that’s a fools errand, results are all that matter. Hype is an optimists game. It’s should always be a pleasant surprise not an expectation. Holy shit you should have just dm’d viper with how much back and forth banter y’all had, and goddamn 100k posts, you sure like your yapping. |
Old_GregguSep 5, 11:05 PM
Sep 6, 12:41 PM
#81
yall say hentai director as if he worked only for hentai lmao |
Sep 6, 12:42 PM
#82
Sep 6, 4:23 PM
#83
Reply to deg
@Haigen https://x.com/ShinNagai_Anime/status/1963081632606519329
Hello everyone, nice to meet you.
I'm Shimpei Nagai, the director of One Punch Man Season 3.
I completely understand everyone's reactions.
Please calm down and hear me out, if you would.
I'll explain why I was chosen, and it might be a bit long, but please listen.
I've been a freelancer from the beginning, and that hasn't changed.
At 37, I wrapped up my apprenticeship and stepped into the anime world with a work called "Hiiro no Kakera."
I learned how to create hybrid animation with 3D in a project called "Aquarion Logos,"
and after that, I switched to a 3D company for just one year, contributing to image boards for "Altered Carbon" and such.
My goal was always Manglobe.
I honed my skills on Episode 6 of "GANGSTA." and "Samurai Flamenco," among others.
I was aiming for a hybrid of 3DCG and hand-drawn animation, but as everyone knows, Manglobe ended up closing down.
In the midst of that, J.C.Staff became a long-term partner, commissioning me for storyboards and direction throughout the year.
However, since I'm relatively unknown and don't have standout achievements as an animator, I thought it might give a bad impression, so I asked to keep it under wraps.
Then, when the consultation for One Punch Man Season 3 came up, I focused on incorporating a new workflow—something I discussed in CGWORLD, bridging 3D and 2D workflows—to squeeze out even one more second of production time.
I sincerely apologize for keeping quiet about this.
The team is giving it our all on site.
I can't discuss details about the production, but I'm open to answering what I can within limits.
Hello everyone, nice to meet you.
I'm Shimpei Nagai, the director of One Punch Man Season 3.
I completely understand everyone's reactions.
Please calm down and hear me out, if you would.
I'll explain why I was chosen, and it might be a bit long, but please listen.
I've been a freelancer from the beginning, and that hasn't changed.
At 37, I wrapped up my apprenticeship and stepped into the anime world with a work called "Hiiro no Kakera."
I learned how to create hybrid animation with 3D in a project called "Aquarion Logos,"
and after that, I switched to a 3D company for just one year, contributing to image boards for "Altered Carbon" and such.
My goal was always Manglobe.
I honed my skills on Episode 6 of "GANGSTA." and "Samurai Flamenco," among others.
I was aiming for a hybrid of 3DCG and hand-drawn animation, but as everyone knows, Manglobe ended up closing down.
In the midst of that, J.C.Staff became a long-term partner, commissioning me for storyboards and direction throughout the year.
However, since I'm relatively unknown and don't have standout achievements as an animator, I thought it might give a bad impression, so I asked to keep it under wraps.
Then, when the consultation for One Punch Man Season 3 came up, I focused on incorporating a new workflow—something I discussed in CGWORLD, bridging 3D and 2D workflows—to squeeze out even one more second of production time.
I sincerely apologize for keeping quiet about this.
The team is giving it our all on site.
I can't discuss details about the production, but I'm open to answering what I can within limits.
@deg I guess season 3 of opm is done for. |
Sep 6, 5:41 PM
#84
Reply to SoulReaper01_
@deg he worked on big shows what are you on about
@SoulReaper01_ as episode directors that are not standout episodes |
Sep 6, 5:42 PM
#85
Looking at opm 2 done by JC Staff, it's understandable a lot of people have low expectations of how season 3 is going to turn out. Anyone who says season 2 is not bad is coping. JC Staff can make bangers when they try, the railgun series case in point. Obviously I wish the fans will get the adaptation they deserve, but I'm not holding my breath. |
Sep 6, 5:45 PM
#86
Sep 7, 2:51 AM
#87
Sep 7, 2:57 AM
#88
Atleast he will do Fubuki and Tatsumaki more justice. |
Im a huge fan of Tatsuki Fujimoto and I have read all of his mangas, except this Fire Punch one. I dont know why, cause my fr recommended me not to read this manga cause its too pervert and sexual violence???. I really need some review from yall about this one. Cause it wouldn`t be fair to ignore one of Tatsuki's works. |
Sep 7, 5:08 AM
#89
Sep 7, 7:56 AM
#90
>director said there wont be delays as expected he is a fast worker said by other staff defending him and considering he is using more 3dcg >director said the team is talented not sure if he is overpraising but we will see >director said he is hard right now https://www.reddit.com/r/OnePunchMan/comments/1naqww9/reassuring_news_from_s3_director_he_confirmed/ im still gonna lower my expectations but at least this director is confident and may overdeliver on mixing 3d and 2d |
Sep 7, 6:50 PM
#91
I blame Madhouse. Thanks a lot for screwing over OPM so badly. Please do the same with Frieren down the road |
Sep 8, 10:17 AM
#92
Reply to Denjima
Atleast he will do Fubuki and Tatsumaki more justice.
@Denjima All the budget is gonna go into their scenes by a margin |
Sep 8, 11:10 AM
#93
Some simps argued with me how he's not a pervert lol deg said: >director said he is hard right now |
Sep 9, 1:55 AM
#94
People actually still had expectations for this ? |
Sep 9, 9:53 AM
#95
I believe the issue since the start of season 2, is lack of time to make the anime and the poor money investment in the OPM franchise. going for j.c. staff instead of a top of tehe line anime studio, and not callling the best best directors and animators the anime industry. It's the producer's fault for mistreating one if the most popular anime/manga OF ALL TIME. |
Sep 9, 2:37 PM
#96
Reply to MASTERCRAFT938
I believe the issue since the start of season 2, is lack of time to make the anime and the poor money investment in the OPM franchise. going for j.c. staff instead of a top of tehe line anime studio, and not callling the best best directors and animators the anime industry. It's the producer's fault for mistreating one if the most popular anime/manga OF ALL TIME.
MASTERCRAFT938 said: It's the producer's fault for mistreating one if the most popular anime/manga OF ALL TIME. Imagine calling OPM "one if the most popular anime/manga OF ALL TIME"... Zoomers are really funny with poor grammar. |
Sep 11, 8:00 PM
#97
Reply to Hemiolia
Why is people assuming he's gonna make a bad work? There are a bunch of good actors who started in p*rn industry.
My point is: being a romance/hentai director doesn't make you a bad one. And even them need to evolve and have good opportunities doing another stuff.
Even more, they wouldn't leave OPM to a bad director. That could be catastrophic.
My point is: being a romance/hentai director doesn't make you a bad one. And even them need to evolve and have good opportunities doing another stuff.
Even more, they wouldn't leave OPM to a bad director. That could be catastrophic.
@Hemiolia Yeah even in anime industry voice actors do hentai as well like sakata gintoki voice actor and zaraki kenpachi voice actor. |
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