Hyouge Mono

The main topics of both series are the connoisseur's appreciation of objects of art, and the unfolding of intrigues that often surround them. The series are partly episodic, and although Gallery Fake is set in late 20th century japan, they have a similar feel and are both somewhat educational.  

Old men, tea, aesthetes with mustaches, politics, war, pride and loyalty. Both main characters are dragged into a conflict they don't want because they have better concern. 

Both are heavily character- and dialogue-driven historical period dramas about a passion for traditional Japanese art forms in a drastically changing society. While the time period and chosen subject matter are different (Tea ceremony and wabisabi philosophy during the late Sengoku period in Hyouge Mono, rakugo during mid-Shouwa period in Rakugo Shinjuu), the style and contents are very similar. A fan of either is likely to appreciate the other. 

Both are situated in approximately similar time period (warring states) and tackle real historical figures... on the level of characters there are a lot of eccentrics in both of them - passionatelly pursuing some ambition, also, occasional wars, political strategic interactions, communication by gestures, a lot of unspoken which can leave you confused at times and similar. Hyouge Mono has much more content quality to it, Gifuu has a bit more action and is a bit lighter storywise. 

Both shows cover real events in Japanese history trough the eyes of a fictional POV character as looking glass into the complex historical setting. The supporting cast are almost exclusively historical persons of high feudal rank up to emperor, the MC is of lower rank. They both have artisic talents, in Hyouge Mono Wabi-Sabi and the tea ceremony, in Heike Monogatari minstrel and biwa music. Both shows cover the end of their historic period trough civil war. In Heike Monogatari it's the Genpei War (1180-1185 CE) (Heian -> Kamakura), which marks the begin of the Japanese middle ages and Hyouge Mono (Sengoku -> Edo, late 16th century) ends the Warring States period and the middle ages. Both shows cover samurai history and war, but don't focus strongly on that aspect. They also cover dynastic family life, romantic relations, slice of life, arts and politics. Emphasis is not so much on the detailed history, but on characters, emotions and motivations. Just like Shakespeare's version of history compares to a scholarly text. Both shows have a unique and sophisticated art direction with anachronistic elements, e.g. in the music. The anachronisms are stronger in Hyouge Mono. read more 

Historical anime for aesthetes, including old men, comedy and anachronisms 

Now, the story itself has different genres, but those two have one core element in common - a selfish, greedy protagonist that wants others to revere him and his main motivation throuhg the series are self-centered goals. Which in turns makes these protagonists a fresh take in anime and they are more relatable to a casual watcher than heroic heroes. 

Tactical warfare between factions with philosophy thrown in. Also character-wise, Squealer reminds me of Hideyoshi. 

They are both rather serious anime set in historical japan with exceptional art. I guess they appeals to the same target group, with rather mature taste and interest in traditional japanese lifestyle.  

Both stories are about Sengoku Jidai history in a humorous way.  

How can the smallest of details affect the experience you serve someone in a cocktail or a bowl of tea? Ryuu and Sasuke both aspire to provide the most enjoyable drink for their guests. From minor adjustments to the temperature of the drink to the orientation of a tea jar's lid, the factors that make for the optimal glass or bowl are explored in great detail, organically complementing the stories. While Hyouge Mono has a little action and politics (which are, granted, also explored from a perspective of aesthetics), both series take their time to construct beautiful interactions between a true aesthete and their guest. 

Both feature a character so deeply fascinated by tea ceremony that it becomes almost sacred and share a main theme that is appreciation for art. Both series also excel in expressivity. 

Onizuka and Furuta are both hilarious main characters that strive to be the very best in their respective field (Greatest teacher/greatest aesthete). Both series also feature the perhaps most hilarious facial expressions ever seen in anime. Both characters are also clumsy to some extent, and aren't aware of their talent, but still leave great impressions on the people around them. 

Both series have a traditional japanese setting. They feature rather odd yet loveable protagonists, one being a pacifist samurai, the other being a warrior with an aesthete's mind. 

Both Hidamari no Ki and Hyouge Mono are period dramas taking place in feudal Japan. They both feature characters living through significant historical events of the works' respective time periods. The ways in which said events affect the individual characters and plot is explored thoroughly in both. Both series explore the varying influences of Western society in historical Japan and the lasting culture clashes and conflics that took place throughout those time periods. Both feature male protagonists in their early to mid 30s climbing through the ranks of their respective fields. They also both feature touches of lighthearted comedy and humour during the calmer moments of their respective stories. 

Both are highly intelligent, complex, dialogue heavy series that emphasize an incredible amount of detail on the subjects and themes that they explore. Though both series altogether are quite different, with Hyouge Mono being an analysis of politics of war & tea trading in the Sengoku Era of Japan and Mouryou no Hako being a full-fledged detective series in early-mid 20th century Japan 

Japanese historical dramas involved a lot of humor