If you have spare time and the only thing in your backlog is isekai garbage No.10000, this deserves some time just for how meta it could be, especially if you are familiar with the world behind Japanese animation, like the voice acting world.
Let me start by explaining why some might have a low opinion of the series, calling it a waste of time. The gist of it is it tried to do 2 things at once, and both of them were not particularly well done. By well, I mean exploring uncharted territory or going in depth and exposing ideas that the audiences might not be
...
familiar with.
Those 2 things are: revealing the inner workings of the voice acting and animated production world and emotional development of its characters. About half way through they switched from the former to the latter. The transition can be jarring while the exposition, tedious, especially the first few episodes. They consisted of mostly the unlikable lead and just people talking. Thus, for those still hesitating to watch it, let me lay the groundwork as to why it’s definitely worth your time.
The world of voice actors and actresses (VA), or Seiyuu as many of you might be familiar with, is quite insane particularly compared to the west, or anywhere else for that matter. That might be changing, as of right now, 2019, not that bad yet.
Because animation is mainstream in Japan and is as popular to young people as Marvel is recently, VA are treated as stars. For those who could recall, Lucky Star was one of the most notable shows to highlight the influence of voice actors. I remember Haruhi and Lucky Star radio shows actually reached the West through fan translation which made its way to YouTube. Seiyuu started to only fulfil the role of an actor and actress, but essentially the human faces of the shows, idols, to put in a term, kind of like how the cast of shows and movies are interrogated at ComicCon.
In case you have no idea how big VAs are because you are not interested in behind the scenes matters, as am I, you can go on YouTube and type in Seiyuu. What you find is something insane to me. These real human beings who merely did their job: providing voice to an animated work, have to carry the role of promoting and interacting with fans. It's ironic in a way, since animation is supposed to be fantastic, cater to escapists. The activities they are involved in include promo, PV shows, handing out materials, live streaming, radio shows etc... They are treated as movie stars in Otaku circles, as you can see from the comment section, which are in English. You can imagine how ridiculous they would be in Japan.
That brings me to Watari Wataru's Girlish Number. The reason why I provided context was for those who could be unfamiliar with the animated shows production process or VA's world, the conversations can be puzzling and boring. Watari dug into the heart of the facade of the industry, and it's not always entertaining if you don't know what he's trying to make fun of.
For instance, the scenario of a frivolous producer pitching his adaptation of a relatively popular novel into an animated show to the president who doesn't know enough about the product and subsequently producing a soulless, rushed and fragmented show slapped many projects in the face. I would imagine this to be a more common scenario than we think, only without the fun of the optimistic producer and the clueless president with a sense of humour.
The producer blatantly misuse the fund for a trip to Okinawa. On top of that, he coerced his staff to make abrupt changes. The most heinous of all is forcing the VA to do promotion, sing, present and do a beach photoshoot at the beach to promote and generate sales. He's deeply cynical and seemingly can't be bothered to care about anyone else.
Next is the managers. On the face of it, the managers got off the easiest. They provide support to the actresses, but most of the work is done in the background. As the show progressed, you can see the managers being helpless or incapable of solving the VA's emotional and personal issues, despite that being their primary duty. The worst one of all manipulates his customer to ensure her career advances, at the cost of her personal's feelings. He freaked out when her career options were in jeopardy, and rather than caring about her personal issues.
Then, we have the VA themselves. They are the main cast of the show, figuratively and literally. They all have varying personalities and backgrounds. It’s worth going through each of them.
If I have a lot of time and energy, I would love to go through each character, but I can only single out the producer, Kuzu (trash). Like the main character, Chitose, I shall only do what I feel like I can. Let's start with the most straight forward character:
Koto is the most idealistic character in the show. She's the oldest among the cast and is very friendly despite her long tenure in the industry on the back field. She was not given a significant role until the fictional show, and was about to give up on her career. Her Kansai accent whiplash throughout the show. If my Japanese is better, I might have been able to interpret more from when her accent is on and off, but a part of her character in the show is to guide her juniors in the industry through their own emotional troubles. It was hinted that she felt compelled to do so because of her regrets about colleagues who couldn't survive the trial and tribulation of the work of a VA, with one of them still working but at a different role as we later found out. She's surprisingly hopeful for someone who has been through that many years without success and was on her last rope. The strength and care she brings to the cast is slowly revealed as the show goes on. If you are familiar with OreGairu, she's the equivalent of Shizuka, but less comedic and cool.
Yae is the friend from the same acting school as the main character. She's a very wholesome and hardworking character, almost to the point of being without fault when it comes to cynicism. She's very nice and kind to everyone and cares about the main character deeply. In that, however, she's also aware of her general politeness and careful nature. She admitted that her words are cheap at the climax of the story. It is cynical in that she can't help but be nice to others, even if she might not completely think so.
Sonou is the first of those with a bit more meat in the cynical category. She's the daughter of a famous actress and director. While merely being in high school, she has had a successful career thus far. She was the first, other than the main character, to fully acknowledge the facade of being a VA and animation production. She knows the ins and outs of being a VA and kindly teach the newbies despite them being older than her. She's aware of the quality of the work she's working on but contend to follow her manager's plan. Couple with that, she's also put on a show during presentation and giving out products willingly despite also being in agreement that this is quite unusual elsewhere but the animation industry. In that, she clashes with Shibasaki who openly questions the work they are doing and its quality. The character's arc of Sonou is coming into term of being a professional. Sonou entered the industry after being asked to try out during one of her mother's project. It could be implying that she entered not only through her own curiosity, but also her desire to match up to her parents' success. Sonou felt lonely and neglected when her parents stopped giving her advice and dictating her decisions after she made her debut. Without being guided, she felt as if they are not interested in her future and feelings. I think her trouble is a pot of negligence, dislike being compare to her parent, feeling like her success came from her parents connections. That looks to make more sense when her issues are resolved when her mother, on the phone, acknowledges her as a professional but also as an actress of equivalent level, validating her efforts and shows that her parents are caring and guiding her in their own way.
Shibasaki is set up to be the opposite of Sonou. While Sonou is cheerfully cynical, Shibaraki is grumpily cynical. She came from a resort inn family in Yamagata prefecture (famous for its beef, give Aboard in Japan a look if you want to visit). Having to defy her parents and came to Tokyo to become an actress. Because of that, she felt that singing, dancing, and doing promotional works are beneath her role as an actress. I suspect the intention is to depict her as a failed actress who had to resort to voice acting. She's also very keenly aware that the work she is doing is utter crap, but soldier on anyway. She put on a facade for the shows and became stressed out over her current circumstance, with Sonou notably commenting on her sour expression during her work. Shibaraki's trouble with her career path intertwines with her family feud. Her return to home and reconciliation with her father concluded her trouble, giving her a sense of pride in her work and dispeling the burden of disappointment, both to her family and herself, for the rest of the show. My problem with hers and Sonou arc is that they are resolved within 2 episodes. I do like that they are quite focused and there's a healthy amount of build up in previous chats with the other characters to slowly reveal more about their issues. It's quite disappointing that in the 3/4 of the show, the two mysteriously troubled veterans issues are essentially vanquished, Sonoe without much fuzz. I expected more of a pay off, frankly.
Lastly, Chitose is one of the most cynical character in recent time. Her cynicism is quite different from what people usually think about cynics, but to me is the more common type of cynic. She's comically cynical. She can, or at least she thinks she can, see through the facade and lies of the VA profession and make harsh remarks about components of the animation production process. Most importantly, she sees VA not as a passionate project like the other Koto and Yae, but as a mean to be loved and famous. In that, she doesn't believe in the idealism of serving others, nor that humans should pursue higher causes. She's a slave to her frank and honest nature, accepting that she and humanity are selfish and self-centred. That's far more cynical than Hikigaya from OreGairu, who still hopes that there is something real if we strip away the facade.
In addition, the author also gives her a lot of guts and confidence. It's very refreshing to see such a scummy protagonist who's arrogant, lazy, unambitious, delusional yet possessed infinite charisma. I think many people might have known or met this kind of person, and if you have never met one... I think it's time to dust out the mirrors. People who were disappointed by the ending might have been so because Chitose didn't exactly suffer any traumatic moment and soldiered on with her selfishness and carelessness.
I think, however, there are a few little details about her that perhaps might be worth exploring or clarifying by the show. Her brother's rocky career didn't deter her entry to the industry. From the fact that she keeps listening to her brother's works and that she only confide in him her thoughts and feelings, I think she enters the industry either because she wants to be close to her brother, following his footsteps. Of course, this is only half of the reason if my conjecture is close to Watari's intention. The other half is she plainly just wants to be loved and famous. The second part might have developed as she got more success and gained more fame, which is also around when her head starts to inflate. While her self confidence was already sky high before she got her big break, she behaved according to industry conventions until she got the starting role. From there, she has something to cling on as a basis of her actually unfounded hubris.
I love her not only because she's refreshing, but also because she's a commentary about cynical people who could actually see the cynicism and take advantage of it but not enough to overcome their own self-aggrandise and frankly, laziness. It got to a point that it seems they used cynicism as an excuse for their laziness rather than being a real cynic. You can see her small moments of brilliance when she puts her mind on improving as an actress to not piss off her colleagues, because she wants to be loved. Her story kind of encourages people like her to work harder if their hubris ever gets them into trouble. Some critics have called it "fake it till you make it", which is fair enough. I would also add to that, Elon Musk for example has no experience in mechanical engineering, Jeff Bezos was not an experienced manager and businessman. They have experience in doing related activities, but they all learned the rope as they went along. It's better to have the hubris and dive into whatever the hubris is attached to as a form of “confidence”, than having it and not using it.
I also think Watari also sympathises with them, telling the audience to give these very annoying idiots a chance, because while they might be full of shit and pomposity, they ultimately are in the same situation as us, with a perhaps equally honest goal. You can see the cast gel together through her shameless behaviour and attitude. It gives a different perspective to hubris, and I can't think of many other works that dare to portray a very theatrical society like Japan in such a frank and snarky manner. This is the spirit of freedom of the doomer's Japan, where cynicism rules, but to the detriment of society but as fuel to drive people towards optimism and idealism after they have stripped themselves off of the lies that they told themselves.
In general, all of them are cynical in that they accept the VA ridiculous demand and have to put on a show their scope of training and responsibility. They follow orders and customs to please others around them, while always thinking the opposite. Not only that, they take horrible projects, with the knowledge that it is crap. As with Watari's thus far pattern. It is not a field of cynicism. Quite contrast in fact, just like Nietzsche, Watari sees fit that to justify idealism, cynicism is needed to strip down the facade, so that idealism can take over or be built.
As the story progresses, idealism kicks in, and possibly bored those who were excited about the previous cynicism. It was done through a literal goddess of idealism, Nanami, who is also cynically portrayed as a genuine airhead idiot who idolised the wrong “god”, so to speak. After all, idealists are the worst voters.
The producer, Kuzu, almost parallels Chitose, and shows how in Japanese society, the race for success pushes very honest and hardworking people into reprehensible behaviour and plans, all to succeed and repair their mental damage. I also love that throughout the story, him and the president are portrayed as silly idiots with immense power. But when it comes down to it, they are still idiots, but highly functional at the same time. Kuzu might have done a lot of damage, but he sets up almost everything in his project, balancing out the interest of the studio and the publisher. By balance out I mean pushing the limit, but that's what producers have to do to squeeze projects out at reasonable cost.
The president clearly has a lot of faith in his team, and is willing to act like he's going to hardball his staff to push them to do what he thinks would be good for their growth. He might not have been familiar with the trends, but his experience in dealing with people keeps his team afloat through trials and tribulations.
Those little and subtle details about the side cast is what I like about this over Shirobako which covers the same subject. That seemed like a story of and about the industry. This feels like a proper story, with the industry as a background character. I prefer this one, it’s still a story with a clear theme and its characters, while Shirobako is definitely more of a slice-of-life, about everything yet nothing.
Now, that's not to say I do not have problems with the show, even the plot and characters as a whole. The struggle of the big brother is not very well told. He's been given a lot of screen time but only during the final episodes did more of him open up. That's not the worst part. To me, the ending is the antithesis to the entire show. A damn concert? This is not an idol show.
Which brings me to the next point. The art style.
The colourful and eye pleasing characters design and animation, to me, kind of defeats the point of the show. The colour tone distracts me during heavier moments such as Chitose feeling isolated or Honou and Shibaraki going through their arc. In a world filled with greys, the colourful, detailed animations don't sit right. The characters' designs also don't add a lot to more serious moments when characters are in pain. Don't get me wrong, when Chitose is going through her growth period, the art did a great job bringing those emotions to her face. It's just, not the best. A good example of that done right is OreGairu season 2. Season 1 of that show did not have as much drama, and during more serious moments, the art style surprisingly brings out quite a bit of intensity but the colour palette didn't help much. Season 2 on the other hand did drama very well thanks to them upgrading the budget and changing the colour tone to be more, movie like? Realistic? Those colours helped elevate the rom com drama's emotional heavy moments. In this, it's pretty hard to take these characters' struggles seriously if the colours are so bright and cheerful, the characters design is from cute girls doing cute things animated show number 415.
There's a fine line to walk with that meta thing, seeing how the opening and the ending of the show is still very formulaic and lacking in any sort of snarky, out of box ideas to make the show more meta. I'm disappointed, to be honest. It has all the ingredients to be more meta, more revolutionary, more shocking to be out of the box. But in the same way that the plot outlines the failure of the animation industry to bring souls to the work, this, to me, did that very same thing. You might say it's intentionally contradicting, kind of like how Madoka characters design is deliberately cutesy and moe and its colour tone is very vibrant. I would say, this is just laziness. If the producers and director is in sync with the author's plot, this could have been a lot crazier than this almost opposite of the plot presentation. Did it add to the story? I wouldn't know to be honest. I can't imagine those who came for the cute girls doing cute things stay for the unlikable main character, and the cynics fully embrace the moment. I think only those who sit on the fence and fans of Watari would not have much trouble swallowing this. For me, however, the art is just not enough.'
Not only the art that's troubling me, and I rarely complain about music and sound direction, but I realised how brilliant the composer for OreGairu both seasons did with Watari's story tone. Girlish Number's mood is watery and bland due to the utterly generic and unmemorable music. When Chitose ran to the studio, I was waiting for something, anything to play to knock that moment out. All I got is something reminiscent of the usual cute girls doing cute things. Bland, generic, uninspired. I'm not sure if the sound and art directors, as a sign of rebellion to how the author is portraying them, intentionally ignore the tone of the story and go with what is the usual generic direction, masking his work as cute girls doing cute things to hurt its reputation and sales. If you are puzzled by why I am so disturbed by the generic music design. I would point to shows such as K-On, Haruhi no Yuuutsu, Evangelion, Bakemonogatari, Air Gear and everything by Yoko Kanno. Heck, even my arch-nemesis Shinkai has a very capable composer at his side that immediately incurs the mood, the emotion into the scenes, almost instantly. There's this very average and nonsensical show called Galilei Donna which is unworthy of its composer, who worked on Shirobako and Final Fantasy. I would have never made it to the end without his composition. Another piece of crap that was elevated by its music is the Deen's adaption of Fate Stay Night, who butchered the story and frankenstein it into something, but its music was extremely memorable, especially in contrast to the utterly forgettable Unlimited Blade Works TV series. All of these shows were better because the music is good. When the music is generic like this one, it feels like part of its soul is missing. I don't think I have ever been as disappointed in a soundtrack as I am with this. What a joke.
That being said, while I have dished out "cynic" and "cynicism" like Chinese factories producing consumers disposable craps, the entire point of the show is ultimately that while the VA world is full of cynics, the industry is all messed up, the value of individuals and their passion for their work is ever present. When Nanami is introduced and immediately jolts everyone with her infectious enthusiasm, you can see that Watari is ultimately an idealist, much like Nietzsche before him, while being less cryptic. It's a nice little lesson not only in the situation of the industry, or a funny depiction of it, but also one in the value of hardwork, professionalism and optimism. If I had more writing talent and time, I should have gone into a few scenes where they depict the ritual of the industry and the human face behind those facade, created to milk money of fans who don't really care buy into it anyway to run away from their own trouble. This is a little preview on how the show seems to me, and it's a damn surprising one, despite not being extraordinary, and well worth the time of those who are familiar with animation, and are looking for something a little different from the usual power fantasy garbage and more nonsense. Of course, this is not for those who are looking for a slice-of-life or are relatively new, it would just be a bore-fest, or worse, flies right over your head.
Small discussion:
I have given some thought to the entire package being very misleading. The trailer, poster of the show shows none of its main strengths, such as interesting cynical characters and fun writings. It seems to be a generic, cute girls doing cute things animated series. Combined this with the lacking in animation direction department, sound/music design and poorly throughout mood and tone of the series, it’s almost too meta that a story about making a half-assed animated show with some bright spot was half-assedly animated with some bright spot! Intentional or unintentional, it’s just too interesting not to discuss.
Alternative Titles
Japanese: ガーリッシュ ナンバー
More titlesInformation
Type:
TV
Episodes:
12
Status:
Finished Airing
Aired:
Oct 7, 2016 to Dec 23, 2016
Premiered:
Fall 2016
Broadcast:
Fridays at 02:28 (JST)
Producers:
Frontier Works, TBS, DAX Production, ASCII Media Works, NBCUniversal Entertainment Japan, i0+, Medicos Entertainment, NichiNare
Licensors:
Sentai Filmworks
Studios:
Diomedéa
Source:
Mixed media
Genre:
Slice of Life
Duration:
24 min. per ep.
Rating:
PG-13 - Teens 13 or older
Statistics
Ranked:
#50602
2
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity:
#2054
Members:
102,441
Favorites:
161
Available AtResourcesStreaming Platforms | Reviews
Filtered Results: 29 / 30
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Jul 25, 2020
If you have spare time and the only thing in your backlog is isekai garbage No.10000, this deserves some time just for how meta it could be, especially if you are familiar with the world behind Japanese animation, like the voice acting world.
Let me start by explaining why some might have a low opinion of the series, calling it a waste of time. The gist of it is it tried to do 2 things at once, and both of them were not particularly well done. By well, I mean exploring uncharted territory or going in depth and exposing ideas that the audiences might not be ... Jan 30, 2021
[SPOILERLESS REVIEW (with a little bit of spoilers, but there's a warning before it appears)]
Ok, so before I start, if you would prefer to listen to my review instead of read it, you can do so here as I know this might be a bit long. https://www.youtube.com/watch?v=HiWxUTvu54M&t=646s Idol anime, the window into the Japanese anime and music industry like nothing seen elsewhere. Idol anime are typically about the protagonist working their best perfecting their talents to become a successful idol, which in the end, they typically do. But this isn’t always the case, what if the idol isn’t successful in the industry and is crashing? This ... Jun 29, 2022
Ironically this anime is about the harsh truth of making anime, and that not all of them will be good, but there is a lot of work put into making one.
So IMO they kind of had a weird sense of humor by basically making fun of their own anime. IMO this anime is bad. But like i said , since i know the amount of work that was put in, i will give credit where credit is due. I like the Character design and art. The animation was decent. But that is about it. The anime is boring AF. We have to w8 all the ... Feb 16, 2018
Story: so the story is about Chitose who wants to become a actress but she is having a hard time landing a real good role and or a main role and just get stuck with the lesser known roles and what not so she is able to finally land a lead role in a anime but of course that wont come with out some hardships and also with dealing with the voice acting the hate from other people ect. so she pretty much learns to adept to everything while trying to get out of the mob roles and into the spotlight as a lead in
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Jul 31, 2020
I am a huge fan of Wataru Watari and I need to get that out of the way before I dive into my review. This doesn't necessarily reflect on my enjoyment or lack of enjoyment associated with this show and I have admittedly not touched the source material for this show. I will say, first and foremost, I have no idea why people enjoy the character that is Chitose Karasuma. She is awful, she is disdainful, she is prideful, she is a pain, and worst of all this doesn't really change by the end. They just continue to allow her to be the way she
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Jan 22, 2022
The main character is a very dislikable girl. She's constantly ignoring her own faults, overestimating her ability and trash talking others - not just her coworkers, but her seniors, her brother (who's the only reason she has any jobs in the first place, and the only funny character in the show) and the industry in general, considering she's actually terrible at her job. She refuses to put in effort or accept criticism, constantly complains she isn't making money in a career that doesn't pay even the biggest stars all that much, and generally acts like a small child instead of an adult. She never once
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Apr 8, 2020
An anime about a self-entitled little girl who needs a reality check and to stop acting so self-obsessed. Everything the main girl - Chitose does is embarassing but also rude to all the other characters around her. Unwatchable. You spend your time feeling guilty for everyone as they have to deal with someone so full of arrogance. I tried to continue through and hope the story would develop her character. After 5 episodes I decided I couldn't deal with this girl anymore, which is dissapointingas the synopsis seemed so promising and the other girls showed so much promise as cute and engaging characters, but the
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May 14, 2020
Good anime but easy to forgot. I really like the artstyle even tho it was a bit shiny/ The topic is interesting, if we like the job of this show, i can't stop myself from imaginining the voice actresses when they had to do an anime about their job with a studio who do a ot so great anime. Characters are hard to remember we dont even have to remember their name. But i really liked the personality of the main character who is really funny. I'd like to say, yes this is not the best anime of the world but it's still nice to
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Mar 23, 2021
The main character in this is the cheeky Chitose, an aspiring voice actor. She's a breath of fresh air in this genre where the leads tend to be very wholesome characters. It's not that Chitose is a bad person at all, but she's quite the arrogant, self-centered, brash individual. Her conversations with her brother, Gojou, is by far the most interesting thing in this anime because we get to see how far Chitose can go on thinking very highly of herself.
Girlish Number is a show about a group of voice actors, most of them just getting into the business. We get to see a little ... Previous - |