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ANIME OF THE SEASON, if not THE YEAR. Words cannot express how much this show has grown into me. Like Hitori "Bocchi" Gotou is literally the most relatable character FR FR.

I'm guessing you have heard of the show by now, whether through memes, screenshots, recommendations from others, or simply by chance while looking for shows to watch. With that said, what makes this show stand out from the crowd is its sudden surge in popularity, whether you like it or not?

Point 1: Bocchi is literally me. (Insert Literally Me copypasta)

I'm sure you're wondering who Bocchi is and what makes her so special and unique ... that she stands out from the crowd. First and foremost, she is someone who suffers from social anxiety, as evidenced by her inability to make a single friend throughout her youth until one fateful day. Her internal monologues are hilarious to watch and allow us to get a better understanding of Bocchi's world, thoughts, and so on. Everything about her just seems relatable. Oh, and don't forget how well the VAs are portraying the characters they are assigned to, particularly Bocchi, as I'll explain in my next point.

Point 2: Excellent quality sounds and superb voice acting.

Sound quality can't really go wrong as this is a music show. The title "Bocchi the Rock!" implies that some of their songs incorporate some form of rock, which they did. Returning to the point, the show's OP is extremely addictive, with its rhythmic beat complementing the vibe and mood of the show. The accompanying visual is also remarkably good and entertaining to watch, fitting in with the overall tone of the show. The EDs have their own unique charm. The visuals don't have to be flashy as long as they complement the music well. Their songs are the real bangers here, fitting for their band and the title of the show. Basically, if you like rock or music in general, you'll love them. As for the VAs, I'd like to reiterate on how well they did their job, most especially that of Bocchi's VA. The transition from one mood to another was well done from one scene to the next, demonstrating how invested these VAs are in how they express the characters they play. One example is the supposed "Cyberpunk 2077" meme scene in which Bocchi is seen lying on the ground undergoing "cyberpsychosis" and screaming at the top of her lungs. One would think that the sound in this scene would be generated by a computer since it would be very taxing on someone's larynx or voice box, especially someone who spends countless hours doing voice-overs in presenting a character, but it was entirely voiced by Bocchi's VA, echoing my thoughts on how dedicated these VAs are. Not to mention that they are accompanied by eye-catching and unique visuals, which brings me to my next point.

Point 3: Art is visually appealing and distinct, with a good blend of different art styles. (CloverWorks never fails to impress in this regard.)

Art styles and animation, which are normally a source of complaint to viewers on a different themed or genre show, are a source of praise in this show. The animators' humor includes art style changes and mixed media, which highlights their creativity. CloverWorks did an excellent job of improving the overall viewer experience. One example of this again is the "Cyberpunk 2077" meme scene, in which the usual art style was shifted to a 2D paint-like style, which was praised by many viewers for its distinct and unexpected turn of events. This is one of many scenes where the randomness really adds extra spice; the animators did a very good job animating the show.

Point 4: It is appropriate for all audiences, regardless of whether you are a Slice of Life CGDCT fan or not.

The premise is actually quite simple, as with almost any other SoL CGDCT show. This show is simply about Bocchi's desire to make friends and make the most of her "seishun" or youth, which is why she began playing guitar in the first place. She was invited to join Kessoku Band after a chance encounter, and that's where it all started. It is nothing out of the ordinary, but it is surprisingly entertaining to watch, and you can't help but want more. Even after only watching one episode, I sensed something special about this show. The show is intended to be wholesome, family-friendly, and heartwarming, with no "deep" plot. It is directed for us to reminisce about our "seishun" days, and it did a good job of portraying the themes that the show is aimed to portray. As evidenced by the Kessoku Band and their excellent group dynamic, the characters each have their own personality and complement one another extremely well. Even the supporting characters are memorable and well-written, and you can't help but be drawn to them. There is never a dull moment in this show.

*Also, I'd like to point out that the names of the main cast have meaning / purpose, with their last name referencing Asian Kung-Fu Generation. There are other real-life Japanese band references, but this is just one of many. Another interesting fact is that Hitori (one person) has one small strand of hair sticking out of her head, whereas Futari (two people) has two small strands of hair sticking out of her head. Everything in Bocchi the Rock! is well-thought-out, and there isn't much to complain about.

If you're reading this and haven't watched the show yet, I strongly urge you to do so as soon as possible. It is one of your turn off your brain shows that you can watch whenever you want. And for those who have finished watching or are currently watching the show, I'm sure you feel the same way I do. My only gripe is that no sequel has been announced. Despite a stacked lineup this season, Bocchi the Rock! did not fall short of standing out from the crowd.

Spy x Family Part 2 isn't as action-packed as Part 1, but it is still pretty good and enjoyable for what it is and set up nicely for its sequel. It is essentially the calm before the storm.

This season saw the adaptation of four arcs in total. If I had to sum it up, this season was more about character development and relationship building. With that said, a new member of the Forger family arrives in the form of a pet dog named Bond. In addition, a strange peculiar character with the codename Nightfall was thrown into the mix and played a huge role in ... the flow of the story. Donovan Desmond, the series' supposed main antagonist, appears in the final arc, signaling a huge turning point for the series.

Overall, there were no standout moments, but the quality of the show did not drop. I prefer more wholesome family moments in which familial relationships flourish and bonds strengthen. I'd give it an 11/10 for comedy, with Anya leading the charge, of course. Some may argue that the show has lost its spark, but this season was never intended to be a plot-heavy season in the first place. It is, in fact, a filler season.

The show's production quality never dipped in the first place. That means the beloved art and animation quality of Part 1 is still present in Part 2. Was there ever any doubt that Wit Studio x CloverWorks would not maintain their consistency in the shows they were adapting? From the breathtaking background that perfectly reflects the time period and location, to the expressiveness of the characters that are full of life and highlight what they genuinely feel, one cannot help but admire the effort that went into bringing both the characters and background images to life. The Cartoon Network(y) style complements the overall feel of the show. The animation is flawless, and it is without a doubt one of the show's main draws. There are definitely no complaints in the art or animation departments.

As for the OP, I'd say it is an improvement over Part 1. Gives you a general idea of what to expect from the season, emphasizing the Forger family's bond and emphasizing this season's Slice of Life depiction and vibe. The ED, on the other hand, gives you the warm feeling that despite coming from different backgrounds and having secrets that they can't reveal to one another, they still manage to live in harmony and give you a sense of what a "REAL" family looks like. Both the OP and ED visuals are stunning, animations are fluid, songs are certified bangers. As for the VAs, given that the majority of them are well-versed in the field, they should be very good with the characters they were given to portray, which they were. Anya's VA's voice acting skill is unquestionably superior to the rest, and one cannot help but admire how accurate the VA is in expressing emotion and relaying it in the show to absolute perfection.

Again, this season lacks a mind-blowing plot worthy of a certified WOW factor, but that does not diminish the season's production. As I previously stated, everything shown this season is essentially a build-up to what should be a banger of a sequel. Even the comedy and Slice of Life-esque approach, which some may believe does not contribute to the overall plot of the story, plays a role in plot and story telling in some way. Overall, if you enjoyed Part 1, you should enjoy Part 2. The quality of an anime is not determined by its action.

First and foremost, I'd like to express my disappointment with this season of Uzaki-chan wa Asobitai. With that many episodes to work with, one would expect more development, but that was not the case. Even the finale won't be enough to keep this series from sinking.

The premise is the same as the previous season. Both of the main characters have romantic feelings for one another but are unable to be honest with themselves. The chemistry between the two is still there, but the comedy aspect has become stale. Everything feels frozen, like a rerun of Season 1, but with the (near) confession scene in the ... finale. This season would have been much better if they had focused more on the romance aspect and fleshing out the characters instead of repeating the same old comedy routine. Even the supporting casts are more entertaining to watch right now. You can see good chemistry between them and get something new out of their interactions. Again, I believe that if the confession scene had occurred earlier and we had seen a lot more lovey-dovey stuff, I would have been more invested in the show.

In terms of art and animation, I've always found Studio ENGI's production quality to be on the lower end of the spectrum, which means I can't really get invested in their works. The art style and animation have both been carried over from the previous season. Being consistent is desirable, but being consistently mediocre or subpar is not. The art style remains a little wacky, with many exaggerated expressions. There are also a lot of still background frames. The animation and art style have clearly seen better days. There is nothing noteworthy to mention.

The OP conveys the show's playful and comedic tone. Not my cup of tea, but a passable standard. The ED, on the other hand, exudes the show's romantic vibe. IMO, the better of the two. Both the OP and ED do an excellent job of conveying the overall vibe and mood of the show. Again, not the best accompanying visuals, but I suppose it is acceptable given Studio ENGI's production quality.

I'd like to reiterate how Season 2 felt like it dragged on and how my overall enjoyment suffered as a result. If you're okay with waiting 13 episodes for a teeny-tiny bit of romantic progress, this season might be for you. The comedy skits became annoying after a while since it was the same old routine of Uzaki instigating something and Sakurai being on the receiving end and getting all pissed off. The production quality has seen better days. This appears to be a setup for a possible sequel.

This is one of those shows that comes out every now and then with a bizarre premise but is oddly entertaining to watch. The show makes you wonder WHAT THE HELL is going on. However, the same bizarre premise proved to be its downfall, as the show was all over the place due to a lack of proper direction.

Akiba Maid War, as the title suggests, is a maid kill maid show in which rival maid cafes compete. The show is essentially a non-sensical killing, with the show's initial unpredictability eventually becoming predictable and repetitive. Pacing-wise, I believe that if there had been more episodes to ... work with, the plot would have been more fleshed out and not felt rushed, particularly in the final arc, with the Ranko saga and all. I can't say I understand the ending because shit just went down for real and is a real head scratcher.

Having said that, despite the lack of proper direction, the show was still entertaining to watch. The MOE factor and Ranko being a total badass, especially the latter, saved the show from being hot garbage and completely unwatchable in my opinion. The cast synergy is nice, but there are far too many unnecessary characters. Also, the incompetency of the maid cafe Ton Tokoton's "Tenchou", and basically being the butt of all jokes, was also repeatedly highlighted in the show, adding spice and entertainment value to the show.

Art-wise, it is nothing out of the ordinary, but it is certainly passable. I must say that the art style complements the overall vibe and mood of the show. Regarding the animation, I have the same thoughts as I do about the art: nothing out of the ordinary, but passable. There were no particularly exciting scenes, but nothing seemed out of place either.

As for the OP, it is undeniably a banger that left a lasting impression on me. The accompanying visuals were also odd and gave you a sense of what to expect from the show. The ED is also quite unusual. Although not as catchy as the opener, both songs mesh well with one another. There is a distinction between them. As for the VAs, they did an excellent job of portraying the characters assigned to them. Ranko (Genshin's Eula's VA, who bears a striking resemblance to Eula's character as well) stood out the most, with her mommy-like vibe and unfazed mannerisms throughout.

This show is perfectly watchable, but the hype that surrounded it from its first episodes has died down as a result of its non-sensical violence and predictability, as well as its erratic plot. Had the show taken the liberty of fleshing out the characters and backstories more, the show would undoubtedly be more popular and well-received than it is now. Weird show that appears only once in a while, but it is passable and leaves a lasting impression on its viewers. Can't say I was satisfied with the finale at all. Definitely a wasted potential if I may add.

A feel-good show through and through. Definitely one of the better original SoL CGDCTs available in recent years.

The premise of this show is nothing out of the ordinary. As the title suggests, the show revolves around a group of HS girls who form a Do It Yourself (DIY) club. They make everything from scratch, from book shelves to bracelets, and even the club's holy grail, a tree house. The show simply follows the standard CGDCT formula. Even so, the interactions between the cast members are genuine and leave you smiling.

Fan favorite and clumsy girl Yua Serufu, "Yourself" pun intended, is the main vocal point of ... the club that keeps the club in tact and has the wholesome genuine vibe. Jobko, my personal favorite, the tech-savvy girl, enhances the show with her English accent and occasional English word pronunciation. Everyone in the cast is necessary and complements one another. Even the pet pig is sometimes the brunt of jokes, and its reactions definitely left an impression on me.

Art wise, it is very unique and definitely accentuates the vibe of the show. It is unquestionably one of the show's strong points. In terms of animation, it is nothing out of the ordinary, but it is very fluid. Even the show's somewhat low-resolution still frames contribute to the overall feel of the show. Pine Jam did an excellent job of making the show stand out.

As for the OP and ED, they definitely add to the show's overall appeal. The OP conveys the message "Rise and shine, it is a brand new day for another exciting adventure", with the accompanying visuals doing the same. The ED, on the other hand, gives off the "Day has ended and it is time to pack up and go home" vibe, as do the accompanying visuals. Both the OP and ED have the opposite vibe and complement one another. Regarding the VAs, despite the fact that there are many new VAs on the block, I have to commend them on a job well done. As I previously stated, this is especially true for Jobko and her English accent and code switching.

Honestly, this show is appropriate for all audiences, but it is clearly aimed at SoL / CGDCT fans. The pacing is slow, and the show gives you a relaxed and chilled vibe. It is one of your turn off your brain shows that you can watch whenever you want. This show is definitely worth watching. I would recommend it to anyone interested in trying out SoL / CGDCT shows.

Character development / progression is the name of the game for this season, most especially to that of Mob. I enjoyed this season more than S2, which was widely regarded as a masterpiece by most.

The two main arcs to look for this season are "Divine Tree Arc" and "???% Arc", with the "Epilogue" capping it all off at the end. This season is all about Mob. Mob can be seen finally being himself, as he tries to overcome his fears of his own power and the emotions he has been suppressing for years. He is attempting to be more of himself than the expectations placed ... on him. And in the end, he is able to freely express himself and is no longer afraid of his own power.

We also get to see Mob in a different light, where instead of being the benefactor or giver offering assistance with his psychic power, he is the beneficiary or receiving end, with the casts surrounding Mob doing their best to support Mob. This is evident throughout the season, particularly in his interactions with Ekubo (Dimple), through which Mob finally understood Ekubo and saw him in a whole new light, while also learning more about himself. The plot of this season was the result of previous seasons' buildup, and it ended with a satisfying conclusion. Also, a huge shoutout to Reigen. MY MAN!!!

Studio Bones was in charge of the adaptation for all three seasons, and the quality of the art and animation never dipped. The high expectations for Bones' adaptation quality in Mob Psycho 100 III were well deserved and reciprocated. The art style has not changed from previous seasons. In terms of animation, the fight scenes were well-choreographed, and everything was done with finesse.

As for sound quality, consistency has also remained throughout the seasons. Needless to say, the OP and ED were bangers, and they were supported by excellent art and animation. Both OD and ED fit the overall vibe of the show. The ED visual also did pretty well in trying to say "Mob is the center of attention for this season". Was there ever any doubt that the VAs would not live up to their expectations? Again, no complaints.

I know I definitely come across as someone who only praises the show and makes no criticisms. But honestly, I can't think of any flaws in this season, aside from the filler arc of "Telepathy Mini-Arc", and even then the arc was pretty entertaining, and did add value to the show. People who have been following the Mob Psycho franchise will not be disappointed with this season. The premise, the pacing, the execution were all flawless. Honestly, I'd give the show an 11/10 if I could. 'tis a shame the series has ended.

A game adaptation that stayed true to its source material. To the average person, this show may appear boring and will not pique their interest in the game. While to someone who plays Arknights, this show was a pretty good adaptation and overall an enjoyable ride, especially seeing their in-game waifus get the screentime they deserved.

As the title suggests, this season is simply introducing the audience to Rhodes Island and Terra's current state, problems, and so on. Unfortunately, since it is an introduction, it is bound to bore many people. But it serves its purpose admirably, hence the "Prelude to Dawn" in the title. In ... terms of execution, the chapters adapted by the show were boring to read in-game, so Arknights players may be surprised that the adaptation turned out well while remaining true to the source material. In that regard, the writers have done an outstanding job.

In terms of art, the backgrounds are well-made, with the architecture of Lungmen and Chernobog being unique. The art style for nonhuman objects is generally good, and the same face syndrome in character art isn't too bad, but it still exists. Doktah is my main source of dissatisfaction because its figure's stature is sometimes off and feels weird in the show, but the art is otherwise above average. In terms of animation, there is little action, so there isn't much to say, and nothing particularly noteworthy. But the few action scenes, especially Ace's, were pretty cool. Otherwise, the animation is mediocre. Still images are boring. Background characters are unchanging. Their decision to use CGI for Reunion soldiers is probably good for budgeting.

The OP is ok, nothing special, but the contrast between its calm atmosphere and the dark theme is pretty good and fits the mood of the show. The ED, in my opinion, is the superior of the two, and it, once again, matches the mood and vibe of the show. The accompanying art in the ED is also very pleasing to the eyes. In terms of sound, the VAs did an excellent job of portraying the characters they play. The viewers can tell who is who. When the VA speaks, their emotions and feelings are properly captured. Ch'en is an example of this, as her VA's voice acting perfectly portrays the character.

This show has elicited a wide range of reactions. One may or may not enjoy it. Those who play Arknights will undoubtedly have the edge in terms of investment and enjoyment of the show. Coming from someone who has no knowledge of Arknights, I'd say it was pretty boring, but it was still a good adaptation that stayed true to its lore. The show did well for its role as a crash course to the Arknights game. It is worth watching for those who want to learn more about Arknights' world. People looking for a one-time stop, on the other hand, would be disappointed since the chapters adapted are only a small part of the Reunion arc. It will take more than one season to complete.

A fantastic comedy in which you can't help but admire Aileen, the main heroine, and one who was reborn into the world of an otome game as the villain. Does this sound familiar? The show resembles Hamefura in some ways.

The show's premise is as follows: Aileen is dumped by Cedric. Aileen makes Claude fall in love with her in order to avoid the fate of the character she was reborn as. Claude falls in love with Aileen, and the two live happily ever after.... or so that should have been the case. Aileen tries everything in her power to avoid doom flags and her fate ... of being killed in one way or another.

The show is fairly lighthearted, with the goal of demonstrating Aileen's perseverance and determination, while also highlighting her good-hearted nature and, in the process, exposing those who have evil intentions and dare to stand in her way. Aileen's ability to influence those around her is uncanny, making her one hell of a main heroine. Her feminine wiles aren't to be overlooked either, with a personality that makes everyone around her admire and even fall in love with her. A funny story backed up with well-developed characters, this series is something worth noting of.

Art-wise, this show isn't the best. I still can't get used to the show's art style. In terms of animation, I'd say it is pretty good, with nothing particularly disappointing to mention. And the OP and ED are perfect for the show. I was already feeling them in the first episode of the show. The VAs should not be overlooked for how well they portray the characters to which they are assigned.

Overall, aside from the show's art, I can't think of much to complain or dislike about it. Maybe if you consider that it has a very similar premise to Hamefura, then yeah, I can see why people might be put off watching it. However, the execution and handling of both premises was very different. I would definitely recommend this show to anyone who enjoys watching light-hearted and entertaining shows. Aileen, you go girl!!!

The title "Lookism", derived from the root word "look", suggests that the show is focused on one's appearance, which it is.

The show's premise is basically the segregation of the bad-looking ones and the good-looking ones, where those deemed bad-looking are at the bottom of the food chain, basically like trash, and have no rights to do anything, whereas those deemed good-looking are at the top of the food chain and have everything they could want. Viewers can see a clear disparity in how the bad-looking and good-looking are treated, with the former being beaten up, horsed around to do errands, and shitted on by the ... latter, whereas the latter are treated with high respect, can basically do whatever they want, and the others can't complain. This portrayal is far from realistic, surrounded by superficial characters, and it calls into question the values and morals of the show's characters.

This is where Park Hyung Suk enters the picture. A former bottom feeder whose life was transformed after he unexpectedly gained a perfect body and can go in and out of the body by falling asleep and switching bodies. The show's premise is fine, but the bullying aspect is excessive and unrealistic, and the way people behave doesn't make sense, leading you to wonder what the motivations are behind the characters' behaviors, both main cast and side cast. There are some feel-good moments and character development from some of the casts, but the execution of the premise simply does not work for me.

In terms of art, I suppose the show has a Korea manhwa feel to it, but it won't appeal to everyone. It takes some getting used to the art. There were a lot of exaggerated reactions as well as still frames in the animation. One can tell right away that the art and animation department's production value was not prioritized and is relatively low. And since the show is from Netflix, it is not surprising that the art and animation departments are subpar. The OP, in my opinion, is the true winner of the show. It is very catchy, and you'll be hooked after just one listen. However, the art style of the OP doesn't match that of the show. The voice actors did an excellent job though in portraying the characters they were assigned to.

This show, to be honest, isn't for everyone. The description of how people behaved based on appearances in the show is essentially incorrect, and the execution could have been far better. Exaggerations and how people behave frequently leave the audience scratching their heads. The show's main objective is to emphasize the importance of not passing judgment on people based on their appearance. However, the show fails to teach the lesson, since all I see are a bunch of immature children who believe the world revolves around them and that they are superior because of how they act, in other words, jerks. The show is a breath of fresh air though, so there's that.

Yuru Camp squad but GROWN UP?

Honestly, the movie has such a laid-back vibe that the two-hour film feels like five minutes since you'll be so immersed in it. If you liked the series as a whole, this film should be no different.

The cast members are now adults with their own lives. We get to see them working in a new environment and see how far they've come from who they were in high school. Aoi Inuyama, now a school teacher, and Rin Shima, now a writer in a publishing company, were the most surprising of them all. Their personalities and what makes them unique and ... lovable in the first place remain the same.

The entire film revolved around them establishing a campsite in an abandoned area of Yamanashi. Starting with the plan, they decided on the type of site they wanted to create. They decided that the campsite should first and foremost be a place for friends and family to enjoy. Second, solo travelers should be able to enjoy themselves as well. Third, the campground should be family-friendly, with a playground for kids. Fourth, the campsite should have a dog run where dogs can play and camp alongside campers. That is, they intend to construct a campground for everyone.

However, they suffered a setback when Chikuwa, Aoi's dog, discovered a relic in the intended location for the campground, effectively halting the entire campsite project. With each other's help and perseverance though, they were able to complete the project and devise a plan that included preserving the relics and displaying them in the manner of a museum while remaining a campground.

The OP and ED were soothing, which matched the mood of the show. Many cast members get their fair share of screen time, with Rin Shima's moped even making a surprise return after her bike broke down. The ending was the icing on the cake, with the casts enjoying some good old-fashioned camping while admiring the scenery. Let's not forget the gang's signature hotpot dish, which they usually have when camping, and Nadeshiko's knack for making food look delicious. What's also notable here is that Chiaki Oogaki now resembles her old HS teacher, Minami Toba, being a sake enthusiast and all. Honestly, I can't help but repeat that the entire show and cast exude a vibe that leaves you wanting more.

With Season 3 already announced, HOORAY to us YURU CAMP FANS, this movie simply paves the way for how the gang will look X years in the future when they're grown up. The show was able to maintain its consistency following the success of its first two seasons, with everything from the art to the animation to the characters being of the same or better quality. Overall, this is a good slice-of-life film that I would recommend to anyone. The show will make you smile and feel nice, and make you want to support the cast all the way. Basically, as an iyashikei show, you'll just want to enjoy and immerse yourself in the show and relax, which the show did 110% of the time.