This was definitely an improvement over the last episode, but it remained thoroughly inconsistent, only ever elevating itself to the quality it typically possessed throughout the first arc during the relatively compelling moments that solely focused on Sorata and Mashiro’s relationship, particularly the final scene, which was a pretty satisfying and touching moment. Though quite mediocre in quality, this episode was reasonably well-paced, deftly shifting between an abundance of necessary dynamics within the narrative. Of course, the biggest weakness of this episode, aside from the contrived dramatics, was Nanami’s pointless interaction with Sorata towards the end of the episode.
The opening sequence and another of a similar nature towards the end were quite well-directed, in which the thoughts of several characters were momentarily touched upon, skillfully weaving a plethora of individualistic emotions into compelling vignettes. As such, the opening essentially established the romantic, yet slightly melancholic, tone that would permeate the following developments. This fleeting depiction of their introspective thoughts illustrated that Sorata, even upon waiting for Aoyama to appear, was thinking only of Mashiro. I’d love to assume that this moment, along with Sorata and Mashiro’s final conversation, foreshadows a necessary progression in the narrative, but it remains unlikely, since seemingly every proper development that Sorata and Mashiro experience proceeds to immediately be followed by a pointless return to forcing Mashiro into the periphery while Aoyama continues to indulge the farcical mirage of her perpetually unrequited feelings ever being reciprocated, as evidently illustrated by her dull interactions with Sorata, all of which possess a distinctly one-sided nature.
Mashiro and Sorata’s poignant conversation toward the end of the episode was easily my favorite sequence, as it illustrated a furtherance in the intriguing development for Mashiro’s character, while also illuminating the highly noticeable, yet still unrealized, romance between them. It was essentially a confession of sorts, which, though terrific, will make the imminent regression quite unrealistic. However, I continue to greatly enjoy the rather slow development of Sorata’s feelings for Mashiro, as, once again, this emotional flourish was illuminated by several distinct moments, partially depicted by Sorata’s blushing reaction towards Mashiro after first noticing her wearing a dress. Sorata’s momentary expression strongly alludes to the clear dichotomy between his hardly realized romantic feelings for Mashiro and his comfortable friendship with Aoyama. Also, though disappointingly brief, it provided a very satisfying glimpse of Aoyama’s inevitable tears.
Sorata, though displaying slight development prior to the thirteenth episode, has been portrayed as a character devoid of substantial maturation throughout the last two, since his unjustified anger towards Mashiro isn’t even derived from a singularly legitimate reason, but rather a petty excuse for him to smother her with his petulant indignations. The opening interaction between Sorata and Mashiro was thoughtlessly cruel and undeniably indicative of self-interest and nothing more, which is quite disappointing, since his development was progressing quite satisfactorily prior to this second arc. As such, Sorata was rather unlikable throughout this episode, particularly during the first half, as his impulsive tirades at nearly every word Mashiro spoke were ridiculously excessive and needlessly irritating, distinctly transitioning past what initially was an understandable response into a repetition of highly unsympathetic tendencies. Following several odd reactions toward Mashiro’s kindness, I was thoroughly expecting and hoping for an apology of some sort, which, unfortunately and inexplicably, never truly arrived, much to the detriment of his characterization in this episode. Though I was rather satisfied in the manner with which this particular development was resolved, it was definitely the most contrived and exceedingly dramatic complication in the show up to this point, aside from Aoyama’s absurd decision to miraculously enter Sakurasou.
Aoyama’s “date” with Sorata was, predictably, the least interesting aspect of the entire episode, as their dynamic is entirely absent of romantic chemistry, instead relying on a repetition of banal affections from an oblivious Aoyama. Essentially, this momentarily detracted from the effectiveness of the episode as a whole, since it appeared, yet again, to be infused into the progression of the episode for the sole purpose of reestablishing the unfortunate realization that Nanami does, in fact, tangentially remain relevant to some weakly defined “triangle’. This is, of course, nonsense, but it continues to disappointingly permeate nearly every episode. Aoyama’s occasionally denied, yet strongly felt, hopes for an elevated relationship with a Sorata that is noticeably dismissive of their “date” and seemingly connected to Mashiro in a particularly romantic fashion are absurdly naïve, as though she’s hopelessly clinging onto an inevitably illusory affection, which appears to be one of the only elements within her characterization that has ever existed. As such, these monotonous excursions into Aoyama’s romantic aspirations are consistently illuminated as meaningless diversions from the narrative.
Jin’s confession to Misaki was nice, so it’s unfortunate that it was eventually undercut by the melancholic conclusion following the ED. I’m really hoping that the proclivity for riddling their relationship with a plethora of avoidable complications is heavily diminished soon, since this repetitious element is nearly as perplexing as Aoyama’s continued interference in the development of Mashiro and Sorata‘s inevitable relationship. Though this episode was practically absent of any particularly effective humor, Sorata’s exaggerated reaction to Aoyama was pretty amusing.
This episode was rather well-directed, displaying a marked improvement over the last, as it handled the material with a surprising touch of emotional resonance. The animation was excellent throughout, especially during Mashiro and Sorata’s conversation by the fountain. Musically, though the selections are rather sparse, this episode was quite good, as they typically complemented the moment they were accompanying, such as Misaki’s conversation with Mashiro. The outro was really effective as well.
All in all, though this episode was merely mediocre, Sakurasou has deteriorated considerably following the excellent conclusion to the first arc, displaying an unnecessary tendency towards perpetuating a thoroughly tiresome stagnancy within the narrative. It remains quite capable of producing enjoyable interactions or an occasional moment of heightened emotions, but there’s hardly any consistency within the story, as it illustrates an inability to properly transition from one meaningful development to the next. It appears, unfortunately, that Mashiro’s prevalence has been increasingly diminished following the twelfth episode, in favor of a heightened focus on Aoyama, which is an altogether flawed approach. This momentary tendency seems entirely borne from a ridiculous inclination towards manufacturing an unnecessary “balance” in the narrative, since Aoyama’s presence in the story will inevitably be extinguished long before Mashiro’s. I’d likely appreciate this direction if it actually created any sort of substantial tension. Instead, she merely appears to be an insignificant hindrance to the development of Sorata and Mashiro’s relationship and the necessary progression of several elements within the story; both of which are far more integral and compelling than Aoyama’s trite and unmistakably pandering interactions with Sorata. |