Sumimura Yoshimori is a Kekkaishi—an inheritor of the power to battle demons, using barriers called kekkai. His family is charged with protecting the grounds of Karasumori high school, a building which magnifies the power of demons who enter it. Helping him are his spirit-wolf companion Madarao, and next door-neighbor Yukimura Tokine, the daughter of a rival clan. Years ago, Tokine was injured protecting Yoshimori, and now he is determined to become strong enough to keep her from being hurt again. Of course, he'd rather bake his exquisite cakes than have to fight demons at all, but fate has something else in store! As a shadowy demon organization moves to steal Karasumori's power, can Yoshimori overcome legions of demons, a centuries-old family rivalry, and a grandfather who just can't understand his love for baking?
Kekkaishi is basically one epic siege story. The very fact that its based around protecting one piece of land (conveniently the main protagonists' school) only at night time, is the show's main hook, and it fulfils its interesting potential throughout.
Yoshimori and Tokine, our plucky teens, are charged with the seemingly life-long mission to protect a mystical piece of land with their barrier technique. The ability to create barriers of all shapes and sizes by pointing their fingers and shouting "Ketsu!" and destroying the contents of their CGI boxes with "Metsu!" It’s a very cool and unusual technique and the animation remains consistently good throughout the series, so it never gets old watching the two develop their skills, or to watch Tokine take liberties and use her kekkai to smack Yoshimori in the face.
The manga is written by a female so you can expect some good characterization for Tokine. The two heroes are on an even level for most of the anime, and being that it’s written by a female, the relationship and romance has a more deft touch to it. Sexist observation? Maybe, but I can tell you that I didn’t really roll my eyes or get bored with any of the lovey dovey moments sprinkled throughout Kekkaishi.
Populated by interesting and amusing characters, an epically memorable Taku Iwasaki score, refreshing pacing, and creative action, Kekkaishi is the definition of how a shonen genre anime is meant to be made. It does get a tad derivative towards the end, being unable to escape the tropes of the genre, but its still good fun. Each episode also ends with a great Photoshop-like montage of characters, basically summing up the climax of the last 20 minutes.
The producers even had the grace to just end the adaptation at the end of an arc, rather than overtake the manga or descend into filler hell. It’s a bittersweet compromise but one we should accept and respect. For a show sponsored by McDonalds, you'd think greed would compel them to milk everything out of this show, but they knew when to stop. Whether it was due to Kekkaishi not being as sell-able as Naruto or One Piece for example, I don’t know, but I don’t care when what they leave us with is an anime as excellent as this.
So like I said, Kekkaishi is a kind of siege story, a staple of the action-thriller genre that live-action films occasionally excel at, but anime rarely ever touches. Kekkaishi greets the genre head on with shonen enthusiasm and ends up an entertaining show worth watching.read more
Perfect execution of a unpopular shonen anime. Even though it has a mainstream plot and presentation, it has a soundness of all the elements in the show that so many one shot animes lack.
I could not give the show a 10 for character, since no character stood out like the infamous L, or Light, or Luffy, or many of the other great characters. Even though I was captivated by all the characters, no one stood out. It may be due to the female writer's preference not to bias her character development to only one of the two main characters. Even though it is a male oriented theme overall, she has built a great relationship between the two characters. Their attachment and growth dependence on one another really shows in the later part of the anime.
The story I could only give a 9 because it did not have any shocking twists, nor deep revelations. The show was intended for amazing action, intense adventure, and they even blew the budget on the animation! I meant that last part as a figure of speech. The plot was always entertaining, so I was never for a moment bored, and I was always anxious waiting for the next episode. Excellent themes are hidden within all the episodes. Especially between the common male male female character trinity, just like in Naruto. Also the ominous older brother, and tiresome grandfather play out in some dynamic relationship with Yoshimori. Kekkaishi is as good as Bleach and Naruto at their best. I use those two, since they stories are the most parallel to each other.
The animation was incredibly done. For clearly being an unpopular manga and show, the production was high grade. Limited CG images composited into the shows main scenes. Princess Mononoke was one of the first to do this well, and has been proven to be an incredible advancement for the industry. Over the next 10 years we are going to see much better animation, once show budgets increase as the world turns to a complete global market.
The score is done with great meticulousness for the creation of appeal. The end character montage with a rock rift is such a great way to end each episode. It makes you crave for the next episode. Shows like this that repeatably use the same melodies to lead into scenes really enhance the appeal of the show, instead of forcing some repetitive melody in your head. Animation is nothing without sound. Shows that do not put money into their soundtrack... fail.
The dialogue was great, so my overall enjoyment was superb. The common banter in shonens is a great exemplification of how it is possible to escape from all your problems in a moment. One minute a character is stressed over being weaker than an enemy, the next they are cajoling with their nemesis.
If you want to watch a consistent anime that gives everything you want, just take it all and watch the show. It does not disappoint and delivers in action, with only marginal build up of suspense. The creators of this show analyzed all the popular anime, and formulated a perfect model for a show they wished to produced, then approached the closest show that matched their requirements. Pretty prehistoric method of manga selection, but does it ever make a great animation.
Now its time for me to go back to the pile and search for another show. There is still one more episode to be subbed, but I am already satisfied by the show that is Kekkaishi.
Oh and by the way, they use these cool barriers called Kekkai, which act as shields, and can perform a type of volume combustion, which they then consume as a form of garbage collection/religious burial for ayakashi (ghosts/demons), and they even play on the idea of encapsulating dimensions, and also about dimension construction. I said the show had no deep revelations, but it does use some damn cool archetypes.read more
Let me start off by saying that Kekkaishi is NOT your average mainstream anime, because let me tell you, it ISN'T. It starts off making you think it's all "we've got one aspiring, goofy young teen who wants to be noticed, one smart-perfect round about girl, and one best friend who is half-human half-other" but then it takes you onto a whole other plane.
Kekkaishi has your drama, your comic relief scenes, and your thought provoking scenarios all in one AND the best part is that it isn't long and overly drawn out like Naruto, Bleach, or InuYasha.
As mentioned earlier, it's got your basic goofy main character who has a crush on his neighbor and later on meets his best friend who happens to be half-Ayakashi ("ghost"/"demon"). HOWEVER, Kekaishi also successfully merges in some well back story plots that defies your average shounen story making it about 100x more interesting and it isn't drawn out to be annoying. The only reason I don't give it a full 10 was because I felt the ending could have used a little more "padding" i.e, giving it a slightly more thorough conclusion. It wasn't completely open-ended, but I do feel that there were maybe one or two knots that could have been tied before ending completely.
Considering that I'm writing this review in 2015 and this anime finished airing in 2008, I'm actually rather impressed with some of the special effects in the show. There were a few questionable shots, but overall I thought the art work was clean, well-done, and interesting. I only give it an 8 though because there were a few awkward shots/angles.
Awesome voice acing (I'm talking about the original Japanese) the voices are all amazing and you really feel like you're watching something and not listening to someone reading off a script. There are also some very good, well-known voice actors such as Hiroyuki Yoshino and Kenjiro Tsuda. Also, including sound, the voice sound wasn't as ill-proportioned as some anime can be (i.e, the sound effects and music overpowers the voices making it difficult to hear).
The characters were all very "3D" meaning they really captured the audience's attention. In my opinion, I really got to "know" the characters more as people than just characters in a story. Even the villain Kaguro, because dang, did that guy have STYLE! He was bad to the core, but there was a certain amount of charm in the way he did things that kind of makes you like him and respect him, but still not "like-liking" him enough to hope he isn't killed off in the end. He made for a very good villain and normally one would hope to look for "grey villains" in anime that can decide to be seen as good or bad, but not this time. Kaguro was completely black in personality, and it was kind of "refreshing" in a way because often anime creates antagonists who, more usually than not, join the hero side which, although interesting, can kind of become predictably boring after seeing it occur so often.
There is also a good amount of character development and interesting personalities and, like I said, you really "fall in love" with the characters.
Overall and Enjoyment (10/10:
Overall, it was an awesome show with a relatively satisfying ending and I'm actually really depressed now that it's over. I suggest it for people who want mindless fun, but not to the point of brain dead fluff. I mean, I liked it so much that I managed to write a review for it, which I haven't even done for my most FAVORITE or favorite shows; so it just goes to show how great this series is, right? :Pread more
Watching _Kekkaishi_ is like enjoying a big box of chocolate; you know it's essentially just fat and sugar, but that doesn't stop you from eating it.
_Kekkaishi_ offers nothing new, nothing spectacular, essentially nothing. It's not one of those animes that tries to be high brow and thought provoking. In the limitation of its scope, however, the series has done extremely well. The story progresses with fast enough pace that one doesn't feel the urge to fast forward, often with suspense--in the form of unresolved secrets or crisis--sustained throughout several episodes. The art is excellent as well: very clean and rarely with the exaggeration of either being too 'shoujo' or too 'shounen.' It's rather rare these days to see the female protagonist drawn without over-developed body parts, which in this case only makes her more charming and lovable.
The story is simple and rather straight-forward. The basic premise of nearly all episodes lies on the encounter of the two main characters with the invading monster(s) of the week, with stories dedicated to character development revolving around this premise. I am glad to say, however, that the story has not fallen into one of the major caveats of this structure. The conflict resolution does not always depend on the main characters getting stronger (through training, for instance), but also on their character growth and interaction.
Many hints are dropped within the series suggesting the series targets a rather young main audience: too many things are explicitly spelled out for you. The male protagonist's main drive, for instance, is hammered repeatedly to the audience from his own dialogue. A good thing that comes out of this is that the characters have well-defined personalities that explain why they do the things they do. Every character remains faithful to his/her main trait. This, unfortunately, also makes the characters rather simplistic and two-dimensional, with no room left for surprise. I find it difficult, however, to blame a series dedicated to younger audience for being reductionist in its portrayal of human psyche.
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