“But, O, how bitter a thing it is to look into happiness through another man’s eyes!”
– Shakespeare, As You Like It
Dear Reader,
By the end of this humble review, the case may be that I will find myself skewered by countless pitchforks and torched at the stake by those who bear disdain towards K-ON! for forging what is igniting the burning passion in my heart for all to see. In spite of this inevitable dreary destiny, I shall boldly write on and write on I shall ‘till kingdom come for friend or foe to witness. So without further ado, before I enrage the angry mob which desires my public evisceration and execution to the point where they can no longer withhold their murderous intent, I shall grace your eyes with the weaving of this golden yarn of mine.
Infamous for its intricate, innovative and inspiring PLOT, or rather a lack thereof, K-ON! has garnered a reputation for being an inane and unproductive moefest after two seasons of moe madness featuring the endless antics of the musical moeblob members of the Houkago Tea Time Club.
But that is what it is.
And it will stay true to itself regardless of how irrational it may be. Because the story of the hectic daily lives of these high school girls aiming for the Budokan, and their various shenanigans along the way, is the quintessence of why we love them, or hate them, depending on which side of the spectrum that you may be.
This iconic image remains unaltered in its motion picture premiere. Indeed, there is never a dull moment in the world of K-ON! as it flawlessly maintains its ditsy eccentricity from Japan to England and back. That’s right. In this chapter of their high school adventures, the K-ON! girls travel to London, the birthplace of many talented musical prodigies, for their much awaited graduation trip. As with each episode of K-ON!, one cannot help but imagine in anticipation and in expectation of what lies in each installment, however it is usually the case that we are often wrong in our predictions of the coalescence of the events.
The same concept is applicable to the movie, which welcomes its audience with an explosive heavy metal opening that stands in stark contrast to the light and fluffy music that we are accustomed to. However, after a period of violent and erratic headbanging, I came to revisit the overwhelmingly nostalgic innocent and happy-go-lucky atmosphere which characteristically defines K-ON! We are immediately reminded that this chapter in the K-ON! girls’ lives takes place in the period before their graduation, after the senior girls receive confirmation of their acceptance into university. As such, they are presented with the dilemmas of how to celebrate their graduating year and final high school days as well as what will pose as the more uncertain and difficult challenge of expressing their gratitude to Azusa.
With these elements of PLOT presented, KyoAni does a splendid job of executing this duality by not only making the graduation trip an exciting and memorable experience for both the K-ON! girls and their spectators, but also succeeds in weaving the narrative fabric to incorporate the latter aspect throughout the film. And thus, we are once again thrust into the wild wacky absurdity of K-ON! From silliness on the airport conveyor belts which are undoubtedly amusing to tread on, to getting lost in a foreign land resulting in an unintended musical performance via a case of mistaken identity and Engrish gibberish, K-ON! and their fans embark on a misadventure with more destinations than what was planned on the trip itinerary. All of which was expertly animated by the talent at the KyoAni Studio, which never fails to dish out perfection with a side dish of K-ON! The addition of CGI that complimented the meticulously drawn conventional animation was a great welcome and generated eyegasms aplenty.
The movie also serves as a fast-track tourist trip to London city as we travel with the K-ON! girls to famous landmarks such as the London Underground, the Borough Market and the banks of the River Thames where the Tower Bridge, the London Eye and the Elizabeth Tower containing Big Ben all lie in their gloriously animated state. For those who have been to the massive metropolitan city, it is a refreshing sight to view its beautiful landscape in animated form. By the same token, it stirs a desire to retrace the steps of the K-ON! girls in those who have yet to travel to the hallmark destination.
Moving on, the audience is once again graced with the excitement that a typical K-ON! musical gig provides. KyoAni doesn’t disappoint its fans with the animation of the gigs, which leave me jumping and pumping my fist in the air in tandem with the song. I’m just kidding, I don’t do that. As we approach the film’s conclusion, we re-experience the nostalgic bliss of the end of the senior girls’ high school days and their final gift of gratitude to Azusa that they worked so hard throughout the movie to have come to fruition, which takes form in the performance that is depicted in Episode 24 of the second season. Witnessing the penultimate events which led to the pinnacle of that emotional scene was the most masterfully executed moment of heartfelt nostalgia that I had the privilege of experiencing and I felt the full brunt of the bittersweet joy that I basked in once before.
One would like to believe that after three years have passed since the debut of their high school years, the K-ON! girls would experience some sort of progressive change as they nurtured each other’s growth. However, that is far from the case as the only thing that has probably altered is the fact that they have become complacent to each other’s idiocy, and therefore have become increasingly idiotic. Hirasawa Yui returns as your friendly neighborhood airhead guitarist and stars in all of the crazy acts of hilarity which we all know and love. Tainaka Ritsu’s erratic hard-headed large-forheaded rash irrationality compliments Yui and completes their comedic duo in their plethora of stunts. Akiyama Mio. Ahem. Wait a moment please, I must compose myself. So Mio flawlessly and triumphantly makes her stunning comeback as our adorable and lovable cute and pure maiden. Bubbly Kotobuki Tsumugi and her eyebrows of awesome return to be Mugi and bubbly. Nakano Azusa, also affectionately known as Azunyan, becomes translated into Engrish as Azu-Cat and remains the most sane and levelheaded member of K-ON! Even side-characters make their respective cameos to remind the viewers of all of the individuals with which the K-ON! girls have met in their high school journey. Oh and Sawa-chan looks damn delectably delicious in black. In essence, KyoAni manages to preserve the iconic identities of all of their characters and work their magic by making the vast array of personalities interact and mingle in new ways.
Now how could I possibly forget about the musical score of a series centered around a group of girls who are characterized by their identity as band members? The soundtrack recycles some of the K-ON! series background music pieces to retain its iconic happy-go-lucky feel, but we are introduced to new music as we enter the realm of the English homeland K-ON! style. This is welcomed with open arms as it adds to consolidate the foreign setting of the film. In addition, the OP songs “Unmei wa Endless!” and “Ichiban Ippai” are sure to satisfy the listeners who are yearning for more K-ON! fluff. On the other hand, ED song “Singing” which bears the angelic –singing- voice of Hikasa Youko emanates the same feel as her previous K-ON!! ED piece, “NO, Thank You!” However, the film returns to showcase hallmark tracks which have defined its musical prowess such as “Fuwa Fuwa Time,” “U&I,” “Gohan wa Okazu,” and “Tenshi ni Fureta Yo.” All in all, the film’s soundtrack features some new spectacular tracks and reintroduces their predecessors to keep K-ON! music and nostalgia fresh.
Watching the K-ON! Movie has been the most exhilarating anime entertainment experience that I have witnessed and I am eternally grateful for seeing this legendary series meet its conclusion with such sparkling splendor. Bravo KyoAni for creating a beautiful masterpiece.
And in the end, Yui still got to go to Europe.
Now if you’ll excuse me, I am being carried against my will by this legion of pissed off K-ON! haters to be burned at the stake. I guess I have to visit the hospital after to treat this multitude of pitchfork punctures too. Well don’t worry, it’s just a flesh wound.
