Story:
So, when we left off our heroes were leaving Earth in White Base with the Zeon forces in hot pursuit and attacking the Jaburo headquarters behind them. Sayla also had a quick encounter with her missing brother who happens to be Char of the Zeon forces. Holidays will definitely be awkward for their family.
In this film, we open with White Base having returned to space and engaging in battles with Zeon forces there. The conflict is coming to a head and both sides are in an increasingly desperate state. The Zeon have a new super weapon and White Base is the lynch pin in the Federation attack against it.
Let's start with the biggest issues with the film. The most obvious being that, like the previous films, its way too predictable. Any major character who's going to die has an obvious death flag. The narrative itself has no unexpected twists. In addition to that, the bad romance writing gets particularly egregious here. There's a weird love pentagon thing going with Mirai, Bright and two other dudes who weren't in the prior films and only have minor roles in this one. So, it's kind of pointless and doesn't contribute anything except some contrived romance melodrama. Because that's what we need to add intrigue to this story about intergalactic war. Speaking of pointless nonsense, Amuro's father shows up in this for no good reason. Amuro just kind of speaks to him briefly, realises he's suffering from some kind of brain damage and then acts like the whole thing never happened.
You may recall that when I reviewed the first film I mentioned that it tried to make both sides sympathetic but failed because the Zeon are basically portrayed as space Nazis. Well, this film exacerbates that perception by outright comparing Gihren, leader of Zeon's forces, to Adolf Hitler. So, the comparison is deliberate and they're still trying to show the Zeon as somewhat sympathetic... Suddenly, it makes a lot of sense that the original creator of Gundam, Tomino Yoshiyuki, also directed, created and scripted both Brain Powerd and Garzey no Tsubasa.
The most interesting element is still Char's whole arc although it's kind of a letdown with how it ultimately concludes.
Characters:
The big problem with the characters as a whole is still that they're duller than a plastic spoon. Amuro is also really getting on my nerves at this point. There's a part of the film where he encounters someone on the opposing side who says it's weird that he's fighting without any actual reason. He doesn't deny the fact that he has no reason for fighting but still thinks it's petty that she's fighting out of a sense of gratitude and loyalty towards someone else. And while watching that exchange all I could think was "at least she has some motivation." Seriously, this guy just admitted to not having any real reason to fight and he thinks she's the one being petty in that situation? Fuck off.
Art:
So, we have art and mecha designs that haven't really aged very well. If I'm being honest, the only mech designs in this I kind of like are Ball and Big Zam and it's not because they're good designs. It's because they're stupid in a way that kind of makes me laugh. Ball is literally a tiny ball-shaped mech. Big Zam is a massive saucer with no manoeuvrability attached to a pair of huge legs for no apparent reason. Seriously, what purpose do the legs serve? All the weapons seem to be in the saucer section. Is it supposed to be so that it can kick or step on other mechs and call them scum?
Sound:
The acting is fine, even with Amuro's whininess. Inoue You and Ikeda Shuuichi have the strongest performances. The music is and has been the most consistently quality element in these films.
Ho-yay:
There's none. No one is Trowaing anyone else's Quatre.
Areas of Improvement:
1. You can't make your antagonists sympathetic while also making a clear comparison to them and Nazis.
2. Amuro needs stronger motivation. He comes across as someone who's letting themselves get dragged along into a conflict that they have no strong feelings about.
3. If you suck at writing romance, just don't have romance. Trust me, the fans will ship characters they think mesh well regardless and you certainly don't need romantic drama to add intrigue to a story about an intergalactic war involving mecha. You just need better writing for the intergalactic war involving mecha.
Final Thoughts:
This is not a strong ending. Not only are all the problems with these films still present, but they're actually accentuated with pointless scenes and a bunch of poorly executed romance. And because of that, I'm not giving this part of the trilogy an average rating. I'm giving it a 3/10.
