Ok, I promise I'll try to keep the ATLA comparisons to a minimum from here on out, but you get the picture. While this series has the bones of a good story and some awesome art and sound, its plot languishes unnecessarily for almost the entirety of the series. All the information in the paragraph above is revealed within the first 2 episodes, and the next 16 or so are exclusively flashbacks retelling those events in incredibly long detail, meaning that there is little actual progress or character development happening in those episodes beyond what is already revealed early on. The end result is that the vast majority of the series (stretching into the second season) is written as its own unnecessary prequel with all the subtlety of a 16-ton weight dropping from the ceiling.
Story/Characters: 5/10. The story had a lot of possible directions it could go from the start: starting a new life without the baggage of notoriety, hiding one's identity from former friends/frenemies, learning how the art he invented has grown and changed in the years he's been dead, observing the social changes that occurred after the overthrow of both the Wen and the Yiling Patriarch, living as a freelance demon-hunter, etc. etc. The story chooses to explore none of these and instead re-tell what it already told in the opening episodes. While toward the end of the second season we do get a glimpse of things going on behind the scenes, unfortunately most of the episodes are spent telling us stuff we knew from the get-go: Wei really likes his sister-figure. His relationship with his adoptive brother soured. He developed a way to harness negative energy, which makes him a hero to some and a heretic to others. Various miscommunications, misunderstandings and petty partisanship have cast him as a villain when really he is just trying to protect his people. etc. About 10 hours of the series is spent slapping the audience in the face with things they already know, while what was introduced as the main plot (Mo Xuanyu) is abandoned. The length of the exposition steamrolls any nuance out of the plot and twists itself in circles to justify the purity of its characters rather than exploring their flaws. Most of the characters have fewer than 2-3 character traits, one of which is almost always "loyal to family/clan" so the vast amount of time spent expounding on just how justified Wei Wuxian was or how much of a major asshole Wen Chao is was a vast amount of potential for actual storytelling in a fascinating setting wasted.
Minor gripe: the character designs are far too uniform, especially Mo Xuanyu and young Wei Wuxian. I suppose since basically everyone immediately recognized Mo as Wei Wuxian anyway, it's a bit of a moot point, but it felt lazy. I don't know if they were TRYING to make the Wen clan leader look like Fire Lord Ozai, but they did. The ubiquitous sun and flame motifs among the Wen does not dissuade this comparison.
On to the good parts:
Art: 9/10. Docking a point for lazy character design, but the art and animation were incredibly compelling. There's a good amount of noticeable-but-not-terrible CGI interspersed throughout, which works effectively with the storytelling in parts. The art really makes me wish it had a more compelling story to fill it out.
Sound: 9/10: Music is used as both theme and symbol throughout the series, with the guqin and the bamboo flute offsetting each other. Both are traditional Chinese instruments, but their use in the series underlies the difference in tone of their characters: the guqin's music is usually calm and resonant, while the bamboo flute instrumentation is often high-pitched and frantic. It was a masterful way of showcasing the light side/dark side interactions as the characters became closer entwined. Unfortunately, because the main plot spent most of its time flashbacking, the audience gets a very limited amount of the most compelling musical dynamic in the series. The VAs were generally good, although I have a feeling that they gave about five too many people the voice direction "You are an angry but scholarly middle-aged man," though that would arguably be a problem with character design.
Enjoyment: 5/10. I went into this series and loved the first few episodes, so I was incredibly disappointed to spend almost the entire rest of the series waiting for something new to happen. The art and music kept me afloat long enough to reach to the end, but ultimately it never gets far enough away from its starting point for me to have enjoyed it.
