I've said it before and I'll say it again: Concrete Revolutio is one of the most underrated shows out there. It's a project that its creators clearly poured their hearts into. It's full of social commentary and critiques of post-war Japan, and it's satisfying to piece the story together while figuring out what it all means. So naturally, I've been very excited for the second season of this show. Did it meet my expectations and deliver a great product? Yes, but that's a qualified yes.
Story: 8/10
Concrete Revolutio's most powerful aspect has always been its narrative, and that rings true for The Last Song as well. The narrative picks up a few years after the events of season 1's final episode, and things have changed for the worst. Jiro, now an outcast, seeks to find justice, truth, and meaning in the contentious world of superhumans he lives in.
While the first season used its narrative to craft a huge world full of complex characters and situations, the second season takes a more introspective approach. Each episode focuses primarily on Jiro and how he chooses to handle the superhuman-centric events he finds himself in. His former friends criticize his ideals and his actions. He goes from having a strong sense of what is right to deciding he doesn't know anything and is a monster. He is broken down and brought back up, but he still can't find a strong sense of justice to cling to. Jiro is a tragic hero through and through, and his transformation is exciting, but sometimes frustrating, as he can come off as wavering and unpredictable. But I think that's the point. Nothing is black or white in this world, and Jiro exemplifies this.
The overarching narrative has an unusual format. The first two episodes move the story forward and explain the biggest events of the timeskip between the seasons. However, the next string of 4 or 5 episodes are essentially one-offs, episodes that don't contribute to the overarching plot. I was told that many of these episodes were written by guest writers, which would explain their lack of connections to the rest of the show. These one-offs aren't a bad thing for the most part. Each one tests Jiro's character in a different way and leads to his sense of justice further being challenged.
My biggest gripes with the story have to do with the ending. Concluding a complex work like Concrete must be difficult, but I don't feel they did as good of a job as they could. I was satisfied with the ending messages and motifs at the very end, but the road they took to get there during the final episode was confusing and unsatisfying.
Art & Sound: 9/10
Everything checks out here. The artwork is just as vibrant and unique as the first season's, with no noticeable lapses in animation quality.
The Last Song's opening is simply phenomenal. It's got everything I could want out of an opening - hype-inducing visuals, a line or two spoken purely in broken English, and a dubstep breakdown featuring characters dancing (Dimension W's OP also checks every one of these boxes). The ED is good enough, although the first season's is a bit better to me.
Characters: 7/10
In my review of the first season, I mentioned that there are a ton of characters in Concrete. However, this season focuses heavily on Jiro. Unfortunately, this means that the rest of the characters suffer a bit. While some characters are further fleshed out (mostly the ones allied to Jiro, like Earth-chan and Raito), the majority of the cast doesn't get much room to grow. The characters of Emi and Kikko suffered the most in this regard. Kikko spends nearly all of the Last Song futzing around without accomplishing much. And Emi --poor Emi-- stays mysterious and underdeveloped like she did in the first season. She plays a much more active role in the finale, but if that was meant to be her development, then I'm sorry Bones, but it wasn't enough.
Enjoyment: 9/10
One of the main criticisms directed towards the first season of Concrete was that its story was convoluted and hard to follow. This was due to the episodes being set non-chronologically, and it was up to the watcher to piece the narrative's timeline together. If you fall in this school of thought, then you'll be happy to know that The Last Song has a linear timeline! Although there are gaps of time between episodes, they all play out in chronological order, so it's significantly easier to follow the story this time around. Events in previous episodes are still referenced frequently, but as long as you were paying attention, you shouldn't get too confused.
Overall: 8+/10
The Last Song has been a wild ride, and for the most part it's been very good. It's caused me to think about the societal standards of Japan and the United States, past and present, and the fact that it inspires critical thinking places it above many, many shows.
However, I am a reviewer who tends to linger on the ending of a show. As such, I can't say that this second season of Concrete Revolutio was as good as its first. The end of its story didn't blow me away like the first season, and I felt unsatisfied with how most of the supporting cast was handled.
But don't get me wrong. Concrete Revolutio: The Last Song is still a great show very much worth your time. Even if you didn't enjoy the first season, I'd give this one a try and I guarantee that you'll be hooked. In addition, I'd recommend everyone who watches Concrete to think critically about it. Think about the events that occur in each episode, and what they are supposed to parallel in real life. Think about how the senses of truth and justice they discuss in the show impact individuals and society. And if you're feeling up to it, read up and talk to people about this show. There are multiple blogs that do great writeups on Concrete episodes, and multiple communities willing to have thoughtful discussions on what everything means. If you can watch the show alongside a friend and talk about each episode together, even better.
Concrete Revolutio and The Last Song are definitely worth your time and I strongly recommend them to any one who enjoys their shows having value and meaning beyond the direct plot.