Reviews

Feb 10, 2009
For those of you looking to relieve those slice-of-life blues afterAria finished, then look no further than Binchou-tan.

The series began life as began as a manga by Ekusa Takahito before being adapted for anime in 2006. The story is set in the town of Minabe in the Wakayama Prefecture (located in the Kansai region), and the series pays homage to the area in a number of aspects, the most prominent being the names of the characters. The titular character, and indeed many of the other characters, are named for different types of charcoal, with Binchou-tan being named after binchotan, a form of white charcoal that the Wakayma region is famous for producing.

This connection has added to the popularity of the series throughout Japan, so much so that Binchou-tan is now the official mascot of the Kishu-Binchotan Promotion Museum, which is run by Minabegawa Forestry Society.

The story is very simple. A little girl named Binchou-tan lives alone in a run-down cottage in the forest outside of town. Life is hard but she takes each day as it comes, works hard at various odd jobs, and tries not to let her spirits flag.

Unusually, each episode in the series is split into two individual stories, so over the course of half an hour the viewer is shown two chapters in Binchou-tan's life. Surprisingly, this works rather well, especially as this is purely a slice of life show. Over the course of the series the viewer is given a taste of Binchou-tan's life, and whilst the general tone is very much an upbeat one, the show isn't afraid to give the old heartstrings a good hard yank (you have been warned).

The artwork throughout the series is actually very good. The backgrounds and settings are extremely well done, from the rustic setting in the town, to the lush greenery of the forest. A lot of attention has gone into scenery, and because of this the area in which the show is set has a vibrancy that is rare in anime.

Characters are also well done, relatively speaking of course. There is a penchant for labelling the characters in the show as "lolis", however this is a gross misconception, especially given the sexual connotation attached to that word. Binchou-tan and her friends are designed very much like chibis, however there is a distinctive innocence about each of the characters which is readily apparent just from their look. Binchou-tan herself could be a postergirl for "kawaii".

One thing that may confuse some viewers is the log on Binchoutan's head. This is actually a piece of charcoal, although it's never really clear if this is the type of charcoal for which she is named. She is not unique in this repect either, as some of the other characters also make reference to the charcoal industry in both name and hair adornment.

The sound quality throughout the series is very good. The various effects and background noises are well used, with no effects overwhelming the audience at any time. The voice actors are also good, and manage to give each character a certain innocent quality which is reflective of their design and personality.

The one element that really stands out about the show, aside from the scenery that is, is the music. I can't actually recall a single moment that was bereft of music of some sort. The various orchestral scores are very much in keeping with the tone of the series, serving to enhance the atmosphere in any given scene. In addition to this, the OP is a very melodic track which I found to be quite fitting for the show as a whole, whilst the ED is a very upbeat track about Binchou-tan herself.

The characters are extremely, almost tooth-achingly, cute. This isn't just in terms of their design, but also their personalities. Each of the characters has a unique personality, and whilst there are some nods in the direction of stereotype, these are often offset in some way (Ren-tan, for example, fits the "silent girl" mould, however she is also very playful, and not above a little teasing).

The one thing that belies the generally cheery tone of the series is the fact that Binchou-tan herself is rather a tragic figure. She is upbeat, hard working, and more than a little shy. She is also extremely lonely, something which the show highlights in several ways. However, she has a certain air that attracts the other girls to her, and as the show progresses we see some very subtle changes in her personality.

Unfortunately, the other characters don't develop as much as Binchou-tan does, however this can be forgiven because of the length of the series and the fact that each episode is enjoyable in some way.

Now many people will automatically write off this series simply because of the fact that Binchou-tan is so damn cute. This, together with the colourful backgrounds, often makes people believe that this is purely a kids series. However, such thinking means you'll miss out on what is actually a very enjoyable show.

The main appeal of the series is that it is almost purely slice of life. The setting and episodic format may not initially be appealing to many, however it truly is worth giving it a chance. The characters, the scenery, the various days in Binchou-tan's life, are all wonderfully realised, and whilst I may be a terminal Aria fan, I will freely admit that this series is very, very close to it in many respects.

In all honesty, I would recommend this series to anyone who simply wants to watch something nice for a change. There's no romance, no real drama, no big fights, and no gondolas (there are ducks and birds however), but don't be fooled into thinking that there isn't anything for you to watch. This is an extremely enjoyable series, and the length of each episode means that, whilst you can easily finish the whole show in one sitting, you'll probably find yourself spreading the series out over the course of a few days (just to make it last longer).

I now have two shows which I can truly call relaxing.
Reviewer’s Rating: 8
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