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Oct 27, 2017
Urahara (Anime) add (All reviews)
Preliminary
Imagine Kemono Friends but replace animals with Line stickers as inspiration.

This is an anime designed by an engineer to answer questions such as
What's the lowest frame rate you can cover with cute static things?
How low can the stakes be before people give up? How little violence gives the idea of "victory" and "defeat"?
How much consistency does "cuteness" need to be read as such? Is it enough to keep a saturation level and just use any color instead of a designed color pallet?
How little character development can you pass per episode while still giving the idea of an overarching plot?
How much of the character is read more
Oct 15, 2017
what's the point of this?
Every five minutes or so I had to wonder that. Why would you have the sword collector and not give him swords? Why have over the top techniques and not show the name painted across the screen? Why reanimate and exclude the animation intensive scenes? Why have Kaoru and Yahiko if you take out all their scenes? Why have Kenshin's master and super fast Soujiro if there is no secret super fast final technique? Why have Soujiro loose his calm over a moral issue if you don't show whis moral issues? Overall this feels like someone with a plot synopsis read more
Oct 15, 2017
663114 (Anime) add (All reviews)
While this could be considered an art film, which is a plus or a con depending on each person, the concept is strong enough to be understood without a lengthy explanation or previous knowlege. If anything knowing too much takes away from the enjoyment. Beyond the concept the sound design is really strong and complements it much more than the animation. I doubt just anyone could do this in Premiere but it's a long shot from the sakuga some people expect in anime. Whether its simplicity makes it feel special or a wasted opportunity is up to you.

For its length it's a really read more
Jul 21, 2017
Satoshi Mizukami is mainly known for Samidare and maybe Spirit Circle, but like every mangaka he has dozens of works that barely got a one-shot if they were printed at all. This is a collection of pilots, only a few meant to even try to get serialization.

If you haven't read anything by him before the style might look a bit rough, mainly when it comes to faces. But he makes up for it with very dynamic movements, and you get to see how he slowly found his footing in that style.

The author comments keep insisting that there are connections between the stories, I'm pretty read more
Jun 19, 2017
Si leés castellano este ova está en youtube.

The only Umezu manga I've read is Fourteen, but for what I've seen this OVA adapts his style really well. You can see how it bleeds into other horror artists influenced by him like Junji Ito. The strongest point of this OVA has to be the character art, mainly face expressions.

The animation is a bit lacking but still great for a small 1990 OVA. Very few static shots or cheap slides but nothing impressive either. The key moments of gore have a lot of work put on them making them great gifs if you want to section them.

The read more
Jun 19, 2017
For many this just another piece in the long catalogue of AIC properties that were made by nobodies and can be only enjoyed by riffing on them. The two names that stand out in the production are the script writer, which is closer to what the US calls "script doctors" and just tries to make sense of the director's idea; and the mecha designer that you could know from Nadesico or Rayheart S2.

The production costs are divided between the gore scenes (with some decent blood splashes because 90's) and set designs. If there's something to enjoy here is the biologicaly infected spaceships, the later read more
Feb 28, 2017
Preliminary
Therre is currenly no translated version of this and if you take the time to look for the raws it's pretty obvious that there will never be one. While not fluent in japanese, or understanding it at all, I am well versed in comedy cliches, so watching the raw wasn't really an issue. There's less than a handful of jokes in this, it's mostly the guy gets a hard on, otokonoko teases, slaps. It also has the obligatory 50% of its run time dedicated to "should I tap it? but it's a duuuuudddeeee!!"

It's pretty much Stop Hibari-Kun without the cuteness, charm or side characters. read more
Feb 27, 2017
It's a comercial, there's not much to expect from it. But the second one has a brief cameo by Lalah and, while it serves to set at which point of the original series this happened so all you autists can be happy, it depressed me a little. I don't want to be reminded of dead waifus during a comerical brake.

The animation in the first one is superb, the second one has really good stuff but starts with a pretty wonky travel shot around the car where Char doesn't really follow the seat 100%.

It's nice to think of the battle music being played on tv for read more
Feb 26, 2017
Whenever you find something abstract in MAL you can bet it will have a <5 score and people accusing it to be too art for their understanding. Another review has the backstory behind this, and even with a super low score then recognize it is a good concept, because it is.

Instead of getting mad for feeling like someone is trying to show off or be deep, just enjoy what it is, there isn't more than that. It's not really that hard to get that you should just take what you want instead of being offended by your own insecurities.

I really liked this, I think if read more
Feb 25, 2017
While it's not in the tag system, I think that this should be aproached entirely as a musical, because it is. The music feels a bit disjointed, sort of like Daft Punk's Electroma, but while that one had a very basic plot that felt sort of empty this one has a mess of a ideas a bit too pseudointelectual for my taste (humans are the same as animals, every day people are born and die, I'm just one more of them, "Motherfucker while you sleep your all my sheep I'll conquer the world", all this taken from text on screen). If you can see it read more