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For the longest time I couldn't figure out why I had started watching this series only to get in a few episodes and then just stop. I had started watching it when it originally aired and got to around the 5th of 6th episode before stopping and only when I picked it up again over the last month did I remember why.

The story is trite, and the characters are either poorly developed, unlikeable, unsympathetic or all three. I generally tend to find these types of anime an easy watch, but I honestly had to stop myself from stopping this series again in the hopes ... that it would redeem itself. My hopes were sadly misplaced.

Not only does it use the hackneyed plot point of convenient cinema amnesia as a premise for most of the external conflict for the show, but it manages to somehow make most of the main cast terribly shallow and unlikeable save for a few minor characters.

Banri is pretty much a generic anime male lead who is made to look like a good guy until he selfishly manipulates Koko into a relationship with him by first forcing her to befriend him, open up to him, and then threaten to not even be friends once she rejects his first advances.

Koko is an emotionally unbalanced and manipulative stalker who has very clear co-dependency and trust issues. Despite being obsessed by one of their shared friends, she appears to very rapidly 'fall in love' with Banri, only after he threatens to not talk to her anymore.

I held hopes that the show would address the unhealthiness of the relationship that was on show, and allow the characters to grow and develop through the course of their relationship, but unfortunately this doesn't eventuate and the series finishes in an achingly saccharine cliched way.

If relationships built on lack of trust, obsession and co-dependency don't bother you, then there may be something in this anime that you might find enjoyable, but if these things don't sound like your idea of a great main couple then it may be best to pass this one by.

Ikkitousen is by no means a good anime. Though, that's not to say that it wasn't rather enjoyable, and I must admit that I was surprised that I was able to finish it, and still feel a sliver of satisfaction after watching it. There were many things that could have been done much better-- that would have made this a better series-- but if you leave your expectations and occasionally your sense of decency behind, this is not a terrible watch.

Story: A good concept gone to waste most of the time, and slightly silly to boot. A plot lightly touching on pre-destination and the ... inevitability of fate is often overshadowed by minor squabbles or situations clearly designed to pander to more base tastes. That said, there are some moments of inspired story-telling, but these are very, very few and far between. After watching the entire story through to the finish, I must admit that I am left a little confused as to the point of the whole thing. Is destiny inescapable, or can it be overcome with sheer willpower? Even though this should be a thought-provoking ending, I found it felt rather lazy and incomplete.

Art: Some nice character designs, restricted by outdated animation and again pandering to lusty teens. Big-breasted characters, multitudes of up-skirt shots, and clothes apparently the consistency of tissue-paper tell you exactly the demographic this series is aimed at. The background art is so-so, and the fighting sequences are nicely executed-- have seen better though.

Sound: Again, there is nothing particularly outstanding about the OP or ED for this series. In fact, the lyrics have absolutely nothing to do with the series as a whole, and feel decidedly out of place. Seiyuu performances aren't terrible, and despite being a rather annoying character, Asano Masumi's performance as Hakufu fits with the feel of the character. Other characters of note are Kaida Yuko as Ryoumou and Watanabe Akeno as Ryoufu.

Character: With a slew of characters from different schools all introduced in thirteen episodes, it can get very difficult to place who is from what school, what their relationships are to one another, and what their motives are for fighting. Often inconsistent characters (see Ryoumou from the first few episodes to the rest of the season), at times shallow personalities and changeable alliances, make it somewhat difficult to empathise with particular characters. Some of the female characters are fleshed out a bit -- not a lot -- but significantly more so than the male characters, who all seem to be suffering from two-dimensional personalities. That's not to say the female characters fare much better. Some moments of character growth shine like diamonds in this series, but again they are very few and far between.

Enjoyment: As a female watching this series, I probably can't rate it as highly as some might, as I found the fan service a little too distracting, and the situations a little too laughable to rate this a 'good' series. Despite multiple 'roll-eyes' scenarios, this series was rather enjoyable. The fights were interesting enough, the characters dilemmas were occasionally interesting and while it wasn't expanded on nearly enough, the whole pre-destination/pre-determination concept was really what kept me hooked throughout the thirteen episodes. Enjoyable in parts, and rather cringe-worthy in parts, I still found myself smiling by the time it was all over.

Overall: Could have been much better than it was. Perhaps toning down some of the fan service and focussing on building a more substantial plot may have made me rate this series a little higher. If story and character development don't matter much to you, and you're looking for a little fan service, this will probably be your thing. If you can't handle a hefty serve of the aforementioned, I think it might be better to give this series a miss. I enjoyed it, but I didn't like it, though I was never expecting it to be a particularly deep or thought-provoking series. So if you are able to lower your expectations and enjoy it for what it is you might find yourself enjoying this series.

I really should not have enjoyed this series nearly as much as I did. As a bit of a technical story snob, I usually find that well-animated and voiced series with somewhat weak storylines tend to rate quite poorly with me. I find myself dropping them, or rating them well below a seven, but this series just has that something compelling about it that makes you enjoy it thoroughly-- despite some glaring problems with the plot. If I had to sum this series up in two words, it would quite easily be: Guilty pleasure.

It is one of a very small number of series that ... I can watch repeatedly and still enjoy quite a bit, despite my somewhat low 'overall' score. As you can see, I found this series ridiculously entertaining which--for me--is sometimes more important than a good technical overall score.

Possibly the weakest part of this series was the plot. It was, at times, ridiculous, superficial, far-fetched, full of cheese and melodrama, but still oddly compelling. If it were a novel, the story would most likely be in a two-dollar bin in your local book store, yet there is somehow still enough substance buried in there to keep it afloat. Despite all I may say about the plot there are some truly touching moments buried in there -- and those are the little gems that keep you wanting more, despite yourself.

Essentially the plot is separated into two mini-stories: The main following bumbling transfer-student Aoi Nagisa from Miator, and the secondary following Konohana Hikari, a timid choir-girl from Spica. While the majority of the plot centres around Nagisa, there is enough material from Hikari's story to keep you entertained if you find yourself uninterested by the protagonist's antics.

With healthy doses of fluff and comedy, hefty smearings of romance and the odd tragic moment or two, there is certainly enough going on to keep the plot from idling. It was just a slight pity that they couldn't inject just a little more substance to enable me to rate it a little higher.

Visually this series is quite beautiful. While not on par with KyotoAni's breath-taking animation, gorgeous scenery, dynamic colours and interesting character designs, it makes for quite the pleasant viewing experience. That said-- there are times when the artwork looks a little awkward, though fortunately they are few and far between. And if you can quickly adjust to the stick-thin legs and arms that are common in this series, the character designs are quite striking, of special note are Hanazono Shizuma and Minamoto Chikaru, though with an ensemble cast of well over twelve there is bound to be at least one design to find pleasing.

Musically, Strawberry Panic is neither ground-breaking nor particularly breath-taking, yet there is a simplicity in the classical tracks that fit with the setting and overall tone of the series. Seiyuu performances are rather exquisite, with a cast consisting of: Nabatame Hitomi, Nakahara Mai, Shimizu Ai, Noda Junko and Kuwatani Natsuko there is more than enough skill to inject feeling into sometimes two-dimensional characters. Certainly there are some emotional scenes that are simply made by the skill of these masterful seiyuu.

As I mentioned earlier, this series is made of an ensemble cast, but unfortunately they tend to be rather two-dimensional or stereotypical characters. That said, there is a wonderfully subtle build-up in a few of the characters that really does surprise, and you can't help but empathise with your favourites as they are put through an emotional blender.

Despite it all I found myself strangely addicted to this series. Yes, the plot is weak, uses cliche plot progressions, makes no sense at times and is borderline ridiculous, yet I found it to be one of the most entertaining series in my collection. The chemistry between the characters, some brilliant work by the cast and some truly spectacular scenes mean that I enjoyed this series for what it was-- mindless fun. By episode twenty-six, I was more than disappointed that this series was over, and I would have to go elsewhere to find my fix of cheesy-goodness.

If you want a deep and sophisticated plot in a similar vein, watch Maria-sama ga Miteru; if you want hours of cheesy, light-hearted goodness: Sit down, buckle in and prepare to turn off your brain and watch something that will have you going through severe withdrawal when it is all over.