Webtoon/comic News, Announcements and Discussion

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As the mobile age spreads beyond the age of the Internet, human content consumption is rapidly changing in an increasing number of ways, but in a frank manner.

In this respect, the lack of workability is an advantage. Let's take one example. Some time ago I talked to my acquaintances and Naver Webtoon [Sweet Home] and Japanese comic [IM Hiero]. I was looking at the sweet home pretty fun. However, the acquaintance said,

"But that 's it. Let's see it once. It's not that the suite home is not funny, but you'll know. "

I saw exactly one book last night, and as soon as I saw it, I realized that he was right. Expression, drawing, content There are many aspects to be shared in all aspects, but in all respects [IME HERO] is overwhelming .

But this is why [Sweet Home] is overwhelmingly mobile . It is visually quite tired to see a picture that looks like a photo realistically to the background, which appeared in earnest after Katsuhiro Otomo's [Akira] on his cell phone. Even if the density is too high in the story. It easily wears out and becomes fatigued.

On the other hand, [Sweet Home] maintains consistently low quality compared to [IME HERO] but maintains immersion, tension and content delivery to make me pay two cookies every week. At the same time, it is a good quality just to finish it by clicking on the button tactic and scrolling down and saying 'I had fun'.

It is easy to say this. In the past, all of the people sat at the appointed time and ate seven bowls. Naturally, it will be superior in all aspects of taste, qualities, and nutrition rather than triangles. However, the 7 첩 반 반 반 can not be eaten while walking, but the triangular rice can be eaten while walking.

It is possible to dismiss Webtoons as a "story that is not like a story, a painting with a foot" and so on, but thanks to such lightness, it has been optimized for the mobile environment and grown at a tremendous pace. It will not be until the future of comic book enthusiasts.

Writers will be the ones that are suitable for that kind of thing. I grew up in the midst of a digital revolution 'digital native' (Digital Native) three all (I was born in 1994, was in contact with the first online game was seven years old, the game is the [Kingdom of the Winds]). Now, beyond the digital natives, the 'mobile native' who grew up watching YouTube on the way to his parents' parents in restaurants has grown into a high school student. The craftsmen 'who do' paintings and contents are likely to continue to appear as 'probabilistic errors' in this generation, but unlike their qualities, they are unlikely to get a great response in the market

If you listen to some examples again, for example, Naver Demand Webtoon [Blue Desert Aaru] is an authentic genuine comic book picture, but it is a popular cartoon that emphasizes this kind of thing and emphasizes these trends. It is also similar to the sword fighting of the writer. Maybe [coriander] or [tiger] is an exception? From this point of view, the expansion of the overseas market to mobile and internet natives is not the best in Korea. In particular, Korean culture itself is at the center of trends, at least in Asia.

The problem is that it is a double-edged sword in that the system does not have such a system and the individual does not need to produce and contribute and distribute it. That is, there is no entry barriers. Though many web-net students are drawing their hands to dream of coming up today (paradoxically extremely labor-intensive because the quality is low but the input manpower is not more than one or two), the situation is more difficult because there are more entrants Loses.

Another contemporary cultural content is also bebeulreon effects ("Death", Ograd is a masterpiece of the bluff comic artist), but it is necessary to manage a certain degree of false consciousness as much as possible. .

However, the problem with this chaotic market is that it is difficult to manage quality. If you are a top-ranking artist who has a high-ranking prize that has an ambitious launch, but the ranking is low, and there is no picture or content on the contrary, but there is a sense of peripheral sensitivity, what should you choose next? If you think about it like this, you will also get a dissatisfaction with "Naver is not going to put on the work of highquality now?"

Other problems include low entry barriers and superstitious economics. It is dangerous for writers to overcome the quality management of long breaths and genre uniformity is spreading the mannerism to the market and opening the road to the recession like Japan. The current webtoon has been sold with a low entry barriers + head-blanking features and a 'very basic and baseline story baseline'

1020 female target cartoon
1020 man otaku target cartoon
Male adult adults over 30
It seems that these three types of works occupy a considerable number of them (though the works at the top of the portal platform are works of inserting less specific genre colors, but now also the genre coloring is getting stronger). This is of course well suited to the current platform situation, which is to wait for another webtoon the next day after enjoying the headlessness, the momentary stimulation, but there is a lot of room for ghettoization if we do not attract more diverse readers. In my opinion, Neighboring Webtoon seems to have proceeded to some extent ghettoization.