Crusher Joe OVA

After watching just about all of the OVAs released in the 1980s, I rated (or plan to rate) all of these OVAs a 7 or above and consider them to be the best of the bunch.

The new anime release format that appeared in the mid-80s brought new opportunities for studios and various works began to be released on videotapes. Some of them were frankly terrible, but some became classics with a recognizable style and aesthetics. I bring to your attention works worth viewing.

Organized by the Japan Anime Festival Executive Committee, their members being the editors-in-chief of five major anime magazines, which were Animedia, The Anime, My Anime, Monthly OUT, and Animeck (Animage did not participate, as they had own Anime Awards). The main choices were decided by industry insiders and artistic creators (people like Osamu Tezuka), with the Fan Awards being self-explanatory.

The results of the first installment were announced in the January 1984 issue, continuing until the seventh edition, that was released in April 1990. In 1989, the award was canceled on due to a series of problems, among them the death of Osamu Tezuka and the crisis that affected the Japanese publishing market at the time. The Best Picture Awards were not given in the 3rd and 4th editions, no idea as to why.

Sources:
https://ja.wikipedia.org/wiki/
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The intent of this stack is to provide a complete history of Sunrise animation in a single course, meant to fit inside the framework of a 3 credit class with an expectation of 90 hours of out-of-class material over the period of a 15 week semester.

Adaptions of manga, or novels will be mostly excluded unless the creators themselves worked at Sunrise like in the case of Dunbine, or Arion. This means extremely notable, and historically important series, such as Cyborg 009, Ultraman, City Hunter, Inuyasha, Planetes, Sgt. Frog, and Gintama will all be excluded, despite the critical artistic contribution of this works on Sunrise's style. A truly dedicated academic would, at the minimum, watch some of the City Hunter, Inuyasha, Sgt Frog and Gintama side content since they were incredibly important on influencing Sunrise studio direction.

This course would ideally be taken alongside a thrice per week hour long lecture, breaking down the lineage of Sunrise's works, and how they influenced one another to build what we have today. As a result, there may be a series you feel is critical, or exceptionally great, but it will be excluded in favor of discussing the series role and relationship to the studio due to the limitations watching long form weekly series made for weekly broadcast. Sunrise is unique in that many of their major series have movies, or OVAs that summarize or recap the main franchise to give viewers a soft entry to understanding the work. However, there are of course serious works like Giant Gorg, Vifam, Pazer World Galient, Ronin Warriors, Jushin Liger, the entirety of the critically influencial Brave Series, most alternative Gundam series (which would be left to their own "Gundam" course), Garasaki, Infinite Ryvius, s-CRY-ed, Big O, Tiger & Bunny or even Love, Live! that would be discussed in class even if they aren't going to be watched.

This is a developing experiment, so please contact me if you have any suggestions, or questions.

Works in which Yoshikazu Yasuhiko served as either director or character designer.

Yoshikazu Yasuhiko is a Japanese animator, manga artist, and anime director. He is best known for being the character designer and animation director of the original Mobile Suit Gundam anime, which began in 1979. That same year, he began working as a manga artist, which had been his dream since childhood. His manga have been critically acclaimed and have won numerous awards.

Volume I: https://myanimelist.net/stacks/41050
Volume II: https://myanimelist.net/stacks/53730