a. This show is good. Not mind-blowing, but good.
b. No one on MAL who's reviewed this series has actually watched it, or their reviews were written from memory months or years after half-watching the original run on TV.
Geneshaft is a character story about a bunch of people raised in a dystopian future where genetics play a huge role, human lives are cheap and the species is more important than the individual. It's a series that identified what it wanted to do exactly, and executed those concepts accordingly and didn't try to do much else, which I found to be a good thing. I can't even count the number of anime I've seen where the story/setting/characters are built up only to end in cop-outs where nothing relevant is answered or even explored.
Geneshaft takes place entirely in space aboard the space ship Bilkis, in the 23rd century. You only see or hear about Earth through small glimpses or what the characters have to say about it. Each character has a different perspective on the rest of the cast, and differing opinions on their "perfect" society. Pacing-wise, the story is quick and keeps you interested, while keeping out extraneous details and filler.
The first half is spent introducing the characters and their surface personalities. The entire main cast, save for Crispin Freeman's character and the protagonist, are very cold and logical, accepting the society they live in in different ways, and in that way help flesh out Geneshaft's setting without ever needing to directly tell us about it through exposition. The second half of the series then shows how their personas slowly break down or heel-turn as more and more uncertainties and problems arise around them. The show raises questions like "which society is superior, theirs or ours in the 21st century?," " Do people really need to exist at all?" and "Can we start over?" It's not Earth-shattering philosophical writing, but the show identified what it wanted to do and did it well, and that's one of the main things I look for in a story.
There's also a giant robot; a big creepy looking thing called the Shaft. There's also a story about huge golden rings appearing in space to destroy mankind. However, this is not a mecha battle anime. The Shaft is ripe with viruses and operating system errors for a majority of the show, and the idea of man's impending destruction is only a device to keep the story going.
The cast is made up of about 6 or so major characters and a dozen or so minor ones.
First, you have Mika Seido, the protagonist. She's the first person we see have problems with how the world works, even if she can't properly explain why.
And then we have Captain Amigiwa, a man who's been genetically programmed to be extremely calculating to the point where mankind's fate rests on his shoulders.
Sofia is Mika's best friend, who finds Mika's eccentricities weird, and she very much accepts the world as it is.
Mir Lotus is the "perfect" human and with all the best genetics. She believes she can't be any better.
Remmy staunchly defends Mir as being perfect while denouncing Mika's questionable genes.
Mario Musicanova is the ship's back-up captain, and is the most "human" of the cast, being very personable and believing is pre-23rd century ideals.
Beatrice is the Bilkis' "Register", an assistant to the captain who has her emotions and memories suppressed and assists in operating the ship.
Sergei is the story's villain, who was made to be a perfect being for mankind's preservation.
As the story goes on, all of these characters change dynamically and believably, and contribute to the ongoing story. And then there's Tiki, who's really just there to round out the numbers and be a supporting character. Each character handles their particular cliches and archetypes in great stride, especially Beatrice. Everyone was also privileged with a brief, but relevant backstory at different points that felt rewarding each time. I think this series played up the concept of "Brevity is the soul of wit" very well in general.
And now let's talk about the atmosphere and style of this anime. Geneshaft was made back in an age where many shows tried to be profound and mature to either market off of Eva's success or, you know, have artistic integrity and get a message across. It's also an anime though, which means women, mecha and silly things like that are at the forefront. Geneshaft fell into a happy medium of those and I honestly don't think it could exist in 2011. In the story, it's said that the male to female population ratio is 1:9, and every girl in this series is dressed in spandex or a short skirt. HOWEVER, there is no real fanservice in Geneshaft to speak of. No jiggling tits, nipples, ridiculous cleavage, cameras panning over or obscured by ass, nada. Not even a hotsprings episode or shower scene. It's ridiculous. If this anime were made today, you can guarantee that it would be absolutely unwatchable and drowned in fanservice while the narrative took a back seat. Geneshaft is also pretty violent, but without being gratuitously bloody or "grimdark". Character deaths are handled well each and every time, and can be very jarring with how cold and casual they are. You see women get shot a lot in this show. Perhaps, back in 2001 this show would deserve the scores it gets, but in the context of modern anime it's a decently mature and unique product.
In terms of production values, this is pretty good. I think anime CGI hit a peak around this time, where it reached a level of detail that was impressive and complimented the animation rather than distracting from it. Cowboy Bebop, Zoids Zero and this series all used their CGI very well and they remain visually impressive to this day, whereas series like Blue Sub No.6 (1998) and Aquarion (2005) had CGI that stuck out too much compared to everything else, either because the technology wasn't good enough or the team focused on it too much. The animation itself is pretty nice and smooth and the style is decent enough, not being too huge-eyed or super-real.
The soundtrack is made up almost entirely of guitar riffs, which give the series a unique feel to say the least. The dub voices are all pretty great and fit their characters well. The main character's voice was really grating at first, but she normalized after an episode or two.
In conclusion, this show is NOT:
-Vandread
-Evangelion
-Bad
-Gundam Seed Destiny
-Rushed
-Unmemorable
-Groundbreaking
As opposed to literally every other review, especially zoddtheimmortal's, this show doesn't really rip off any one thing, the main character isn't spineless at all, Amigiwa isn't supposed to be "that cool guy" and isn't incredibly cliche in his backstory either, the breasts are irrelevant since they're never focused on or drawn provocatively, the story's moral isn't anything about "love conquering all", nothing that's set up in the beginning is ignored and the series doesn't appeal to the drooling otaku of today at all. It's a decent short science fiction story that knew what it was doing, and has actually grown better with age when put into context with this decade's anime. I'm not going to say you should break your neck to find the vastly superior dub and watch it, but I do want people to know that it was well worth the $10 I paid for the DVDs and is barely anything like the garbage people in this site are making it out to be.
