Reviews

Jun 30, 2013
DISCLAIMER: FOR THE SAKE OF THIS REVIEW I WILL BE OPERATING UNDER THE ASSUMTION THAT THERE IS AN UPCOMING SECOND SEASON. The anime said there would be a part two and I’ll trust that for now. If there is no season two then I'd have problems with the conclusion and the score would have to be lowered. But the anime created interest in the manga, they haven't exhausted the budget, they previewed pt. 2 scenes that they've supposedly finished, some of the most powerful scenes have yet to come, etc. At this point, it seems very safe to assume there will be a second season even if the anime sales haven't been great.

Ah, adaptions. The bane of all manga readers. Understandably, this is simultaneously claimed to be one of the best and worst anime adaptions there is. It has attracted much criticism and ridicule due to the huge change in character design, but this change was actually approved by the mangaka and I would tend to agree with him that it was good stylistic choice.

For some reason, fans think all anime characters, besides the comic relief ones, must be attractive. They can’t take ugly characters seriously or treat them like humans, but they have no problem falling in love with cute bug-eyed alien creatures. That’s superficial to a disgusting degree.

The characters are often ugly, but why does that matter? Do you hate all movies with unattractive actors? Not all actresses look like supermodels, nor do the vast majority of women, so why should all anime characters be beautiful? I actually didn't like how, in the manga, Nakamura was meant to be ugly or plain, but the mangaka drew her attractive. It's like the manga version of "Hollywood Homely." When I read the manga, I was kind of annoyed that something like that tried to evoke a masterpiece like "Les Fleurs Du Mals." In the anime, I wasn't offended by the reference, and it heightened my appreciation instead.

Aku no Hana is a work about descent into decadence, libertinism, and the meaning of freedom; mental and physical. Should the characters really be moe? Is it really important that their eyes cover half of their face? This adaption took advantage of all of the manga's squandered potential. This is exactly what a good adaption does, rather than following in every folly of its predecessor.

One thing that should be noted about the realistic nature of the character’s faces is sometimes they look better than others. Like a real person, some of the screenshots will make a character look ugly and some will make a character look normal, although normal is ugly by anime standards. The point is that you shouldn’t assume all the characters are ugly based on a couple unflattering screenshots. They’re not poorly designed, they’re real.

I love the collision between realism and minimalism in the character designs, additionally contrasting with the fact that the city is one of the most realistic I've seen in anime; kind of emphasizing the insignificance of humanity more subtly than the manga ever did. It should be noted that the fact that the city seems to be "decaying" or in poor shape is a reference to a major theme of Les Fleurs du Mal. This animation captures the atmosphere really well and if it was done differently it would have flopped thematically. It had an interesting and creative artistic direction that had a clear purpose to it.

There is much of symbolism and depth to the art, just as there is in the general plot, and it is arguably the best aspect of the show. The animation seemed a bit choppy at times, but the art was generally flawless.

The atmosphere created by the art was enhanced by the incredible OST. The first OP perfectly captured Kasuga’s character, the second OP Nakamura’s, the third Saeki’s, and the fourth was like a victory lap that captured the very essence of the anime. The BGM complimented and accented the atmosphere perfectly while the ED always kicked in with genius timing, changing subtly as the series progresses, culminating in it playing for half of the finale and a new ED coming on at the end. The ED is one of the creepiest things I’ve ever heard. All in all I’d say this is the one of the best and most fitting anime OSTs out there. It certainly has to be the only OST I’ve heard that’s influenced the atmosphere of a series and my opinion of it to this extent.

The plot seems a bit generic in the description, but unlike similarly premised titles, it is not a hentai or a comedy and it plays out very differently. The show is more about presentation than plot, but the plot is still engaging, unpredictable, and unique.

The characters were among the stronger points. Kasuga’s development was the entire point of the show (it appears to be a bildungsroman) and it was very well done. Under the guidance of Nakamura (a great character in her own right) we see him go from a mindless puppet who can only spout out the thoughts of others, but longs to be unique, to a free individual. At first he can only express himself in Baudelaire poems, poems he clearly doesn’t really understand, but looks down on others for not getting although he doesn’t really want anyone else to read them either. This whole concept infuriates Nakamura and she tries to “break down his walls.” Later, even in the classroom scene, he’s just writing what Nakamura says. It isn’t until he faces the prospect of losing her that he really manages to form a thought of his own, in an incredible scene and finale episode.

Nakamura helps him, and seems to treat him like dirt, but she also needs him. Her character is very interesting and the changes to how the audience views her over time were well done. Saeki is a foil to her character and there are many parallels and contrasts between them, both subtle and overt. She wants to understand Kasuga, but she can’t. She would accept him no matter how he is. Some of her character developments towards the end and alluded to in the preview/flash-forward were very unexpected and her character is as complex as any. All of the side characters are also interesting and serve their purpose well.

Enjoyment would be the hardest category to score. I enjoyed it more like I would enjoy a horror movie than a thriller, romance, or comedy. My eyes were not glued to the screen and sometimes it was hard to watch. I couldn't take it in more than one episode at a time, which is a testament to how powerful the atmosphere is. The whole thing was slow paced and tense and chock-full of second-hand embarrassment and humiliation. You really feel for the characters, and as they are dejected for most of the anime, you will be too.

This anime is arguably the best of its season and the best in years, but I wouldn’t recommend it to most people. If you appreciate the decadent literary movement, if you thought the manga could be better, if you aren’t bothered by unattractive characters, if you’re looking for something different or more realistic, or if you are just open minded then this anime is for you.
Reviewer’s Rating: 9
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