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Jun 3, 2017
In the later half of the 21st century, humans have colonized the moon and Mars, and are on the cusp of colonizing Jupiter. The mission is met with controversy, from shady government officials, terrorist groups, to our main characters who just want to do their job.
Planetes is a beautiful slice-of-life that uses outer space as a backdrop in order to examine humanity. The series covers a wide range of life questions, from love, to what it means to “grow up.” It asks if humans have a right to explore outer space, or if the colonization of other planets is trespassing.
Planetes is episodic, often jumping across
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several months or years each chapter. In the first half of the series, most of the chapters are short, self-contained stories. It feels like Yakimura is still trying to figure out what he wants to do with the series, and is overall weaker. When the story finds focus in the Jupiter mission, the series starts to get really good, to the point where the reader doesn’t want it to end. Although the series ends at a good point, I wish it didn’t end so soon.
We follow the cast over several years, and it shows. Each character comes to term with their insecurities and lack of maturity, and gain a strong sense of who they are. Our species is just a spec in the universe, and separation from the trivial problems on Earth allows for some real introspection on what really matters.
Reviewer’s Rating: 8
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Mar 16, 2017
Seraphim is for a niche audience. If you are not a huge fan of Mamoru Oshii or Satoshi Kon, this manga is not for you. This is a short-lived collaboration between the two anime director from 1994-95, and because of Satoshi Kon's passing in 2010, it will remain unfinished indefinitely.
The work itself is politically dense. The characters travel across a quarantined China, searching for a cure to a deadly disease. It's unbearably information-heavy at the front of the book, but thankfully slows down towards to a simpler action-packed race against time towards the end. Unfortunately, it leaves the reader on an indefinite cliffhanger as
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soon as they become invested.
Again, one should only read this out of pure curiosity. It was a "lost" work for a decade and a half before being collected into a single volume. The end of Dark Horse's publication includes a thirty or so page essay about the history and analysis of the work, although at the time of this review, I have only skimmed through it.
(I think it is hilariously fitting to end this review without a strong closing, just as the manga.)
Reviewer’s Rating: 7
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Feb 21, 2017
ORANGE starts off incredibly shallow. The characters are not much more than a single personality trait. I could only remember Naho, Suwa, and Kakeru’s names for the first half. The writing is a equally terrible. While dialogue is supposed to move a narrative along, Orange's dialogue does this too literally. Everything is spelled out for the reader, and everything that happens to the cast seems like a contrived convenience. Couple this with generic high school manga situations, and I was left bored and disappointed with Orange. I would have dropped it earlier on if I hadn’t purchased the complete series at once. I’m glad I
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finished it, because it does get better. Perhaps Ichigo Takano just needed the hiatus she went on.
During the first half, I was asking myself a bunch of questions about the logistics behind character motives. Why would five teenagers devote their entire existence to helping some new kid they barely know? Why would Suwa just give up the girl of his dreams to the new kid who doesn’t even come to school half the time? These questions are answered in the second half of the series, and a lot of my problems with the series were resolved. Unfortunately, it ends just as it gets good. I thought I had a whole extra volume in my omnibus before I ran smack into a two-shot Seven Seas added to the book (without mentioning it anywhere!). I would have loved to have seen Orange continue on. The ideas of regret, depression, and suicide are important topics to be discussed, and Takano gives some decent insight.
Although Orange grew on me, I can not give it too positive of a review. The first half of it is unbearable, and the second half average. It’s a good idea, but I don’t care for the execution. I hope Ichigo Takano learned a lot from this series, and creates something really good in the future.
Reviewer’s Rating: 6
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Jan 14, 2017
A promising young doctor is framed by his own patient for a string of murders. He seeks revenge to clear his name, but quickly finds himself in a mystery where every answer seems to open up more questions. What happened in Kinderheim 511? What is the connection between a series of children’s books? And darkest of all: who is the Monster?
Monster is often hailed as one of the best manga series of all time. While I don’t think it's perfect like many other readers do, it is definitely worth a read. Its many thrills and continuously perplexing mystery makes Monster a page turner, yet the
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pacing frequently slows down and drags. In many chase scenes, for example, the climax is abruptly cut off by a fire or character injury, which results in several chapters of down time. This is also when the story gets bogged down by minor characters. These short-lived, but positive relationships are tied to the themes of the manga, but if most of them had been cut, the series could have been a little better.
Thematically, Monster is about the opposing forces of love and indifference. Although he mostly works off-page, Johan makes for a fantastic villain. He has great influence over others and his many followers kill without remorse. Tenma represents love. He stops to take care of any sick or hurt person he comes across. As a doctor, he believes every human (except Johan) deserves to live. Anna is in the middle, trying to find her place and uncover her true self.
Naoki Urasawa’s Monster is a classic manga series. Despite its frequent pacing issues, I still recommend it.
Reviewer’s Rating: 8
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Nov 27, 2016
Blue Spring is a collection of short stories centered around the theme of questioning one's future. The characters are all high school delinquents, and the answer to their question lies in crime, dissatisfaction, or death.
As one might expect from Taiyo Matsumoto, the presentation is unconventional both in visuals and style. Matsumoto's drawing style is aesthetically pleasing and captures the gritty reality he is examining. The stories are understandable enough, but I feel a lot of it is lost on me due to a lack of cultural knowledge. I think after some research and time, a reread would allow me to give a better analysis.
Reviewer’s Rating: 7
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Jun 1, 2016
The synopsis of Gunslinger Girl misrepresents the anime as an action show. Based on other reviews and discussion on this website, many viewers are surprised to find that they have chosen a drama to watch. This was initially disappointing and although I tried not to let it influence my opinion, Gunslinger Girl overall turns out to be an average show.
The anime follows the Italian government’s “Social Welfare Agency,” an organization that takes ill or orphaned children and modifies them into “cyborgs” to hunt down terrorists and enemies of the state. Each girl is given to an adult male “handler,” which is essentially a trainer. There
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isn’t really a focal duo, rather, the show follows a different pair or two each episode. It is less about the missions each “brother and sister” goes through, rather the relationship they share.
The girls are fully devoted to their handlers, but it is never fully disclosed whether or not their feelings are honest or a result of conditioning. The show questions whether or not the girls’ love is reciprocated, which is answered by varying degrees of “no.” Many handlers see the girls as objects, often referring to them as puppets, pets or tools. Making even a small mistake will warrant physical or verbal abuse from the handler- the girls are pushed, slapped and belittled. The girls simply get up, apologize and promise they won’t screw up again.
Conceptually, the series is disturbing, but it overall feels repetitive. From episode one (and the synopsis) we understand that this is a twisted operation, but each episode tends to follow the same formula. Really the last few episodes are the most interesting as several of the girls develop an existential crises.
On a technical side, the animation style and aesthetics are very early-2000s, so make of that what you will. While short, the action scenes peppered throughout are pretty good. I like the color selection. Rarely are there bright colors in the frame, rather, the browns, blacks and grays represent the grim world these girls inhabit. The soundtrack is pleasing as well.
Gunslinger Girl had potential to be a really thought-provoking show, but is unfortunately bogged down by repetition. This isn’t a terrible show, but I wouldn’t place it high on any watch list. This is a decent anime for anyone with a weekend to kill or in the mood for an alternate to standard magical girl series.
Reviewer’s Rating: 6
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May 12, 2016
When you were a kid, did you or your best friend move away? Although you promised you'd be friends forever, distance and time kept getting in the way, right? That is what 5 Centimeters Per Second is about- the youthful longing for the universe to stay inert so you may be with the ones you love forever. The presentation is beautiful, with special attention paid to lighting and the smallest of details of the frame.
This anime manages to squeeze so much into a short sixty-minute runtime, and although it is a complete story, part of me wishes it was longer. On the other hand,
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the final (and best) sequence combined with the lyrics of the closing song sums up the entire movie; I feel the whole anime could have been condensed into a powerful 6-8 minute film. Either way, I enjoyed this film.
http://letterboxd.com/thejrdzone/film/5-centimeters-per-second/
Reviewer’s Rating: 7
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May 10, 2016
Mononoke feels like a cross between The Twilight Zone and Mushishi. This is an episodic show- the series is split into five short stories. You could watch each arc out of order and be completely fine. The show is not about developing the Vendor as a character, rather, just telling some fun horror stories. The horror lies in disgust, freaky surrealism and terrifying sound design.
The art style is reminiscent of Edo-period wood prints. The anime tends to use color to tell the story as well. The animation tends to be minimal until the climax of the arc in which a short fight will occur between
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the Medicine Vendor and the Mononoke. The Vendor’s transformation sequence is currently my favorite, and his fights are a sight to behold.
Mononoke is not for everyone. It is for a niche audience- if you are not the most analytic viewer, you will most likely be bored or confused. I had a bunch of fun with this anime. It was so different both in artistic style and genre (not a whole lot of horror anime, huh?) making it for a refreshing watch.
Reviewer’s Rating: 8
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Sep 27, 2015
This show relies on miscommunications and misunderstandings to create cheap drama. Our main characters are dunces. Even after dating for months, they are still as insecure and can't understand what each other means as if they were still on date one.
The supporting characters were missed potential. There were at least two recurring characters that I can't remember ever being introduced! All that happens with the side characters is you may find yourself judgmental towards them as they are introduced, but as time goes on, you learn about them and realize they aren't so bad after all. Other than that, they don't get any well-deserved
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development. Seriously, the supporting characters have the brains in this show; they tell our mains to chill the hell out and think things through as they freak out over every little thing.
Overall, this show was pretty bland. The drama could have been avoided if people spoke their minds.
"ski!"- resolution in the last possible second......
Reviewer’s Rating: 4
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