Anime fan and convention panelist originally from the Midwest; now relocated to the SoCal desert. Watching anime since the early 90s. Started with Dragon Ball, Sailor Moon, and the Sci-fi channel's offerings (Akira, Robot Carnival, Venus Wars, Vampire Hunter D, etc.). Limited access to the medium stunted my growth as an anime fan for a time, but I was able to rediscover it with Evangelion while in college.
Favorites include: Satoshi Kon, Evangelion, Yoshitoshi ABe, Sayo Yamamoto, Kawajiri, Planetes, and Battle Angel to name a few. Always up for a good sci-fi offering or psychological thriller!
I've been presenting panels at conventions since 2013, including FanimeCon, Anime Los Angeles, Otakon Las Vegas, A-Kon, Naka-Kon (Kansas City), Anime Weekend Atlanta, Anime Central, and some smaller midwest / west-coast conventions. Panel subjects range from studios, individual directors / creators, horror, sci-fi, aging fandom, and adult (non-hentai) themes.
For more, see also:
https://mongr3lsmusings.wordpress.com/
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After the unplanned 2+ years break from conventions and paneling – I’ll be making my way back to San Jose this coming weekend for Fanime and will be presenting again.
The con will look a bit different, with new safety requirements, panels being moved to the convention center (due to the closing, sale, remodeling, and re-opening of the former Fairmont), and the absence of both in-person international guests and some past-programming standards. Everyone involved with the convention though has been working extremely hard to ensure a fun and safe environment for the return to in-person conventions. I know that it will still be a great experience!
If you’re going to be at Fanime this weekend, please feel free to say hello if we bump into each other. It will be good to return and see everyone having fun in their element again.
Fanime 2022 panel schedule below, listed chronologically:
(New content for 2022 for all returning panels!)
Anime to See Before You Die (18+) – Friday, 8-10p, Panel Room 1
Anime’s Fiercest Females – Saturday, 1:30-2:30p, Panel Room 2
Anime’s Biggest A**holes (18+) – Saturday, 8:30-10:00p, Panel Room 2
On Roses, Revolution, and Oscar – Sunday, 6-7p, Panel Room 3
Oh the (Animated) Horror! (18+) – Sunday, 8:30-9:30p, Panel Room 2
The World of Cyberpunk Anime – Monday, 12:30-1:30p, Panel Room 4
I know the UK is getting a new special edition of Perfect Blue with the new HD transfer sometime in the next year, if I'm not mistaken.
Anime to See Before You Die (18+, new material for 2017), Ballroom 2 - Friday Night 9-11p
Oh the (Animated) Horror! (18+, all new material for 2017), Ballroom 1 - Saturday Night 10-11p
Outlive the Otaku Expiration, Ballroom 3 - Sunday Afternoon 3-4p
Anime's Fiercest Females (all new material for 2017), Ballroom 2 - Sunday evening 7-8p
If you are out in San Jose for the convention: Enjoy!
Kino's Journey was interesting, but I think it's for the best that it ended when it did. It was starting to get a bit stale. The places she went to and the people she met were all interesting, but the lack of recurring characters made it feel a bit too disjointed. It nailed the tone it was going for, but it was not really the kind of show that left me craving more.
One of my favorite things about Evangelion, really, was the characters and the different ways they portrayed self-hatred, depression, a desperation to achieve a sense of connection to something greater than themselves. I think that's something so many people go through and so many (shounen, in particular) series lack: an acknowledgment that sometimes when you're told you need to do something huge and scary to save the world, maybe you're simply not emotionally able to do it. Too many shows portray a character being unwilling to answer the "call to adventure," as Joseph Campbell puts it, for all of half an episode before suddenly being willing to put themselves into the risk asked of them. I don't know for how many real 14-year-olds that would be true. There's a sense of loneliness to all the characters of Evangelion (it actually, a little bit, reminds me of a fascinating article I read once about how each of the characters in Sailormoon portrays loneliness in a different way) that really resonated with me.
One particularly striking image, for me, was Asuka (who, I'll admit, was probably my least favorite character, but...) sitting in the rusted out bathtub, unable to bring herself to do anything, she was so lost in her sense of self-failure.
I'm also very interested in what director Hideaki Anno has said about Eva being, in some elements, a condemnation of Aum Shinrikyo for losing touch with reality. Aum Shinrikyo happens to be a pet interest of mine: I find the psychology of cults so, SO interesting, particularly when looked at from a cultural perspective: why did this happen in Japan? what made Japan such a ripe ground for it? I happened to be living in Tokyo at the time the final perpetrator of the sarin gas attacks was caught and Aum was back in the news, which led to a lot of talk with students about what they felt about how their country might have bred something like Aum. (Have you seen, by the way, Mawaru Penguindrum? It's from the director of Utena and hugely inspired by the gas attacks. Great show.)
What are some of the things that so draw you to Evangelion? I'm still trying to sort out what, precisely, I do or don't feel about the movie ending!