Souten no Ken

Jul 25, 2007

nanakon

Recommended

Preliminary (Unknown/260 chp)

The prequel to Hokuto no Ken is a lot more toned down and a bit less exaggerated in the whole giant evil bad guy proportions. As usual the protagonist has a very muscular build and knows Hokuto Shinken. The thing about Souten no Ken is that they gave it more of a storyline and less of the fighting. Whatever fighting there is isn\'t as extreme as in Hokuto no Ken. Whereas in Hokuto no Ken the fighting was just brute strength and hammering into the opponent\'s Keiraku Hikou in Souten no Ken Tetsuo Hara made it look a lot more like Chinese martial arts. Gone ...

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Oct 7, 2016

DeeWatchesAnime

Recommended

Souten no Ken hasn't got the depth and grand scale that Fist of the North Star/Hokuto no Ken achieved, largely as a result of its comparatively shorter length. Don't be fooled by the huge amount of chapters, there's plenty of filler especially in the last third of the manga, there is far less to SnK than HnK. That isn't to say what is there that's good is not worth checking out, I feel that SnK at its best can easily stand up to the best of HnK, but HnK does have it beat in regards to character and story.

Where SnK soars is its fantastic ... artwork. The artist/creator of Hokuto no Ken, Tetsuo Hara, is one of the most artistically talented manga artists. He does not disappoint in his vivid, imaginative layouts and provides great detail in how he draws every character or setting from panel to panel. His two strongest elements are his composition and, as you'd expect, drawing big muscular men as well as petite sexy women, as is the style of Hokuto no Ken. It's a massive improvement over Hokuto no Ken from the 80s and it never falters, maintaining its excellent quality from beginning to end.

The composition is particularly great when you see certain characters, such as the typical one-shot villains towering over Kenshiro, the protagonist, or other characters. This is taken to absurd extremes with the character of Zhang Lieshan, an actual giant who takes the series' constant size-warping and turns it into a hilarious in-joke as he refuses to acknowledge his giantism and will punish any of his minions who do. This character epitomizes the best of this prequel of Hokuto no Ken: self-aware, funny and brutal. Other great characters I enjoyed are Wu and Du.

The main character deserves great credit too, if you felt that the original Kenshiro was too bland, Kasumi Kenshiro is a nice change of pace as he gets plenty of comedic segues that made me laugh almost as hard as Zhang's antics. You wouldn't expect this series to be so funny, but it's one of its greatest positives for entertainment value. This series also has its fair share of side characters, but they are fairly hit-or-miss. The mafia characters at the start are good, but when the series gets into the later parts it goes downhill.

Plot wise SnK has a promising start. Kasumi Kenshiro moves back to Shanghai after hearing about the death of his friends and lover. He finds himself embroiled in a bitter mafia feud and has to rebuild his clan up from scratch, fighting off all the evil criminals who have taken over in his absence. This is very good stuff, and the best of the series is when it focuses on this part of the story, but it gets sidetracked many times. Early on this isn't as much of a problem, it moves at a good pace, but by the end it slows to a crawl and I found myself skipping through entire volumes to finally see the end.

It's speculated that due to publishing issues, the ending was rushed and it certainly does not provide a satisfying conclusion. I personally feel that the story mostly comes to a halt before that as all the villains have been exploded and all the non-dead villains already became protagonists. There's little else to achieve without throwing more family members of protagonists into the flames for Kenshiro to get motivated.

My problem when it comes to Hokuto no Ken and Souten no Ken is this obsession with a very specific idea of "manliness" that ironically makes some of the manliest villains into outright cowards but then glorifies irredeemable villains because they know martial arts. These handpicked villains are all murderers, rapists and horribly violent before they meet Kenshiro but get a second chance because, in some cases, the heavens demanded it. This may sound like a nitpick, but really this is the whole essence of the story once you reach the ending, and it is a fairly bad one. The lore is only teased up until this point but takes centre stage and... I can't say I like it very much. I almost would advise to just skip to the last volume once the Du Tianfeng arc ends, it is that poor.

The failing of this manga and why it isn't great nor remembered as fondly as HnK is the pacing is awkward at times and the fights are fairly hard to follow. It has plenty of emotional scenes and tearjerkers, but it becomes very predictable the further on you get, as at no point can you truly believe the protagonist can lose. This is okay to see the villains' fun antics, but then it becomes more protagonist versus other protagonists and that is just dull. The villains at least get whole volumes of glory before they predictably bite it in a few chapters, but these good vs good battles really kill any momentum the story had built up.

Overall I enjoyed this manga plenty despite its flaws, as it has some of the best arcs in the franchise. The reason it gets some flack is for the various "manly" fights between Kenshiro and at first intimidating, but eventually fairly watered down villains who aren't in the least bit fun, and the story goes completely off-the-rails. Still, it has great art, and besides the ending there's no bad stretch that's too long that it's intolerable. A strong recommendation for big fans of Hokuto no Ken, and if you haven't read or watched HnK, what are you doing here?

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Aug 27, 2015

AristocraticZed

Recommended

If you just finished Hokuto no Ken and crave more then Souten no Ken is a great supplier. The action, martial arts, and manliness is still there but in a modern gangster Chinese setting.

Story wise, its similar to HnK with Kenshiro having to fight the other branches of Hokuto Shinken (who are mafia leaders) to help his friends (who just so happened to be in the mafia) or because of destiny. There's also a connecting sort of arc that introduces the Nazis and Nanto Seiken, but its just there to introduce characters for the next half. The second half focuses more on the origins ... of Hokuto Shinken and it's traditions which is a double edged sword. It adds interesting concepts and ideas, but sometimes it feels like Tetsuo Hara forgot his own lore. The end suffers due to Hara rushing and the magazine it was publishing in going under, so it just ends. There were a lot of character relationships and events that were implied, like how Shura is implied to be China or Kasumi might be Kenshiro's real father and Zong Wu is Raoh's, but were never actually clarified due to that end. There's also a noticeable increase in the comedy, as with most of Hara's independent works and with Kasumi's different personality, but it's handled naturally that it doesn't seem jarring and break the mood.

The characters are often compared to the original Hnk cast which can't be avoided with prequels/sequels. Yu-Ling is like Yuria but actually takes action and is a leader, Fei Yan like a combination of Rei and Ein becoming a foster parent and so on and so forth. The antagonists are like in North Star with a one dimensional introduction and slowly revealing a side Ken cries manly tears for. Characters such as Yasaka, Zong-Wu, and Kasumi stand out because they are obvious call backs to North Star characters yet are their own individuals. Kasumi himself may look like Kenshiro but he's far from the silent stoic. He's the heroic delinquent, having a good heart but helping the mafia, joking around with his "humble lit. professor" act but when you got a problem with Hokuto Shinken or Pan Wang tell it to him so he could beat your ass.

The art is what you'd expect from an already detailed art style North Star brought, but Hara has improved himself a lot since the eighties and it shows here. The setting itself in a World War II China brings interesting backgrounds of a Western Influenced Shanghai, Buddhist temples, and the mix of army uniforms and traditional Western and Chinese garbs makes for a unique look. The action scenes are superb as usual with the ATATATAs done beautifully.

At times the pacing could be irregular with some parts feeling a bit rushed while others seemed drawn out. It also didn't have that strong an impact or grand feeling as North Star, but I still had fun with it and if your looking for action or to quench the Hokuto thirst, Souten is always here. All that really matters is that good old Fist of the North Star feels and, despite the different setting, it's still the same to the core. Violence, action, death, and manly tears (now in Chinese).

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Jan 5, 2022

BrokenWater

Recommended

Souten No Ken, or Fist of the Blue Sky, is one of the most adventures and creative takes on the original manga of Hokuto No Ken. Many authors were inspired by Brunson, and made their own work trying to surpass Brunson's work. However, I do believe Brunson surpassed Hokuto No Ken with Souten No Ken. When I think of Souten, I also include Regenesis, which is the sequel to Souten No Ken. Instead of the "Mad Max" type setting, this takes place back in the 1930s, several decades before the nuclear warfare of 199X, a.k.a. when Fist of the North Star takes place. If you ... enjoyed JoJo's part 5, you'll enjoy this new setting in Shanghai and many areas in Asia, with the mafia as well. The setting evolves from this of course, and we end up getting introduced to characters that go further than Asia, as this takes place when WWII was starting to become a thing. The art, is much better than the original release of Fist of the North Star. I'm not counting the remastered version. Souten No Ken: Regenesis has some of the best artwork ever seen and is up there with some of the best artistic mangas. The characters are more fleshed out and have more of a presence than what they did in Fist of the North Star. In the original manga, the process felt a little repetitive with the villains, however, with Souten, you get to learn more about the villains and you get to enjoy them more. With story has a fantastic flow, it can really be seen as 2 separate parts I suppose. The first part being a little bit more "mafia" related, similar to how Fist of the North Star was in the beginning. And the 2nd part, is more so the "martial arts" aspect, where Kenshiro Kasumi is learning the origins of Hokuto Shinken, and what it means to be a fighter. I will say, unlike Fist of the North Star, Souten incorporates the villains with the original theme of what the manga was. In Fist of the North Star, after the first main villain, it was very obvious the manga had taken a shift in focus and what the story would be about. Fist of the Blue Sky, doesn't have that shift as the whole "first part", has many characters and villains who play a role in the mafia or are related to the conflicts within the mafia we see with Kenshiro. Even though people point out "2 parts", the whole story flows together and has a natural occurrence, where each event leads up to another. This definitely contrasts with the story structure in Fist of the North Star, as you can point to many occasions where another villain or character is thrown into the story out of the blue. This isn't really a problem with Fist of the Blue Sky/Souten No Ken. Regenesis is a great continuation to Souten, and is a ton of fun, but it hasn't finished yet due to the artist being ill. Although I compared this manga to Fist of the North Star, I still find both mangas extremely well done, I just find myself enjoying Souten more. I overall, find this manga very enjoyable, and I think Souten along with Regenesis is the best in the franchise.

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Jun 9, 2022

loooo908

Recommended

While Fist Of The North Star has gained itself the fanciful award of 'Won My Heart The Second I Read It', this comes as a 'That One's Great Too'.

What can I say? It's fun! The setting's great, I love the more grounded takes on Kenshiro and Yu-Ling to go with said setting of it being urban Shanghai instead of the deserted wasteland, and the villains are a fresher take on the usual irredeemable asshole...as much as they're still assholes. All of it just feels like I can breath the air of it, which is a given for anything that's more grounded in reality. There's still ...

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