Whatever else may be said, Red River is an intriguing endeavour.
As I'm currently only 19 of the 28 volumes in and will probably only barely finish it in time to vote, let alone to emend my post here, I cannot give any final thoughts on the story or the characters.
I can, however, make an educated guess as to what the remainder of the story will look like as, really, Red River is as basic a generic, or even smutty, shoujo as can be found: Japanese teenager is spirited away to a different time and space, to fall in love with a native prince (why always a prince or pauper? Why can't it ever be a ground-floor manager, a registered accountant or any other mid-level common man?) and fulfill the role, however unwillingly at first, of Chosen One, naturally being thwarted at every turn by an evil stepmother, a tragic dark knight and the loss of common sense that seems to always have to accompany the floods of passion which more or less form the entirety of every single character.
What differentiates Red River from so many others, though, is its setting and, more specifically, the amount of attention paid to that setting. Usually, having the story take place in an exotic time and space is solely an excuse to paste on some fairytale background and have the characters dress up in, well, dresses, but the odd choice of situating the story in the late 13th century BCE Hittite Empire in itself shows that the author wanted to show her readers a bit of a realm that she evidently found fascinating. (What is more: She can't have done it for the dresses, as we know almost nothing about Hittite clothing.)
When one thinks about it a bit, the time and place chosen is actually an amazingly perfect fit for the type of story, as we know quite a bit about the court structure of the era from diplomatic letters and the time was one of great political and social upheaval, when new technologies and thoughts were introduced, power structures changed quickly, young kings took over from suddenly deceased fathers and young generals quickly rose through the ranks.
Naturally, the author took some liberties with actual history for the sake of the story, both as regards history (the Hittite-Egyptian war did not, as far we know, happen; future pharaoh Ramses I was actually a middle-aged man at the time, etc.) and as regards plausibility (the magical act of getting the Japanese heroine there, being able to understand a bunch of foreign languages through being kissed, etc.). These matters apart, it is apparent that the author took quite a care to try and portray Hittite society accurately and to use it as more than just a pretty backdrop. In doing so, though, she also took upon herself the responsibility to be true to known fact wherever it does not interfere of the story.
Maddeningly, it is clear that the mangaka has done quite a bit of research and generally almost gets it right. She states, for example, the important Hittite military innovation of manning a chariot with three men, but gives the wrong reason for how they managed this; she tells about the revolution that was the spread of iron working, but again is wrong as to why this was so revolutionary. There are many complete gaps in her knowledge (for a series that puts a lot of attention to military conflict, she seems not to know the first thing about the realms' military organisation), she lacks a good sense of scale, and there are many simple gaffes. Worse, most of the more glaring mistakes could have easily been avoided if she'd just done a bit more research. Illustrative here is the trip from Hattusa to Emesa (a city that was not yet founded at the time), which has the heroine travel through a desert (not to be found anywhere on that route) populated by nomads riding camels (not yet domesticated). While the trip itself is of importance to the story, this is no excuse, as all the mangaka needed to do was to relocate the tale a bit.
All this being said, it must be noted that the author is clearly aware of one thing of importance: Morals and values change over time and place. While this seems to slip the mind of the author often enough, she does at least try in places to illustrate how the ancients did not necessarily think on things in the same way the modern Japanese do. This alone alleviates a great many of the minor pains resulting from the stupid mistakes made.
At the moment, I find myself a bit torn as to how to vote on it. Do I enjoy reading Red River? Not at all. Do I think it's a generally good series? No. Would I recommend it to anyone who likes shoujo but also wants a bit more depth to it? Immediately. The question is: Is this enough to have it inducted? I'm not sure. |