Amrita no Kyouen

Feast of Amrita is a prequel to the surreal horror film Aragne: Sign of Vermillion, seeing a return of the oppressive apartment complex as the primary set piece and neatly tying the two together with an ending sequence that readapts the opening of Aragne, where the protagonist finds her "dream apartment." While this prequel fails to rehabilitate Aragne or ameliorate its flaws and deficiencies, Amrita might make that frustrating experience more understandable. True to most memorable horror, the sound design and atmosphere are the dominant aspects of the film.

Aragne, like Amrita, had compelling imagery, but the CGI was frequently rough, and some parts suffered from ... drunken camera work. The camera in Amrita is more restrained and cinematic in its exploration of the setting, and the animation is an improvement by using rotoscoped characters composited onto CGI backdrops. There's occasionally a mixture of CGI with the character movement, such as the eyes in a few scenes, but it's subtler. The frame rate is low, except for the chase sequence in the trailer, and the dialogue doesn't appear to be in sync with the characters' mouths much of the time. The film is far from perfect, but Amrita represents a decent bridge between the train wreck that was Aragne and whatever future project Sakamoto will work on. Yes, several horror anime films and series are better than Amrita, but Sakamoto appears to be the only true horror auteur in the industry.

Aside from smoothing out the incomprehension prevalent in Aragne and general visual tweaks, the most vital improvement is that the character designs and movements are far less robotic, lending the film a warmer contrast to the cold, dark, and gray 3D environments. As expected, with the short running length of 46 minutes, the three characters have simple dialogue to indicate their connection as friends and drive the minimalist plot forward. They lack distinct personalities, but they don't require them. The director only needed to emphasize their pre-existing bond in a struggle against cosmic horror entities. We're shown many disturbing sights in a dimension with a unique ecology. The scenes are grand in scale and call to mind the paintings of the Polish painter Zdzisław Beksiński, who depicted grim landscapes, perversions of lifeforms that resemble humans or other familiar creatures, cosmic entities, and body horror. Incidentally, Beksiński experimented with 3D models toward the end of his life, so had he made a film, it might have looked like this.

The film starts in a cliche manner typical of most horror films, but the reference to a Calabi-Yau space quickly becomes the core theme of the horror; the only thing one needs to know about this idea for the context of the film is that it applies to geometry and theoretical physics, and the reference succinctly details the complex structure and multiple dimensions of the film's world. The process of what happens is shown to us rather than told, and while one should end the film understanding the essence of what happened, an aura of mystery leaves it challenging to explain. Hence, Sakamoto strikes the right balance of being mysterious yet comprehensible.

Cosmic horror tends to be bleak and nihilistic, and with Amrita being a prequel that sets up Aragne, we know this can't end well. I've seen a few of these "Sisyphean" horror films that are repetitious, involving time loops or alternate dimensions folding in on each other, acting as an existential prison the characters hope to escape, but the experience tends to be banal. This film has an appropriate amount of mixed emotions to make the struggle meaningful, as the main character has a determination that is brilliantly shown in a simple but effective way, detailing the pain of an untold number of cycles in moments. Even the eventual capitulation has a surprising grace, elevating the characters above inconsequential meat bags whose only purpose is for the viewer to revel in the thrill of splatter.

I highly recommend at least 1.25x speed, otherwise the low frame rate makes it almost unwatchable.
Cost-saving frame rate aside it is surprisingly well done art/animation if one forgives a bit of slippiness on the 2D overlaying of the 3D environment. They actually went to the effort to have (a lot of) non-static camera cinematography, which is far too rare in animation due to 2D costs. Though the mock handheld camera shakiness effect (covering up imperfections/slippiness and adding immersion) in combination with a low frame rate is nauseatingly bad.

At 1.25x this movie is only a little below average. It's very underrated relative to others here.

The visuals ... themselves are a bit boring, but at least qualify as horror unlike most horror anime. I wouldn't really call it 'horrifying' though, mostly just 'frustrating' because of how shallowly contrived the plot is.
It's pretty much a generic B-movie horror plot where you just constantly feel annoyed that the characters act like idiots trying to die so the movie can happen. It certainly doesn't help that the movie throws itself full tilt into these contrivances from start to finish literally having the MC run straight into arbitrary bs-land from the start 'just cause, ok? don't think about it.'

Amrita comes from Hindu mythology meaning immortality/not-dying much like ambrosia, eating to become like gods. A fitting theme.

Allegedly this is a prequel (but the creator more appropriately called it a spinoff) to Aragne since it has the same apartment setting and momentary unrelated scene cameos 2 of its characters tossed in at the end, but there isn't really any meaningful connection, and with the potential for achronology it isn't even possible to say which movie actually takes place first. I liked this better than Aragne which was a step down in pretty much every category except better frame rate (that has a much more complex story with more meaning but is far too convoluted and full of filler).

Both movies were written/directed/animated by a single guy which is a bit impressive but also a bit pompous and obviously shoots it in the foot in terms of severely limiting man-hours/productivity and it really shows in the limited quality of all aspects of the production, would it really kill him to delegate some menial labor to some underpaid animators? Hell he'd make way more money just from increased productivity let alone that it would be better quality.

Amrita no Kyouen, also known as The Feast of Amrita, is terrible and you shouldn't watch it. The only good thing about this anime is the duration: instead of a full length movie you'll get "only" 47 minutes of bad animation and poorly written nonsense which of course is still a painfully long time anyway.

If you like character development you'd better forget about it because there is none, and this is probably the most forgivable aspect since the anime is quite short, but it's also due to the nature of this movie which is basically a plotless sequence of surreal and gory deaths. To ... be clear, horror is a respectable genre and there is nothing wrong in making it a little bit more sophisticated, but this is not the case. This is technically a prequel to another movie but nothing in this makes sense and nothing is explained. The authors probably wanted to generate some kind of anxiety or suspense in the viewer but they failed because the anime doesn't make it. It's just bland and boring.

Visually it's not bad, the art style is ok and the setting is uncanny enough for a horror anime. On the other hand, animation is very choppy and the characters move like in a laggy, low fps videogame.

In conclusion Amrita no Kyouen is definitely not worth watching: there are plenty of anime which somehow manage to be bad in a funny way and still can provide a good laughter, but this one is not even suitable to be "so bad it's good" material. It's just bad.