Tamala is an anime movie from 2002 animated mostly by 2 guys. It’s split between 2D flash animation and CG animation, shot entirely in black and white and all the characters are anthropomorphised animals. The story follows a cat called Tamala, who leaves Cat Earth and visits a rundown shithole planet so she can do whatever the hell she likes, farting about with her new wimpy hipster boyfriend.
The thing to understand about Tamala is that it’s a very artsy fartsy indie film. It’s a struggle to come up with comparisons in anime because it’s so different, but its directing style reminded me a lot of
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2001 Space Odyssey. Reality is distorted. A lot is said without words, really drawing out certain scenes in order to hammer home the point. It’s a frying pan to the face method of metaphor-driven storytelling.
My problem with these kinds of stories is I seriously struggle to get engaged in the message when there’s a disconnect between the story and the secondary story told through the imagery. The way the story is told makes the meaning harder to grasp. Tamala doesn’t do this. The leading story about the ills of capitalism and corporations and marketing images is both the metaphor and the surface story. It just also happens to have a very unusual method of getting this message across which doesn’t exactly conform to reality.
Tamala, the lead cat character, is the face of the Catty and Co brand that own 99% of the earth and has turned it into this dreary place where it rains the whole time, surrounded by massive skyscrapers covered in advertisements for Catty and Co brandishing this cat as their logo. She is Hello Kitty, an all purpose logo character to put on everything they create. When she escapes to the rundown shithole planet, Catty and Co isn’t there, and she spends her time just living the dream. And by the ‘dream’ I mean doing whatever the fuck she wants with no paying heed to consequence.
It’s a very Rebel Without a Cause movie. Having the word ‘Punk’ in the title isn’t to just sound cool or anything. The things Tamala do are very destructive, spur of the moment decisions that have no sustainability. She’s rude to everyone and everything, damaging property and wasting money doing whatever she wants. There’s a rather alarming amount of English-language swearing in this too, on top of all the regular ‘kuso’ Japanese swearing. It’s not quite Panty and Stocking “Motherfucker, Fatherfucker” levels, but it’s the next best thing. It’s not about trying to appear hardcore or anything, which is why heavy swearing usually appears in entertainment. It’s about tying it into this punk-life attitude she has when she’s trying to get away from the corporation.
What’s interesting about the movie is that, while it’s critical of the capitalist machine, it doesn’t have much positive to say about anything else. The shithole planet is covered in dirt, the streets are full of dying bodies and prostitutes, and the police chief is a thug who keeps a lady mouse in his house as a prisoner so he can sexually violate her. When Catty and Co swings into town, ultimately nothing changes, except now the streets are covered in Catty and Co advertisements instead of graffiti.
The ultimate goal of Catty and Co was to create some sort of hive mind mentality of all the young people, following their lead and consuming Catty and Co products like zombies. The ultimate betrayal of that lifestyle is Tamala, their own logo. Anarchy and punk lifestyle is destructive and harmful, but it’s the only way she gains her individuality outside of being this logo. Throughout the movie she’s trying to get to Orion, where supposedly her real mother is before she was taken and starred as the logo. It represents this time before she lost that innocence, a bit like what Rosebud represents to Kane in Citizen Kane. Gosh, I’ve referenced 2001, Rebel Without a Cause and Citizen Kane in this post. I’m not trying to sound overly poncy, I swear! It’s just this is such a strange movie that I really have to delve into the back of my memories to come up with some other sort of touchstone to ground my thoughts.
Tamala doesn’t reach Orion. According to Wikipedia, the movie was planned as a trilogy, but they never made more. Not entirely surprised either, given that it was the strangest artsy film I’ve seen in a long, long time, and does have some serious issues, even accepting the bizarre way it tells its story and some of the eccentricities that come with that. There’s a terrible bollocks of a scene where the movie drops all attempts at at visual storytelling to instead have some old bloke sit on a coach and narrate for 20 minutes about what the point of the movie was. It was a real stupid scene and dragged it down several points in my estimation.
But I did like Tamala. Somehow the mood managed to grab me and send me into this weird psychedelic haze where I wanted to run outside in my underwear with a baseball bat, smash a billboard or two and yell ‘down with the man’. I think a large part of that was the music, which is one of the best I’ve ever heard. It’s like a cross between the Hotline Miami soundtrack and The Pillows, which to me is like some sort of glorious combination of my two favourite types of music in the world. Even taking my taste in music aside, it’s perfect for the tone of the movie and went a huge way to making the more pretentious, eccentric, slower parts of the movie tolerable.
Recommending Tamala is incredibly difficult, because I would have to know you as a person. I could see someone thinking it was the biggest load of pretentious artsy nonsensical bullshit ever, and I could see someone else thinking it was the most profound daring movie that captured a tone so perfectly that they thought it was the greatest thing ever, and I would totally understand where both sides are coming from. If you like artsy films, and are in the mood for something genuinely completely different from absolutely everything else out there, give Tamala a shot. At the very least, it’s worth it for the music.
Alternative Titles
Japanese: タマラ 2010 ア パンク キャット イン スペース
More titlesInformation
Type:
Movie
Episodes:
1
Status:
Finished Airing
Aired:
Oct 19, 2002
Producers:
Kinetique
Licensors:
None found, add some
Studios:
None found, add some
Source:
Original
Theme:
Psychological
Duration:
1 hr. 31 min.
Rating:
R - 17+ (violence & profanity)
Statistics
Ranked:
#98302
2
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity:
#6183
Members:
10,825
Favorites:
62
Available AtResources | Reviews
Filtered Results: 8 / 8
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Your Feelings Categories Feb 20, 2013
Tamala is an anime movie from 2002 animated mostly by 2 guys. It’s split between 2D flash animation and CG animation, shot entirely in black and white and all the characters are anthropomorphised animals. The story follows a cat called Tamala, who leaves Cat Earth and visits a rundown shithole planet so she can do whatever the hell she likes, farting about with her new wimpy hipster boyfriend.
The thing to understand about Tamala is that it’s a very artsy fartsy indie film. It’s a struggle to come up with comparisons in anime because it’s so different, but its directing style reminded me a lot of ... May 1, 2008
"Tamala - Punk Cat in Space" is quite a trip, and for any who enjoy this genre, I highly recommend this anime.
Story Tamala is about a pretty little female Cat, Tamala, who sets off from Cat-Earth on a journey to get to her home planet where she was born, Orion. Along the way her spaceship is damaged and she lands on a Planet, where she meets a male cat Named Michelangelo(Though Tamala keeps calling him MoiMoi). The movie basically follows what happens while Tamala is on that planet. At first the story sounds very simple, and the animation style can trick an individual into ... Oct 20, 2014
[Spoiler Warning]
I learned of _Tamala_ from Anime Year by Year's 2002 entry, which describes the work thus: "Unbeknownst to her, she is genetically engineered to remain eternally young by the conglomerate Catty & Co., formerly the clandestine cult of Minerva, so that she can be used for advertising purposes. Even after she is killed mid-film by a pedophilic dog police officer, she remains 'immortal' with her face plastered over all of Meguro Ward, Tokyo in ads for cigarettes, matchboxes, and other consumables. One of her flings, a cat named Michelangelo (calling himself Professor Nominos later in the film), views the logographic Tamala in the same way ... May 29, 2012
First review.
Tamala 2010 is pretty much what I would call an experimental movie, likely auto produced. As such, the movie possesses strong points and weak points, which makes it hard to give it an overall mark. Looking for qualifiers, I first thought of "cyberpunk", but the visual simplicity makes it barely adequate here (compare to Tetsuo), plus the usual cyberpunk questionning of existence also lacks. Tamala nevertheless has a punk attitude, and is akin to a somewhat dreamlike SF black and white Happy Tree Friends (without the gore). That said, the mix is quite effective, and would probably have been awesome if not for ... Feb 8, 2017
To sum up this film in one word, I would say "jarring." From the themes, imagery, characters, music... It's a very unique piece.
First off, the music was AMAZING and easily my favorite part about this movie. I want to say the animation is lack luster, but considering it was only two people working on it, it's passable. I think this story would have done a bit more justice if it was polished a bit more. It's a shame the other two were never made. As a stand alone, it doesn't quite appease anyone who's hoping for a conclusive ending. You also have to ... Dec 14, 2016
Rate of 3(Poor)
seen via english subtitles Scif.i has a tendency of involving time warps and such but i never imagined a shows plot could be as equally warped! They take random things and throw it into the plot. Sometimes the cut to scenes of people talking but is unclear if theses are more random people or the same couple that keeps taking because they never focus on the characters. Instead the camera focuses on the legs, shows them in dark light, yadada. Sound, was a joke. Using the same couple i mentioned the voices which are supposed to be of two individuals to me came ... Dec 7, 2021
well i just finished the movie and i got to say i think its a masterpiece in its own weird way I'm a little sad it isn't mainstream because it truly is unique
Art: it is cute if you like Astro boy or hello kitty i think you would like this style because it is a blend of both. The movie is mostly in black in white but when they have colored scenes it really pops out and the colors go well together, considering this movie was made by 2 dudes i think it does a really great job! sound: I love the music and voice ... Jan 10, 2023
Tamala 2010 is such a weird movie. I feel as if it's one of those you're either gonna like or dislike - there's no inbetween. Apparently there was supposed to be a couple of other sequels, a TV series, and yeah, it could have taken off if the story was better. I can imagine Tamala being an iconic figure in merchandise and pop culture, like Hello Kitty, and I really do think that the character design and all that looks great, but you're just left a sour taste after finishing the movie. You don't really know what happened, what it's all supposed to mean... It's
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