I admire the creativity that goes into this series. No two 'part time job' or 'gray job' is the same. Each 'job' usually lasts around 3 chapters, so at 150 chapters, that's a lot of unique content! The art is for the most part consistent, and a bit unsettling (which it should be, being horror!) and the two protagonists are also pretty consistent in their characterisation.
That being said, there's something about this series that just misses the mark on a lot of occasions. Good horror makes me take that intake of breath when 'it' finally comes on page. It's the moment of 'oh sh*t' when whatever creature stares at you from the page. It's about the building of tension and the release. Ura Baito, while being incredibly creative, oftentimes does a terrible job at tension building. It's horror, but it doesn't send chills down your spine. It's not scary, just a bit disturbing. It's horror junk food. Not terrible, but not great.
My biggest gripe is the worldbuilding. Oftentimes, a lot of the jobs have too much of an implied lasting impact on the world. For example, a haunted doll will affect one family. An entire product line of cursed dolls, a commerical success, is a completely different level of impact. And that level of impact happens *regularly* in this series. And over and over again, nothing is resolved. There is no satisfaction, no closure. And while that's not entirely uncommon in horror, doing it over and over and over again in a single series, and in a shared universe at that? It's unsatisfying, it's testing my suspension of disbelief. How is anyone is this world alive? How does it operate? When will any of our characters see any growth? The answer is never. The implied apocalyse never happens. The downfall of humanity is put on permanent hold. Our characters never use anything they've learnt from a previous lesson. You could read any of these stories randomly, and it would affect almost nothing.
