Reviews

What would happen if Sergio Leone, in collaboration with Luis Bunuel, filmed in animation form a book by Stephen King, written by him in the mid-1980s (during the period of Stephen’s severe drug intoxication), where the main character would be Zorro, fighting vampires in the Wild West? The result would be surreal trash, but decadent, aesthetic trash. It would be "Vampire Hunter D: Bloodlust", or something very close to it. As much as I, to put it mildly, am not close to the stories of Kikuchi Hideyuki, how secondary the plot is, how vulgar the characters are, how intellectually and morally powerless the narrative is, so much captivating the decadent aesthetics of this anime are. Just as sweetness can be found in pain, so in the destruction of ethical and aesthetic beauty, in decay, one can find decadent pleasure like "Belle De Jour". Perhaps this is what catches “Bloodlust” - the visual aesthetics here are extremely consistent with the ethics of storytelling. It has a peculiar “beauty of ruins”, a borderline sadistic pleasure of destruction, the withering of goodness and beauty. It fascinates, just as a poisonous snake fascinates its victim, just as the viewer is fascinated by the animation of a bouquet of roses withering as Meier approaches to take Charlotte to the “underworld.” The animation, I note, in “Bloodlust” is amazing. The references to Leone's western film aesthetic are animated masterfully, D against the backdrop of a full moon looks as good as Zorro against the setting sun, and it all comes together with a gothic design fused with art nouveau. Eclecticism? Definitely, but it works in "Bloodlust", paired well with an equally eclectic narrative. We can say that this anime is an empty shell, a pretty rotten one, but you can’t deny its visual peculiarity.