Our story begins in a small room with a coffin-like bed. Papers of instructions and details plaster dirty walls while a small door allows access to a chunk of stale bread placed upon the dusty wooden floor. Cramped, ill-fed, and forced to work. These are the harsh living conditions of a Living Doll—the living conditions of our main character Emilico.
From the start, Emilico’s personality shines through the screen. She is a bright and cheerful young girl trying to do her best, and everyone around her is affected by her kind nature. Though one may argue that Emilico’s personality consists of traits increasingly common in a typical anime protagonist, Shadows House’s depiction of Emilico as a character is far from generic. As subject to uncomfortable living conditions, there are many times when Emilico’s identity is tested. She is looked down upon by others and is reprimanded for being herself. And when Emilico is forced to obey the rules or when she is under the control of the shadows, her bright personality is sometimes compromised. It is through this narrative that Emilico’s character isn’t simply a compilation of happy generic protagonist traits but rather an expression of the anime’s theme of power and autonomy amidst oppression.
Living among the Dolls in the Shadows House are mysterious beings referred to as Shadows. Shadows are face-less figures that the living dolls attend to. They live much more luxuriously than the living dolls and have bodies made entirely of soot. Depending on a Shadow’s mood, Shadows sometimes emit their soot from the top of their heads. This means that as the shadows go about their classy lifestyles, they tend to leave a lot of mess behind which may accumulate in the rooms they occupy, spread all throughout the house, and dust the objects around them. As expected, cleaning this mess is a part of the job of the exploited Living Dolls.
Though the Shadows are a clear representation of an abusive upper class, this anime doesn’t villainize Shadows as a whole. It doesn’t just say that the shadows are bad or that the masters of the living dolls are bad people who abuse the dolls without reason. This anime is much more complex than that and takes us through the nuances of the overall situation by making the Shadows House a microcosm of real society. The house contains various floors, and each shadow strives to attain higher power by climbing up the ranks which are representative of the floor on which they reside. It is a beautifully plotted setting that is easy to understand and that showcases how power and class work. By having a well-written structure that serves as the foundation for the narrative and involves each of the characters, Shadows House avoids shallow messaging like ‘shadows are bad’ and ‘living dolls are good’ and instead focuses on the bigger picture, portraying each character as a victim of the poor system.
With this in mind, all of the characters act in their own ways and aren’t just labelled as “friend” or “enemy.” These characters have genuine interactions as they try to navigate through the roles they are placed in. Shadows House truly makes the audience feel like every person introduced serves a purpose in the story and makes sure that each of them has their own likable traits that’ll leave you wishing they had more screen time. Even the face-less Shadows were far from lifeless or expressionless.
Most notable of the cast, asides from our main character, is the Shadow Kate whom Emilico is assigned to. Kate is calm and collected and finds Emilico’s cheerful behavior to be endearing. Over the course of the series, Kate and Emilico grow to be close friends that constantly encourage one another and help each other through the challenges they face. Their friendship is fun to watch, and the events they undergo lead them to develop and influence each other in interesting ways.
Presentation-wise, Shadows House doesn’t let the viewers down either. The premise, proper setting, and well-written characters are all brought together by a unique gothic aesthetic that’s embedded into every aspect of the anime. In the art, we can see it in the lacy outfits and intricate backgrounds. The Shadows House itself is a a large manor with secret doors and pillars that perfectly work with the vibe that the anime gives off. The music matches the gothic aesthetic too. The opening song is a particularly fitting instrumental. And while the ending theme is more modern, it contains choral samples that exude a mysterious, almost haunting feel. There isn’t a single aspect of the show or single frame in the series that doesn’t fit the intended style. This is a show that knows what it wants to do and executes it.
Shadows House is an anime more people should be talking about. As a show that is both fun yet thematically sound and mysterious yet socially relevant, this anime has a lot of variance in appeal. No matter what you’re looking for, Shadows House will likely have something for you to appreciate. The story which discusses power, autonomy, class, and friendship all at once, is well-built with likable characters. The expertly integrated gothic aesthetic alone sets it apart from most other anime, both in this season and in general. This is one of the most easily watchable and easily recommendable shows I have seen in a while, and I highly encourage everyone to give it a go.
