The Taisho era was the height of modern and western influence in Japan. A fascinating crossroad in Japanese history which the show characterises with small elements of cultural tension. Taisho baseball girls, as is expected, takes the perspective of the "modern girl", focusing on more progressive ideas and appearances. This can be seen at a surface level in Koume's desire to wear a seifuku instead of a kimono and her criticism of her family's only surface-level modernity despite running a yoshoku restaurant. What is impressive is the setting itself subtlely adds to this flavour of the Taisho era. The school Koume attends is subtlely established as a middle to upper-class girl's academy, which would be more western in this era with its missionary education roots. Notably, the push back against the girls playing a 'rough' sport like baseball is not solely from the traditionalist Japanese position. Much of the push back comes from other "westernised" sources like teachers and parents. It is left ambiguous if Koume's parents are even against her playing baseball. Despite the Suzukawa's being ostensibly framed as more traditional parents, there is still a strong undercurrent of modernity since they chose to send their daughter to a Christian school. In fact, all the girls are distinctly middle class or outright rich with varying levels of western and modern ideals.
The show accordingly does not examine or dive into the cultural tension, using it more to build up its atmosphere and setting. While mildly disappointing for someone interested in a good period piece, the show quickly clarifies it has no aspirations to go there. It celebrates the Taisho era and the modern Japan that could have been instead of truly delving into the 1920s that was. Characters like their English teacher, Anna Curtland, are an unambiguously positive influence on the girls despite being a foreigner. This results in Taisho Baseball girls feeling earnest and rich in its setting yet hamstrung by a rather by the book story. The girls never receive much push back societally on their path to forming a baseball team. This is partly due to the show's tone, going for something fun and sweet instead of more drama ladened. Accordingly, only undercurrents of gender expectations drive the opposition of family and teachers. All of which is never discussed in detail. This limits the shows thematic punch to an implicit message which we have long surpassed in the 21st century.
The characters themselves are nothing spectacular. Because of the direct and simple approach of the show, there is tremendous missed potential in establishing more complex character conflicts. There is little exploration into their family's thoughts on the girls playing baseball, and their own motivations remain unexamined. There is no internal conflict within or among the girls on if they should be playing baseball or what that entails. Their inner conflict is the standard of every sports anime, self-doubt and the difficulty of training. While perfectly acceptable, it does not utilise the historical setting to its full potential to give the show a unique identity. This is also further exacerbated by the large cast which places pressure on the amount of screen time available. Despite the show's choice to focus on our protagonist Koume and Akiko, their depth still hits a distinct limit since they never really distill or digest why the larger conflict exist or what it means to them specifically. With the rest of the cast noticeably under developed relative to the implicit theme and conflict of the show, it is hard not to call it missed potential.
Although not in the spirit and perhaps too complex for this show, the lack of a real "traditionalist" barrier to overcome or reconcile with leaves a distinct feeling of hollowness at times. Of course, this begins to stray into the territory of a more dramatic and "serious" show (for lack of a better term) which is unfairly to penalise Taisho Baseball girls for. Despite all this, the story is robustly executed, delivering an above-average but by the numbers narrative. The art is again nothing spectacular. Of note, the more washed out watercolour style for the background fittingly gives the show an appropriate atmosphere for something set in the past. While the opening and ending songs were also satisfactory, they sadly did not commit more to the period setting with their music, choosing to go with standard modern J-Pop.
Overall, for what Taisho Baseball Girls is and aims to be, it is a solid above average show. The characters and central conflict beyond skill at baseball feel distinctly underdeveloped. Yet this problem rests squarely on the shoulders of avoiding the more complex issues to maintain the lighthearted tone of the series. This is very much an impasse which leaves the show few ways to excel further aside from additional polish or more robust dialogue and writing. Where it does succeed is in integrating the historical setting into its story to create a superb, almost nostalgic, atmosphere. With that, it is hard to give Taisho Baseball Girls more than a 7 out of 10, carried mainly by its excellent historical setting. While tempting to score it higher due to its charming simplicity, the central premise of the show is tied too heavily to greater issues of the period that need some kind of debate. Without some measure to tie it in, even through a debate among the adult characters, there is a distinct lack of carry through. While none the less still a sweet, lighthearted and well executed period piece, there is tremendous missed potential.
