The first featurette which opens this anthology, "Kanini and Kanino", handled by Hiromasa Yonebayashi, is an absolutely breathtaking and imaginative underwater fantasy about a pint-sized family who wield staffs with crab claws (shades of THE SECRET WORLD OF ARRIETTY) who dwell at the bottom of the sea of all places. The titular characters are two siblings who are separated from their parents and set off on a journey to find them. This featurette is the only one of the three not to receive a dub, and interestingly, is rather limited with dialogue, giving the picture a bit of a semi-silent film treatment. (There are occasions where the characters call out each other's names.) This short mixes traditional animation with computer generated imagery to realize both its underwater environment and the monstrous fishes who cast ominous shadows above our tiny heroes.
After this stunner, we shift gears to a more down-to-earth, slice-of-life kind of tale, aptly named, "Life Ain't Gonna Lose." Directed by Yoshiyuki Momose, this short is based on an actual true story about a little boy who is lethally allergic to eggs. His mother strives to support him while managing her career as a dancer, and the boy must eat special foods and avoid getting contact with egg yolk. It's a very relatable and nearly heart wrenching tale. The animation here is a bit more like a watercolor-painting style, but the short is no less impactful for it. This dubbed version features the voice of Maggie Q as the boy's mother.
The final tale, and arguably the gloomiest, is Akihito Yamashita's "Invisible", in which we follow a man who is literally invisible to everyone around him. All we see is his coat, hat, glasses, shoes, and gloves. He needs to carry a weight in order to stay on the ground, because otherwise he will float away. He does good deeds, but is unnoticed by others... until he sees a runaway baby's carriage. This short is animated in the classic hand drawn style, and with more shadowy colors. Again, dialogue is sparse in this short, but not to the same degree as in the first.
All three featurettes showcase the visual range of Studio Ponoc in ways that will leave you eager to come back for more and more. Interestingly, after the showing I went to, an interview with Ponoc producer Yoshiaki Nishimura aired, who expressed the need to try to stand out from other studios in Japan. His solution--to try to push the limits of animation and make their movies the kind that kids would enjoy and would also inspire adults. It's very rare to see animation studios today with this kind of thinking. Bravo to Studio Ponoc for making the approach. It will be very interesting to see what they do next. If you ever get a chance to see MODEST HEROES, I strongly suggest you do so, and without hesitation.
