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If you are looking for the 'villianess of an otome game' genre there are plenty more out there that do it in a better, more interesting way. This could have been an interesting story if it was executed properly, but I think even before the clear ax-ing that it got it was struggling to maintain a solid direction and plot.

The fact that the MC has died 108 times specifically seems to be inconsequential pretty quickly. She never mentions individual lives or deaths other than as passing mentions nor does she have any specific lessons learned that help her overcome a future trial. The 108 ... lives feel more like a statistic on an excel spreadsheet where she can say: oh this character killed me x number of times in the past as a way of introduction.

For 95% of the plot the MC is a literal newborn which was a questionable choice because allowed for some humor but stretches' credibility as other characters start having to interact and build relationships with an infant who can't talk. This is exacerbated by the fact that there isn't a timeskip until basically the last chapter.

As for the other characters, of the 4 'capture' targets (I use this term only as a framing device, because they remain children throughout everything we see) we really only spend time with two. One of the two main kids only shows up in the last few chapters as a plot device to save the day while the other's main purpose throughout the series is as a bodyguard and baby translator. As for the other three, one seems to be relegated to being the villian's sidekick - never fully explored, one literally falls out of the sky onto the MC in the LAST chapter, and the other is never introduced.

As for the other characters, their personalities seem to change at the drop of a hat as the author needs it for the story. And the 'villian' .... 'sigh'. It's hard to say what the goal is with her because after reading it I still don't seem to know what her goal is. She is also living all of these lives (we never figure out why either character is going through this experience) but she seems to abruptly switch between psycho murder teen (she also was an infant but was immediately aged up. Makes you wonder why MC wasn't the same?) and helpful spiritual support guide. It's the 'I'm grooming you to live a kind of happy life so it would be more fun to kill you later' kinda vibe. Never heard of it? Yeah me neither.

All in all, this series is an example of a poorly executed story idea with lackluster characters and an extremally rushed conclusion. Oh, did I say conclusion? Yeah, there is none. It's as if the editors told the author the week before the last chapter "yeah your series is canceled. I don't really care if you wrap anything up or not or if it makes sense, just finish it in one chapter."

I feel bad for the author here, it is never easy to be axed. But it was the right decision.

If ever the phrase 'never judge a book by its cover' applied to anything it definitely applies to this series.

The cover art and description leads you to believe it's another run-of-the-mill wish fulfillment isekai dripping with fan service, but what you actually get is a deep, intriguing political drama wrapped in a heartwarming love story that has a healthy power dynamic and rich characters filled with personality, hopes, and dreams.

In a refreshing change from most romance-oriented Isekai, the protagonist consistently rejects the idea of forming a harem, even as the world literally thrusts additional suitors at him (for political reasons).

The Queen isn't a hero ... worshipper, but instead is allowed to transform her political arrangement into an actual relationship of based on love and trust.

And I can't go any further without talking about the real meat and potatoes of this series, the world politics. What makes this world feel so real is that it is clear how important the characters' -especially the protagonist's- actions are to the balance of power. The actions the protagonist make actually matter, and have real consequences for how the world functions.

The ensemble are more than just tropes, foils, and heels. They are political players who make moves and use each conversation to curry favor or feel out their counterpart. This gives each speech bubble that much more significance, because you are just waiting for a character to slip up and reveal a secret or make a mistake.

There are no characters that are wasted space here. Each has an important role to play, and are far from falling into archetypes. They feel like people.

Read this story, you will not regret it.