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Jan 21, 2023
When I first read this manga a few years ago, I thought it was terrible. I did not find any enjoyment in the themes explored, I struggled to relate to any of the characters, and overall I felt like the manga failed to make any kind of strong, powerful statement that would stick to me, seeing as this is the type of manga that appears to have something to say. However, now that I’m reading it again, I’m starting to see that maybe there is some merit to this manga after all.
Now before we delve into what made me reconsider my stance on
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this manga, let's first address what I still hold my grievances towards from my first read: the art. The manga's jarringly ugly art style, in conjunction with the unforgiving walls of text, makes the experience of reading this manga feel like a chore at times. This manga was not easy to get through for me, not because of the content itself but because there was nothing particularly inspiring with how it was presented. However, there are certain moments where you can see a lot of thought put into the timing of certain panels, such as the events that unfold in chapter 4. The juxtaposition of Kannonzaki's adulterous sex presenting itself as a symbol of life and pleasure with Yamada's dire revelation of his secret discovery and the pain he lives through everyday providing a somber contrast to that symbol.
I thought this was a nice analogy with quite brilliant, thought-provoking execution. It makes me think back to the way Haruna described her first time with Kannonzaki (“Sex without the purpose of reproduction holds many contradictions and mysteries”). In this chapter, we witness the first of many contradictions: sex for the “fun” of it. Many people, such as Kannonzaki, seem to strongly hold this idea of sex as an inherent act of love, yet those same people have no qualms having sex completely devoid of it. Whether or not sex implies love is a question outside the scope of this review, but it's certainly true that people behave in incredibly contradictory ways when it comes to love. The way this manga observes Kannonzaki's attachment with Haruna and contrasts it with how he continuously acts in contradiction to this supposed attachment serves to illustrate to the reader a wonderful example of this phenomenon. This was a compelling theme and I think it’s quite well explored within numerous other moments of the story as well. I would delve into more of the nuances, but I'd rather not spoil any more of the story than I have to.
Getting back to Yamada’s pain, I want to get into how Okazaki explores the theme of bullying in the context of romance. Kannonzaki’s merciless harassment of Yamada is nothing short of being utterly disgusting. Haruna does try to restrain Kannonzaki in some ways, but for some reason she chooses to preserve her superficial relationship with him instead of following her moral compass and protecting Yamada. Personally, this relationship frustrates me to no end. Sure, Haruna has poured a lot into this relationship, especially considering that Kannonzaki is the person who she gave her virginity to. Yet, after the horrific acts of torture that Kannonzaki commits against Yamada, why would she do anything other than break up with this asshole? It’s simply something that I don’t understand. However, perhaps that’s the point of it all. I believe that with this complicated relationship, Okazaki offers quite a somber reflection about the limbo state of prolonged futility that many relationships exist under. This relationship exists solely to benefit Kannonzaki’s own ego and to the sheer detriment of Haruna’s happiness. And yet, what is there to hold Haruna back from breaking up with him? It's a question that many of us struggle to ask ourselves. Maybe there's some deep-seated fear of abandoning the status quo, perhaps the social repercussions of a break up would be too much for Haruna to handle, or it could be some other reason that only Haruna could ever truly know. Clearly, it feels like there’s a specific target audience that this manga seeks to relate to. This is a story about trauma and grief. But also, this is a chronicle of our many vices as fragile beings. The things we do to seek attention, the things we do when acting out of our deepest insecurities. A lot more happens in this manga, but again, I'd rather you read the manga for yourself and reflect on your own about those parts.
This manga seeks to tackle a lot, and it does so succinctly. Ultimately, this manga is a statement about how bubbling emotions and our self-obsessed egos work hand-in-hand to foster tragedy. Yet, despite my praise of the themes that I found were explored quite well, I honestly believe it should've honed in on one or two specific themes instead of attempting the Herculean challenge of crafting a multidimensional masterpiece in just one volume. Ideally, it'd be the themes I mentioned in this review. I haven't even addressed some very prevalent aspects of this manga, like Yamada's sexuality, his girlfriend, and anything relating to Kozue because I feel that these aspects weren't nearly as compelling or well-explored. Nevertheless, I enjoyed what this manga was able to accomplish and I’m glad I gave it another shot. Overall, I think this manga does a solid job at bringing up certain issues about love, both the love towards others and the love towards oneself, but feels bereft of much of its potential depth due to its tediously zealous onslaught of ideas and a general sense of over-ambition.
Reviewer’s Rating: 6
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Jan 19, 2023
Have you guys ever wondered what your friends taste like?
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Wait, just hear me out. Before you think I'm some kind of weirdo, I swear this is a good introduction...well, good enough. Anyhow, this is the story of the cannibal princess who enjoys eating her friends.
In the first chapter, we’re introduced to our main protagonist Era, the mermaid princess of the sea, who is friends with many of the fish around her and deeply revered within her community. She spends her days helping her citizens get through their insecurities and is resolved in her goal of making this idyllic kingdom an even happier
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place. Essentially, Era is the image of an ideal princess.
But, Era is hiding a secret from everyone. A secret that she can't afford to let slip. A ghastly habit that would condemn her to the lowest levels of fish hell if revealed. A yearning for something so frightful that it would send chills down the spine of any fish unfortunate enough to learn about her true nature. It all started when she made her first trip to the surface to pay respects to her friend…by ordering him at the restaurant that caught him!! Intending only to bear witness to what had come of her fishy friend before her own eyes in order to pay respects... she then proceeds to eat him after being tempted by a customer who claimed it would be the only way to send the fish to heaven! However, this would unfortunately set forth the utmost heinous of cravings, the craving to eat your own friends.
Throughout the manga, she struggles with confronting her reprehensible longing to consumer her fellow brethren, her immense guilt overwhelming her at certain moments leading her to confine herself in her own bedroom. Yet, whenever this happens, the death of one of her friends inevitably prompts the inescapable urge to visit the surface to eat them. The other fish believe that her voyages are solely for the purpose of paying respect to the lost souls, but little do they know of the true horror that goes on behind their backs…
Of course, like any other self-respecting manga fan, I just had to see how the author would develop this story and what themes would be explored under the vehicle of such a unique premise. However, I unfortunately find this manga to be rather lackluster in those departments.
Upon my initial read, I felt profoundly disturbed by its concept. I mean, wow this really is just cannibalism portrayed in a comedic light. Era’s constant refrain of “I’m sorry _, but you taste so good!” is delivered comedically, yet she is depicted crying during every single instance. Clearly, she's facing an internal struggle and is in constant mourning over her uncompromising desire to commit sin. This all works together to set a tone of dark humor, yet I didn’t find this theme of the manga particularly all that funny. Sure, it was an engrossing concept for the first few chapters, but it quickly tires out. In fact, I'd say that I found Himada’s goofiness much more enjoyable than the whole "I'm sorry bro, but you taste so good" schtick. Maybe I’d be able to enjoy the comedy more if I didn’t binge every manga I read and instead opted to space it out. However, I believe that any manga that professes to be a comedy should be funny enough to binge regardless. Comedy series ought to be very careful when relying so much on one running gag like this manga does.
The author tries to include backstories for the fishes that get caught and attempts to use Era’s consumption of them to be some kind of pinnacle or conclusion to their story, as if they were really being sent to heaven by this dreadful act. These backstories serve to add a bit of unique flavor to each chapter and offset some of the staleness, but I don’t really know how to perceive this in juxtaposition to Era’s moral conflict from a plot perspective. Perhaps these moments of resolution in the fishes’ stories are merely elaborate illusions crafted by Era’s desperate mind to convince her that her actions are not entirely evil. I particularly enjoyed the scallop’s story, I felt that it was well-executed and honestly surprisingly thought-provoking in certain ways. Other stories were also a cut above the rest, such as the story of Bonito and Nakajima. However, many of these chapters still felt bland and and were hardly taking us anywhere. I get that this series is structured as more of a weekly ordeal but there were clear storylines that the author could have approached and dived deeper into that I feel were not given sufficient exploration. To mention a few things: I wanted to see more of Era’s character struggle and her helplessness in addressing it. I wanted to see more of Ryo’s past. I wanted to see more of Era’s history with Tuna. Finally, I wanted to see Sango’s development to be slightly slower-paced. She seems to turn into an entirely different character all too quickly after her first trip to the surface, but nevertheless I have to note that the fact that the whole side plot with Sango exists at all was a great decision by the author.
Up to this point, I thought the manga was quite a decent read in spite of its flaws. However, reading the final chapters left me with a bitter aftertaste. The two chapters preceding the finale make absolutely no sense to me. In these two chapters, Era develops in a way that is completely uncharacteristic of her and this was not done in a convincing way at all. The manga was clearly rushing to an ending, and I can only assume that this manga presents yet another case of the axe phenomenon. Even if the manga was being axed, I still feel like this definitely wasn’t the way to go. The author does make sure to hone in on the theme of friendship for the final chapters, a theme that was thoroughly explored in previous chapters and is perhaps the centripetal concept of the whole story, nevertheless it does so in such a hackneyed fashion.
The final chapter does end in quite a comedic way, which I’m quite glad to see. But somehow its plot feels even more contrived than the events preceding before it. It’s not like what happens in the end technically came out of nowhere, but the finale was not given enough space to breathe and just isn’t compelling whatsoever. Maybe in some alternate dimension it could've been written to make sense, but unfortunately that isn't the case. I honestly think the manga would’ve been better off if the final arc focused more on the series’ dark humor rather than trying to take itself seriously and delivering some kind of half-baked “meaningful” conclusion.
Overall, I enjoyed this manga for what it was. That said it’s definitely had its fair share of highs and lows. I would recommend it to fans of dark humor looking for a lighter read, though I’d advise you to not go in expecting brilliance.
Reviewer’s Rating: 5
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Dec 29, 2022
An amazing conclusion to an amazing anime. Mob Psycho 100 is nothing short of a modern masterpiece, and a huge step in the right direction for the anime industry. The goofiness of Reigen’s salt splash, the inner struggle of Mob’s character growth, the idleness of the Telepathy Club, the burning passion of the Body Improvement Club, Teru’s growth as a person and his transition from villain to hero, I loved every second of Mob Psycho and I’ve barely even begun to scratch the surface of all the little things that make this show so great. For all the supernatural elements it has, Mob Psycho feels
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like one of the realest shows I’ve ever watched, and this final season does a great job at conveying a sense of finality while also letting us know that Mob’s story doesn’t end there, that his life is an ongoing cycle of change just like our own.
To begin, I’d like to comment on how beautiful the animation of this show is. Ever since I watched the first episode, I’ve fallen in love with the show’s artistic style and sheer creativity in expression. And I’m glad to say that this season does not disappoint! The Divine Tree arc was packed to the brim with excellent battle animation and everything felt so smooth and pleasing to the eye. Mob Psycho is not afraid to take artistic liberties to draw out the deepest emotions a character is feeling, and it does so in a way that is so utterly unique that it crafts its own visual identity. Not to mention how perfectly the soundtrack and voice acting complement the entire experience. Watching Mob Psycho is an unforgettable experience, and every episode reels you in with the show’s warmth and charm.
I’ve always been very fond of this show’s style of humor too. Even in the most serious moments, this show always finds a way to make the viewer crack a smile. For example, during one of the most intense fights in the series towards the end of the Divine Tree arc, Mob’s ridiculous-looking monkey shirt is revealed and, to his chagrin, is immediately met with the line “You have such shit taste”. It’s these brief moments of levity amidst emotional climaxes that really make this show shine. Of course, Mob Psycho isn’t the only show that attempts to pull off this type of absurd comedy, but it remains among the most capable I’ve ever seen.
This season concluded everything that the show has been building up to in quite a beautiful way. The last episode with the scene of Reigen having a down to earth talk with Mob is something that I feel like I’ll remember for decades to come. Reigen’s struggles with being a fraud is something that I feel like I can heavily relate to deep down, because all my life I’ve been living under these facades made to please the people around me, to appeal to what everyone wants me to be. This theme was explored with profound depth in season 2, but reaches its climax in season 3 with Reigen’s confrontation with Mob. I also really appreciated watching the Telepathy Club arc. It made me think about the regrets I have of not doing enough in high school, but what it does even more so is inspire me to live out my life doing the things I truly love so I won’t feel such a way in the future. And of course, in Mob Psycho fashion, the arc concludes in perhaps the most absolute wildest way imaginable. A pure joy to watch. Finally, the Divine Tree arc’s message about dreams and figuring out what’s really important in life struck me hard and made me reconsider the path that I was taking. Am I truly satisfied with pulling out all stops in order to set up the perfect future where I make the most money I can? Sure, it’ll fulfill my dreams of affluence and grandeur, but it’s not worth it if I lose myself in the process.
Mob Psycho 100 is a show that’ll always stick with me. While I’m sad that it has come to an end, I’m more than satisfied with this final season and this series as a whole. For me, everything about Mob Psycho is 10/10. This is art.
Reviewer’s Rating: 10
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Nov 5, 2022
To me, slice of life has always been a rather lackluster genre. It’s never made much sense to me how people enjoy watching mundane characters partake in the least thrilling activities imaginable. I understand that the point is to let yourself lie down, relax, and stop worrying about things, but I usually find myself in this state of mind-numbing boredom whenever I watch it. And this boredom is different from relaxation. How do I know the difference? Well, that’s what Non Non Biyori taught me.
Before I watched the show I came in with the expectation of “it’s just another one of those slice of life
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shows”. I like to give things multiple chances, and I think it’s really unfair to definitively say that an entire genre of anything is “bad” or “not for me” if you never give it the opportunity to impress you in the first place. So, since Non Non Biyori seemed to be a respected title among slice of life fans, I decided to give it a go…and man, I sure am glad that I gave it a chance!
So what makes Non Non Biyori so different from the typical slice of life experience? Well, to start, watching Non Non Biyori is so much more than just “watching mundane characters partake in the least thrilling activities imaginable”. It’s a love letter to the beautiful simplicity of bucolic life. I’m assuming you’ve already read the synopsis, so I won’t bother explaining the setting that it takes place in, but the way in which country life is explored in this anime is simply marvelous. It’s a celebration of kids being kids, an ode to the wondrous journeys of childhood where everything was new and our teeming curiosity was limitless. Seeing Renge getting so excited about things like the first sunrise of the year. Seeing Hotaru being overjoyed at the sight of snow and stretching her arms out to let the vibes embrace her. Country life being explored in such brilliant exuberance, this anime has perfected the delivery of its message.
The joys of Non Non Biyori don’t stop there! I was already impressed by the first few episodes, but I would be remiss without at least mentioning my favorite part of it all that was shown in one of the later episodes. That moment where the candy store lady’s history with Renge is explored absolutely melted my heart! It was so adorable! I do want to talk about it more, but I have to keep the spoilers light lol.
Ahh, this is what true relaxation is, my friends! It’s about appreciating the beauty around you, being at one with the world around you. Even writing this right now, I feel at utmost peace. And for those who live in the city, don’t sweat it either. Though Non Non Biyori commemorates country life, it makes sure to avoid bringing down city life in doing that. Renge’s sister, who moved to Tokyo, actually much prefers city life and for a little bit we get to see Renge being envious of how cool city life must be. Hotaru, who came from the city, exists to contrast this as she’s come to prefer the country. I believe that by doing this the show wants to highlight that both environments are part and parcel to the beauty of life, it’s a really positive show!
Moving on from that, I want to at least briefly mention how masterfully produced the ambience of the whole ride is. The music is nice, the animation is always either cute or legitimately stunning, the voice acting is amazing, and of course the characters are all wonderful in their own individual ways! You can really feel the close-knit vibe between everyone, like how one of the characters is just referred to as “Dagashiya” (lit. “Candy Store”).
In the spirit of Non Non Biyori, I want to make it clear that my intention is not to bring other slice of life shows down to highlight how much better it is. I just want to say, for those like me who often don’t find slice of life a particularly enjoyable experience, please give Non Non Biyori a chance. You’ll be pleasantly surprised!
Reviewer’s Rating: 10
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Oct 18, 2022
Reincarnating as a gender bent daywalker vampire is a good concept. There's so many possibilities to explore! You could have a serious take about the situation and weave a heart-wrenching tale about the seemingly impossible task of adapting to an entirely new world with an entirely new body and the identity crisis and/or trauma that may ensue.
Or you could spin this scenario into a story with a much lighter tone, emphasizing the zaniness of our protagonist's plight and/or making a commentary of how quick authors are to slap as many popular tropes together as possible in a vain attempt to please as many degenerates as
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you can and make up for your lack of imagination and poor storytelling.
All of this has pretty much been done before, but it wouldn't hurt to enrich the scene with more of these types of stories. However, this manga has elected to do none of the above and instead...actually, now that I think about it, I have no idea what the author was trying to accomplish with this manga besides earn a quick buck by appealing to degenerates. Overpowered protagonist? Check. "Relatable" personality? Check. Loli bait? Check. Yuri bait? Check. Fox girl? Check. And so much more. Tropes galore.
Now the abuse of tropes by itself doesn't mean that the entire manga is discredited. If the execution of these tropes were to be at least somewhat decent, then maybe I would have something positive to say about this manga. Unfortunately, that's just not the case. First of all, there's a lot of loli fanservice but all of it is conveniently censored. That's a good thing in my book, but why go through the effort of contriving such weird scenes and stop halfway? It's not like there's anything else this manga has to offer.
Second, the humor boils down to silly names the protagonist gives to other characters (like calling a kraken "grandpa squid", calling a troupe of bandits by the dog breed they resemble, and calling a chief monkey "beef-san" as in chief of the beast; perhaps you can chalk this up to poor translation but this shit falls flat) and their exaggerated reactions. Some more hijinks are explored when the fox girl is introduced, but nothing actually funny along the likes of Kazuma's charming yet ridiculous antics in Konosuba. The moment you start comparing this manga with other series that are actually funny, you start to notice the difference in quality real quick.
Finally, there's no discernible motivation or end goal that the protagonist has in mind. I mean sure, a comedy doesn't necessarily need an end goal (look no further than Gintama, a masterpiece with little sense of direction most of the time), but to borrow the example of Konosuba again we have the goal of beating the Demon King which allows the author to work with interesting plot developments by introducing demon generals. An end goal lets you know where to go next in such a way where meaningful development can take place, something Gintama still manages to do that this manga on the other hand utterly fails at.
Ok, this review is going out of hand and turning into a long-winded, meandering word vomit.
Tl;dr this manga severely lacks in positive qualities despite having an interesting concept. Just go read Konosuba or Eminence in Shadow for funny isekai stuff.
Reviewer’s Rating: 3
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Oct 18, 2022
This, I have no words for.
I mean, how could I? To even attempt to understand the elegance of this work with my feeble, mortal mind would only sully its divinity. But to ensure the future prosperity of anime and manga, I must spread the good word of Unichiri's magnum opus (which I will know refer to as Unichiri's magnum for shorthand).
Unichiri's magnum is, at its core, a sublime rendering of the human condition. Our protagonist's manhood is laid out in the open, exposed for the world to observe and critique. His botched attempts to hide it serve as a demonstration of the fact that no
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matter how hard we may try to hide who we truly are, our darkest secrets will be put on display before we know it. Similarly, the nice lady's attempt to hide her inner child to keep up her image can only be sustained for so long before others start finding out. Therefore, we must embrace ourselves for who we truly are in order to reach true enlightenment. This is the profound revelation that Unichiri's magnum lays upon us with utmost grace and eloquence.
Not only does Unichiri's magnum go deep, it also brings a smile to those willing to take a moment out of their day to examine it. Simply put, it's funny. Like, the gut-busting hilarious type of funny. To be able to impress us so in such short, contained spurts of panels is a mark of pure genius.
There is no real plot to speak of, but when something is already packing this hard, it'd be too much for us to handle if we were given more.
Reviewer’s Rating: 8
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Sep 9, 2022
To call this a masterpiece would be an understatement. This is a work of art so sublime that even the most eloquent orators describing its heavenly perfection (such as yours truly) hardly scratch the surface on the sheer greatness unraveled upon the world in these 3 minutes. God does wonders that cannot be understood by us mere mortals, but this video is a miracle of such grandeur that I would dare to say even a being so omniscient as God himself will never come to fully comprehend its majesty. It’s simply that powerful. Its ethereal presence graces our unworthy, heathen souls. Any poor, misguided simpleton
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rating this below a 10 is acting merely out of spiteful vengeance, for this video has elevated the standards of anime so high that I’m afraid to say everything else is just “mid” in comparison.
I’m here to tell you why, as a longtime Pokemon fan, witnessing this is the greatest thing to have blessed my miserable existence.
Firstly, let’s talk about the music itself. Bump of Chicken is a solid band and the tune they’ve produced here fits in pretty well with the vibe of the Pokemon franchise as a whole: hopeful, cheery, and a little nostalgic. I’m no music connoisseur (if that wasn’t obvious already), but rest assured the beeps and the boops will not disappoint in this one.
More importantly, the video.
Holy, what a video it is.
I could sit here writing for days on end about the thousands of cute little moments and references jampacked into the video that display the immense outpouring of love that seeps into every single frame of animation. Morpeko pushing Marnie’s face up to make her smile, Kyogre’s shadow gliding behind the girl as we see it start raining under the street light, Groudon’s shadow rising behind the boy as we see harsh rays of sunlight being reflected by the street light, Blue waiting smugly at the end of the Pokemon League, Gold’s legendary battle against Red, Greninja valiantly moving in with his water shurikens to protect Serena from an enraged Mewtwo, Lillie doing her Z-powered pose as Selene playfully bumps into her…I mean, I could mention a million more of these moments and I haven't even taken a single glance at the video while writing this. That's just how vividly it plays in my mind now.
Or perhaps I could do the same describing how beautifully the animation was choreographed. How smoothly the video seems to flow with the song’s rhythm, all while you're in awe of everything going on. This video demands you to rewatch it over and over, to attempt to experience the hype once more. And every single time, there's always something new to make note of. I love the transitions between every region’s champion during the first chorus, Wallace elegantly falling down out of frame and kicking upwards as Cynthia slides down into frame where Wallace's kick left off, flashing a confident smile before her menacing Garchomp makes itself known to the world. What a masterful transition this is, exhibiting expert understanding of where the audience’s attention is and taking advantage of that in building a dynamic flow between scenes.
But no, I won't bore you any longer.
Point is, go watch the video. If you're reading this I'm assuming you already have, but go do it again. And then once more. If my passion does not convince you by now, so be it. Now I’ll crawl back into my lonesome hole and forever revel in delight about this video till the end of time.
Reviewer’s Rating: 10
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Aug 26, 2022
(Before we start: Yeah, this manga was made by the author of Kiss x Sis, but trust me I swear it’s not like that)
This manga definitely isn’t your normal, plain old run of the mill reincarnation story. It doesn’t really fall into any of the established archetypes of the genre and I’m not aware of any other manga with a similar premise to this. That being said, I don’t feel like this manga is particularly revolutionary or anything either. It’s a nice, wholesome tale of a reincarnated mother meeting up with her son again. There’s some drama to entice you into reading further but nothing
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mind-numbingly stupid like you might find in other manga.
I actually like the way it tackles some very human themes, such as the whirlwind of emotion that transpires upon the death of a loved one. The whole situation of the MC being around a little girl who calls herself his mother creates a few pretty funny misunderstandings. And finally, I think the characters in this manga, especially the mom, are written quite convincingly and have their own charm.
However, if there’s one thing you should know about this manga before diving straight into it like I did, it’s that the ending is really poorly concluded and feels heavily rushed. Though I’m not particularly sure, I assume this manga was axed and the author had to concoct some kind of quick final arc to wrap up the story. There was an attempt to tie up loose ends, but be warned that you will likely be left with a sour taste.
Overall, I didn’t feel like I wasted my time reading this. More than I could say for most reincarnation stories (especially the isekai ones…).
Reviewer’s Rating: 6
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