Mar 26, 2014
In 1996 the anime “Revolutionary Girl Utena” was released to much praise from critics and fans alike. So naturally the director, Kunihiko Ikuhara, would go straight to work on his next big project, right? Well, you’d be wrong. After the movie version of Utena, which was released in 1999, Ikuhara went on to do… nothing. Okay, he may of done some storyboards here and there but he wouldn’t go back to the directing chair till 2011. Which is the anime i’ll be reviewing today; Mawaru Penguindrum. And what a better way to start off this series of reviews than a show that perfectly describes what
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I love about anime. It’s weird, surreal, bombastic, plays with your emotions like a harp, but most importantly, it’s fabulous max
I've described Ikuhara’s works as “what would happen if David Lynch made an anime” and it’s no different in Penguindrum. It’s equal parts silly, dramatic and disturbing. Add to that layers of symbolism, foreshadowing and theatrics and you got a story you don’t see too often. But don’t think Penguindrum is pretentious. It may be full flair but there’s depth hidden beneath the pizzazz. Each of our main characters get full development and as the story progresses more and more is revealed about everyone. By the end of the series each character is completely different from how they were in the beginning. It’s also a story that delves into multiple topics such as fate, family, responsibility, love, abuse, finding purpose and more. What’s impressive though is despite the abundance of numerous themes, every single one had enough time to develop and make an impact on the viewer. This is just one example of the impeccable pacing. While the first few episodes seem to go by slow, each episode revs up bit by bit until you get to the second half where a game changing event would constantly occur. This is a master class in storytelling.
But while the characters and story will probably be the main topic of discussion after the show is over, that isn’t why most people watch the show in the first place. For a show with such a bombastic and theatrical style to it’s story, it’s the presentation that helps Penguindrum takes it over the top. The animation (done by the studio Brains Base) is for the most part standard for current anime (though there is one episode in the middle where everyone looks off model), but where the visuals shine is it’s use of colors. From Takakura’s multi-colored house, to the adorable penguins goofing off in the background and especially the princess of the crystal’s hangout, make no mistake, despite having a rather dark plot, Penguindrum is a feast for the eyes. The style of Penguindrum more the makes small instances where it’s obvious Brains Base was cutting corners or reusing animation. But presentations isn’t just about the visuals, but also the audio. And while for the most part the music does it’s job to set the tone it would difficult for me to name one song on the soundtrack, except of course one. A song called “Rock Over Japan” that plays whenever there’s a certain “survival tactic”. Be forewarned, it will get stuck in your head. Whether that’s a good or bad thing is up to you. Remember, there is a reason why this show is “fabulous max”.
As much as I have gushed about Penguindrum, make no mistake, it’s not for everyone. The slow beginning may turn people off. And the constant use of metaphors and symbolism may make the show hard to watch for some. Hell i’d be lying if I said I knew everything Penguindrum was trying to tell. If you’re looking for an anime to just sit back and relax, you may want to look else where. This is a show that requires your full attention. But if you want to take a surreal, but strangely down to earth trip to one of the most ambitious anime in recent years, then you’re fated to watch Mawaru Penguindrum.
Reviewer’s Rating: 9
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