Sakura Namiki

Edit

What would you like to edit?

SynopsisBackgroundAlternative TitlesPictureChapters/VolumesPublishing DatesRelationsTypeExternal Links  

“The Rows of Cherry Trees'' is a sweet and delicate story of passion between female classmates that “balance[s] deliciously between Ukiyo-e prints and modern manga, with both narrated stills and panels with dialogue.” (Erica Friedman, okazu.yuricon.com). Though not quite the first manga, Shoujo, Class S work, or proto-Yuri, the book in many ways acts as a transitional piece and a significant influence on all the aforementioned mediums and genres, giving a unique window into how classic Japanese art helped develop more modern Japanese media styles of today. In the context of modern manga “The Rows of Cherry Trees” comes across as quite restrained, and ... perhaps even slow and uneventful. I am not meaning to communicate that “The Rows of Cherry Trees'' is a bad or uninteresting manga, but it is an artwork of its own accord meant to be consumed on its own terms, and when approached as such it does have the ability to be truly moving, if not just a delightful and fascinating look into manga history. This story predates Yuri as we are familiar with it today, but even for a lightly seasoned Yuri fan it is not hard to see how the intimate (likely) platonic relationships between girls in stories such as this helped develop and set the tone for more explicitly LGBT+ narratives for years to come. Personally I was very surprised by the power of one scene in particular in which Yukiko and Chikage see a ballet of a swan being hunted and killed, a ballet I couldn’t help but see as a metaphor for the inevitability of heteropatriarchal powers awaiting our adolescent characters once they should leave the supposed safety of emerging girl’s culture offered to them by schooling. Scenes such as this are not explicit in what they are communicating or why they were included beyond the apparent beauty of the artwork, but if you are familiar with the early Yuri works and the history surrounding them, you will have the chance to have emotional connections such as these.

I would not recommend this work to an early manga or Yuri initiate, and despite the beauty this will take a steeling of one’s nerves to continue paying attention, short as the manga is, but if you have any interest in the history of manga, Shoujo, Class S, or Yuri I would say this is a must read.