I once said: For me the order would have to be:
1. Millennium Actress
2. Paprika
3. Perfect Blue
4. Tokyo Godfathers
5. Paranoia Agent
After having seen many more anime and having had a chance to re-watch all of his films, my new order would be:
1. Millennium Actress - Still Kon's best work by far and probably the best animated film I've ever seen along with The Lion King. Chiyoko's character development is excellent, the art and animation are superb - being both stylish and technically sound, and the narrative is constantly engaging. Combine that with Kon's best directing when it comes to blending reality and fantasy, the tasteful and interesting use of the time period Chiyoko's story takes place during, and a very well done score and you have the film that should have been awarded an Oscar as opposed to Miyazaki's overrated fluff piece.
2. Tokyo Godfathers - This film has grown on me immensely due to it being Kon's strongest when it comes to characters. Chiyoko is a better character overall than Gin, Hana, and Miyuki, but the fact that Kon managed to develop those three so well within the confines of a fast paced and highly amusing narrative is impressive. The way the absurd coincidences continually pile up as the film reaches its climax is such an entertaining spectacle and Kon doesn't forget his values as it contains plenty of the social commentary that he's known for.
3. Perfect Blue - I still like Perfect Blue about the same amount I used to. It's a very ambitious directorial debut which goes after the idolization of figures in popular culture, something which Kon abhors, sensibly and without the sort of train wreck scenario that PA had. The only big problem I have with it is, being a psychological thriller, it loses a lot of points in terms of re-watch value. Still, quite possibly his second best piece of work from a critical standpoint.
4. Paranoia Agent - I haven't actually got around to re-watching this yet, but I remember liking what I saw for the most part. It is Kon's most accomplished in terms of straight up social commentary about the ills plaguing Japan and extremely funny at times, but there were a few rough patches that are to be expected when moving from directing films to directing an entire TV series.
5. Paprika - While Tokyo Godfathers shot up a long way for me Paprika fell even further. The problem with Paprika is that, while it is an excellent piece of eye candy as well as a treat for the ears, there is so little to it. We already know Kon's stance on escapism as seen in his other works, so why dedicate almost an entire film to it? It would be one thing if the exploration of dreams was in some way profound or intriguing, but all it does is scratch the surface of basic psychology a bit and focuses almost entirely on looking pretty, as though it were being produced by Studio 4C. I still enjoy the film because it is so visually appetizing, but it is terribly disappointing compared to his other works. |