It is one of a very small number of series that I can watch repeatedly and still enjoy quite a bit, despite my somewhat low 'overall' score. As you can see, I found this series ridiculously entertaining which--for me--is sometimes more important than a good technical overall score.
Possibly the weakest part of this series was the plot. It was, at times, ridiculous, superficial, far-fetched, full of cheese and melodrama, but still oddly compelling. If it were a novel, the story would most likely be in a two-dollar bin in your local book store, yet there is somehow still enough substance buried in there to keep it afloat. Despite all I may say about the plot there are some truly touching moments buried in there -- and those are the little gems that keep you wanting more, despite yourself.
Essentially the plot is separated into two mini-stories: The main following bumbling transfer-student Aoi Nagisa from Miator, and the secondary following Konohana Hikari, a timid choir-girl from Spica. While the majority of the plot centres around Nagisa, there is enough material from Hikari's story to keep you entertained if you find yourself uninterested by the protagonist's antics.
With healthy doses of fluff and comedy, hefty smearings of romance and the odd tragic moment or two, there is certainly enough going on to keep the plot from idling. It was just a slight pity that they couldn't inject just a little more substance to enable me to rate it a little higher.
Visually this series is quite beautiful. While not on par with KyotoAni's breath-taking animation, gorgeous scenery, dynamic colours and interesting character designs, it makes for quite the pleasant viewing experience. That said-- there are times when the artwork looks a little awkward, though fortunately they are few and far between. And if you can quickly adjust to the stick-thin legs and arms that are common in this series, the character designs are quite striking, of special note are Hanazono Shizuma and Minamoto Chikaru, though with an ensemble cast of well over twelve there is bound to be at least one design to find pleasing.
Musically, Strawberry Panic is neither ground-breaking nor particularly breath-taking, yet there is a simplicity in the classical tracks that fit with the setting and overall tone of the series. Seiyuu performances are rather exquisite, with a cast consisting of: Nabatame Hitomi, Nakahara Mai, Shimizu Ai, Noda Junko and Kuwatani Natsuko there is more than enough skill to inject feeling into sometimes two-dimensional characters. Certainly there are some emotional scenes that are simply made by the skill of these masterful seiyuu.
As I mentioned earlier, this series is made of an ensemble cast, but unfortunately they tend to be rather two-dimensional or stereotypical characters. That said, there is a wonderfully subtle build-up in a few of the characters that really does surprise, and you can't help but empathise with your favourites as they are put through an emotional blender.
Despite it all I found myself strangely addicted to this series. Yes, the plot is weak, uses cliche plot progressions, makes no sense at times and is borderline ridiculous, yet I found it to be one of the most entertaining series in my collection. The chemistry between the characters, some brilliant work by the cast and some truly spectacular scenes mean that I enjoyed this series for what it was-- mindless fun. By episode twenty-six, I was more than disappointed that this series was over, and I would have to go elsewhere to find my fix of cheesy-goodness.
If you want a deep and sophisticated plot in a similar vein, watch Maria-sama ga Miteru; if you want hours of cheesy, light-hearted goodness: Sit down, buckle in and prepare to turn off your brain and watch something that will have you going through severe withdrawal when it is all over.
