What transpires in the discussion of Mushishi Zoku Shou is how it can keep the spirit of the original series alive and well. When you get right down to it, there isn’t any need to try anything new or different to the sequel to make it seem fresher. This is how Mushishi structures into different story arcs centered on its mythological lore of Mushi. The arcs supply a deeper meaning to the characters as we learn about the different types of Mushi we come across. From this perspective, Mushishi doesn’t need to do anything other than give us more than what we bargained for; they sure as hell made another accomplishment for the ages.
From a stylistic perspective, Mushishi Zoku Shou follows the same atmospheric tone as before. It transcends itself into a breathtaking journey into what the world of Mushishi brings to the table. From my previous review of Mushishi, I criticized it for how the world didn’t feel like the actual world that it wanted it to be. It tried to go far, but at the same time, it didn’t go far enough. With Mushishi Zoku Shou, it is apparent that we are shown a closer look at the various mythical structures of its world. This is one aspect of the sequel that I think improves more than the prequel in many ways. Here, more meat is to be explored, and it's gratifying to experience the rich landscape and how the Mushi engulfs the world.
As there are many plot arcs in each episode, there is the question of whether these new plot arcs hold a candle to the original series. While there were many great episodes of Mushishi that I can name, I could also name some that felt rather underwhelming compared to others. In many respects, Mushishi Zoku Shou offers more episodic stories that are stronger and more vibrant. From beginning to end, there was never an episode where I thought it was average, mediocre, or even decent; they are all merely good to magnificent.
What makes them more vital is how the characters that our hero, Ginko, comes across in his travels are more memorable to the viewing experience. Many of them garner praise because they manage to fit in in-depth characterization in only under 24 minutes. Like in previous episodic iterations, they all lead to a well-crafted conundrum that Ginko has to solve. This problem can vary in how they are approached in how the tone is settled. The mood is always the main focal point of Mushishi, ranging from mystical and transcendent to dark and unsettling. All are accomplished with high tenacity and wit that won’t fail to impress many who want a lucid experience in their anime viewing endeavors.
Animation has evolved since 2004, and Mushishi had a minimalist methodology for its artistic aesthetics. Although it may not look like it has changed its vibrant colors and lighting, it indeed flows in its animation more fluidly. New designs of Mushi pop up that look stunning to the eyes. Characters now have more range in movement thanks to the higher budget. Amazingly, it still feels freshly new, although it doesn’t do anything too drastic to make it more “modernized” for modern anime fans to enjoy.
Music has never been a prominent hallmark for the Mushishi series regarding how repetitive it becomes after the fifth episode. Not that it is unlistenable by any means, it is good by its standards, but I would’ve appreciated it more had there been more variety. The noteworthy thing to mention is the new opening to Mushishi Zoku Shou, which is far more welcoming than in Season 1. The first one’s problem stems from the fact that the singer was trying to do a bad Bob Dylan impersonation throughout. Mushishi Zoku Shou’s opening, sung by Lucy Rose, feels more in line with the peaceful tone that defines Mushishi.
In closing, I would call this a triumphant swan song for Mushishi to end on. Its efforts in bringing it back to show these remaining stories in animation form are admirable. The series continues to be considered a classic from the 2000s. Now it’s become a future classic in the 2010s. I can’t say I’ll be surprised by that assessment if it becomes a reality.
Grade: A
