... Serviceable it was indeed, but it's nothing more than that quality-wise. The plot is basically about this chick named Hiyori saving a guy from a car accident but in the process, becoming half-dead (her soul can leave her body and all that jazz). That guy turns out to be a minor god named Yato who wants to have his own shrine with many followers one day by doing all sorts of services in exchange for five yen each. Wanting him to turn her back to normal, Hiyori sticks to him because she has to remind the guy that he needs to solve her problem practically every time she sees him.
Well, when you get down to it, this conflict stops having any actual importance a few (2 or 3, I think) episodes later, so uh, no wonder Yato basically shrugs it off. Anyway, gods apparently need these spirit things called Regalias to cut down phantoms and basically be their personal servants, which is where the third protagonist Yukine (can also be Yuki or Sekki because these Regalias apparently have three different names for some reason) comes in to become Yato's Regalia. The story follows these three characters, and the conflicts they go through together... or... something like... that... Pfft.
Yeah, right. You're at first made to think the focus is gonna be on Hiyori and Yato, and trying to get her back to normal, but that's a ruse. Instead, Hiyori turns into thin air and acts on nothing despite her initial actions making you think she'd be a decent girl protagonist and Yukine's problems become the focus of the show for way too many episodes, especially when you consider the fact that it all could have been solved if Yato and Yukine just bothered talking to each other about said problems. However, how could there be the magnificent/pointless thing called misunderstandings if they just talked to each other like normal people? I mean, Yato's not technically a person anyway, am I right?
I wasn't asking for the story to be about taking down phantoms, the recurring monsters that influence people on bad levels that only the people on the Far Shore (aka the afterlife) can see, and figuring out how to get Hiyori back to normal: in hindsight, focusing on creatures with no character or depth whatsoever would make for a dull episodic format, which I wouldn't want. However, I also wasn't asking for it to go in this strange direction, all the way until episode 9 at that! The problem with this, if you put aside the bit of stupidity present, is really just the fact that it takes up the majority of the show, and not that it's focusing on a character, or that character in particular: focusing on him is great and all, but I also wanted focus on other characters throughout the anime, like, I dunno, Hiyori (too much to ask out of the show).
Anyway, after that, you're introduced to the final arc (I guess: if you consider the beginning to be one arc, and the Yukine part another, then this would be the last arc in the anime), where there's a fairly dramatic conflict caused by a villain that challenges the friendship formed between the three protagonists. Sounds good, right? Even better, you see that no matter what methods are used, this dramatic conflict doesn't get solved so easily, and instead, the villain has to be confronted in this great climax of a final fight and episode. Hyped, aren't you (if you aren't, just roll with it!)?
... Let me tell you why this didn't work:
- There's this character cooperating with the villain who has clear ties to Yato's background and seems really important overall, and yet you get to know nothing about her. At all. Even though you can basically attribute the good dramatic part of this arc to her, you don't see anything about her!
- The villain himself is mediocre. Serviceable, even, like the whole show. Even though he was somewhat hyped with stuff like the opening and whatnot, he's really as generic as you can get. Needless to say I was disappointed, as you'd expect someone more... important or grand from the villain that shows up at the end. You could replace him with a different guy with an equally generic backstory and nothing would really change;
- The fight's not very interesting. It's basically sword fighting, with no noteworthy moves and, well, it's emotional and, uh, um, power-ups, I guess (the pinacle of fine writing). Seriously, the people behind this anime even bothered to put a PANTY SHOT in the midst of the final episode (possibly the most pointless panty shot in the world, by the way, and panty shots are practically pointless to begin with), and it's not like Noragami is littered with fanservice or anything like that! It can make up for not being anything special by the stakes being high (making things more emotional and getting you to care about what's happening), which they were... somewhat. If you care about the characters, that is. Besides, you can't really care about the action when...
- The resolution of the conflict and climax is just stupid. As in, devoid of intelligence, yes. I can even give you examples: Yato is very, very early on established to being able to teleport. He teleports a fair amount of times in the show. He tends to scare Hiyori with this from appearing so suddenly! Teleporting is a total thing with Yato. And yet, Yato doesn't teleport at the very end, when it's needed most, to save a really important x that's on the verge of falling (avoiding spoilers as much as possible), basically dooming what he was trying to save in the first place. Why? Because consistency, man: this show has it in spades, I guess. The stupidity doesn't end here, however: I'm just gonna tell you straight up that every method used to try to solve this conflict, which were legitimate attempts, apparently pales in comparison to the CLEARLY much more meaningful solution of "I can smell dudes!". Not even joking (beyond the sarcasm). And that's when the situation's seemingly hopeless in every aspect! Like, are you freaking kidding me?!
In general, when it comes to the plot of Noragami, my brother even goes as far as to say that "It's like the show was passed around ten different people" (basically, that it's all over the place) and you can kind of see what he's talking about. It's first about gods and phantoms and Hiyori's problems (somewhat), but then it starts being all about Yukine, and afterwards it shifts its focus 100% to Yato and gods and the final stuff with their friendship. If you think about it, phantoms are basically irrelevant to the final arc, Yukine's stuff is irrelevant to the first arc, and Hiyori herself becomes irrelevant for a good chunk of the show. They just have no connections whatsoever with each other, so it really feels like certain details get suddenly forgotten along the way for no reason whatsoever.
Even though I could sort of sense (with shipping goggles) Yato/Hiyori shipping coming with the show, my brother and I legit got misled into thinking Hiyori/Yukine was gonna be a thing midway to the point where my brother got confused when this turned out not to be the case at all. Despite these direction problems, you do end up being behind the developments of Noragami: it's that serviceable. Part of that's because of the equally serviceable cast of characters.
Yato is a likable, cheerful guy, and a lot of humor comes from him. He wants to be well-known, and us, the viewers, want to see that happening too. He's also mysterious in the sense that there's a lot of backstory to him that we don't know, and that he's not devoid of a serious side. However, we don't get to know anything truly relevant about Yato's past in this anime beyond the fact that he has many female acquaintances and that he killed stuff or whatever (totally unexpected of a god of war, huh?). Not only that, but his serious side wasn't what you'd call meaningful: it just seemed like it was there for the sake of being there, as in, "Ooooh no, I'm serious, you can't get close to me!". You know, that sort of thing that easily gets brushed off.
Yukine's also not that bad of a character. You can't expect him to be rainbows and sunshine when he's a spirit who's died at a young age, after all. It's just that he was the victim of that middle arc, which I can imagine got many people annoyed with him. Sure, he's not that likable when he basically acts all mean towards Yato and whatnot, but it's not like he's insufferable, and he does fit in with the cast alright.
Hiyori's another problem entirely. She's shown to be fairly spirited (badum-tss), with an interest in wrestling and overall a personality you can get behind. This goes as far as to have her copy a move from her favorite wrestler to take down a phantom at the very first episode! Sadly, you don't see any of this afterwards. Instead, she just happens to be 'there' for the rest of the show. You can understand why this is the case: she has no ties with the stuff happening; only Yato and Yukine do. Even so, that doesn't excuse the striking flaw of making a pointless protagonist: when you have a protagonist, they have to have some sort of tie with the events of the story, some role, or at least participate in something.
However, Hiyori doesn't do anything special until final episodes, though you could argue she actually doesn't do much there either seeing as it's still Yato saving the day and she's basically a damsel in distress. While I also can't call her a wasted potential because she's not amazing or anything of the sort, she was definitely poorly-handled. I'd literally get surprised whenever Hiyori had some semblance of focus in the middle of the show, like, "Oh, wait, she isn't being thin air now?". It was pitiful.
The supporting characters are alright, I guess. They weren't explored all that much, like a lot of the actually interesting stuff going on in the show related to Yato. After all... everything is tied to Yato. Might as well call the show 'Yatogami', am I right? Overall, the character cast is nothing special as far as I could tell from watching the show. Like the story, it's likable, enjoyable and serviceable.
The same applies to the art and sound. The art looks pretty good, and some of the designs for the phantoms were somewhat creepy, along with the voices they'd have. The character designs are also good, and the animation's not bad at all. The opening's pretty cool to listen to, but I personally didn't really like the rest of the soundtrack. The techno-ish, japanese style-ish sounds with some dude singing out vowels just did not appeal to me (with this, I'm referring to the more prominent tracks). Even so, I can't say it didn't fit the anime. When it comes to voice acting, Hiroshi Kamiya did a good job as always, Yuki Kaji was chosen for an unfortunate role as always and Hiyori’s voice was somehow growing to annoy my brother. In other words, it was good, I guess.
Despite the criticism I throw at it, my brother and I were enjoying Noragami a fair amount: though I knew it'd be worthy of a 5 (which doesn't count as a negative score to me) from the get-go, I didn't have a terrible time watching it. Even my brother, who doesn't watch anime all that much and drops anything if the tiniest thing doesn't appeal to him, wanted to see it through to the end, which is definitely saying something about how enjoyable it is to watch, and not in that 'so bad it's good' way. Instead, Noragami is the kind of show you enjoy in that 'turn your brain off and it's a masterpiece' way, and there's nothing wrong with that. After all, it is really serviceable.
... Seeing something yet? Like me hammering the fact that Noragami's serviceable? Because that's really the point of the review. To point out that Noragami's an alright show. That it's enjoyable, likable, 'meh'. There's nothing really deep you get out of it, and you don't have to either. It doesn't convey anything truly meaningful or absolutely breathtaking, but that's fine: you can pass time with this anime. The story's enjoyable, the characters are likable, the production values are pretty nice, and it's overall a serviceable, 'meh' show. There's nothing in it that makes me feel anything more. But that's not what I can call a flaw.
So, well, I suppose I'd recommend this to basically anyone as a way to kill time. It can appeal to a lot of people, after all. I mean, it's even got a second season now... which I'll never watch. Though I've originally written the review before such an announcement was even made, I decided to re-write it since its writing quality wasn't good enough, in my opinion, to get my points across. Let's hope it's actually better now. Either way, I can imagine that Noragami won't fail to deliver the same quality with its second season, so if you really liked this show, you might as well give that a try.
Serviceable it was indeed, but serviceable never hurt anyone.
