Reviews

Jan 4, 2009
There is an ongoing controversy about Neon Genesis Evangelion and it's status as an iconic anime. As much as I dislike the main characters, I have to agree that NGE is a classic anime for many reasons. However, many diehard fans of the show become blinded to NGE's superior onee-chan, the show which marked the directorial debut of Hideaki Anno in anime - Top wo Nerae!

In the simplest terms, if Top wo Nerae! didn't exist, the NGE would never have been made. Many of the themes from TwN are key themes of NGE, and although NGE took a more metaphysical route with it's story, Top wo Nerae! remains firmly rooted in a more realistic approach (figuratively speaking that is).

The plot for TwN pays homage to the classic tennis anime Aim for the Ace, something which is clearly reflected in the title. The hollywood movie Top Gun also influenced Anno with regards to how his characters should develop. The very simple and straightforward story is about a war between humanity and a mysterious alien civilization. Humanity is using every tool it can conceive of in an effort to win, however they are steadily being pushed back, and things look grim for Earth.

The story begins with Takaya Noriko, a 16 year old girl who attends a military training school in Okinawa. At first she seems rather clumsy and unreliable, however she possesses a steely determination as she desperately wishes to follow in the footsteps of her famous father Takaya Yuzo, an Admiral of the space fleet who went missing during the early days of the war.

The story then continues with the introduction of several other key characters, all of whom play a very big part in the development of Noriko's character, the most important being Kazumi Amano (the girl that Noriko idolizes), Ota Koichiro, and the young pilot Toren Smith.

I'll stop with the story there as this is only a 6 part OVA, and I don't want to spoil it for anyone who hasn't watched it.

The art for TwN is excellent, especially considering the time it was made. The anime is 20 years old now, yet many of the action scenes still stand up to more modern shows. The character designs are reflective of the time, however they are still distinctive for each character. There are two areas where the art and animation deviated from what would normally be expected though. The first was the introduction of "bouncing breasts" into the show (making it the first anime to include such things).

TwN's usage of jiggling breasts wasn't actually meant as fan service originally (although many now see it that way). The original reason why they were included was because Anno wanted the characters to move as a real life person would move. It's unfortunate that many viewers nowadays will automatically see bouncing breasts and base the worth of a show on their inclusion (because they don't like fanservice, or love it far too much), when the original intent was for some far more innocent and blatantly non-sexual.

The second deviation from "normal" anime practices was the final episode. This episode was made almost completely in black and white and, unusually for anime, the episode was produced by creating the art and animation in shades of grey from the start, rather than shooting colour animation using black and white film. The final battle is also memorable for it's usage of still images, something which heightens the dramatic effect of the scene.

The sound quality for TwN is also excellent, especially given it's age. The OP is extremely catchy (it's stayed with me for 20 years after all), and the music throughout the show is often inspired in it's usage. The effects are of a very high standard, and although there may be some off-kilter moments, these are easily missed, and very minor.

One of the strange things about TwN is that, even though there are several key characters, the story is effectively about a young girl who comes of age and finds her place in the world. The characters are generally excellent in their roles, but as with NGE, almost all of the development goes to the lead character. Unlike NGE however, this works because the show is only 6 episodes long, and events happen at a much more condensed rate.

Noriko is excellent as a lead character. There are some who find her annoying, whiney, etc, however those people are usually the ones who mark Ikari Shinji as one of the greatest anime characters ever (which begs the question of what drugs they're taking). Takaya Noriko, whilst being shy, somewhat nervous, more than a little unreliable (and she knows it), and constantly surrounded by people who really are better than her in many ways (we're talking geniuses in combat, piloting skills, etc), is understandably more than a little scared as to why she is part of such august company. The added pressure of having to match up to what other people can do naturally is telling on her development as a character. Although she does often become disheartened, she displays some of the best character growth seen in anime (in many ways far superior to that displayed by Shinji in NGE).

It's unfortunate that TwN was such a short series however, as the other characters are deserving of development. None of the characters were annoying in any way, and the relationships between them, especially between Noriko, Kazumi and Jung, are handled very well throughout the anime.

Top wo Nerae! is very enjoyable to watch for many reasons. The characters and their relationships, the dramatic tension, the taut storyline, all serve to whet one's appetite for more. It's truly unfortunate that, whilst NGE often receives plaudits from fans, this show is often overlooked or marginalised - even though it is better than NGE. Many fans of NGE dislike the fact that the TwN lacks NGE's symbolism and metaphysical elements, and blatantly ignore the fact that TwN was a landmark anime for several reason, not the least of which is the fact that it has a girl as the main character rather than a boy. This was almost unheard of at the time, especially as this show is very much action oriented. In addition, whilst Shinji is seen to suffer in NGE, many people automatically marginalise Noriko's suffering, partly because they perceive it as insubstantial, and partly because they believe that Shinji's trials and tribulations are "more believable" (pardon me while I laugh), than Noriko's.

It may seem odd, but it's easy to distinguish between fans of NGE who actually understood what was going on, and those who are simply emo fanboys/girls, by their reaction to TwN. The one's who do actually understand NGE actually like TwN, and can see where NGE has it's roots. The fanboys and girls will write off TwN as crap (which one are you I wonder?).

Humans versus aliens is not a new story, but what makes TwN unique amongst the many in the mecha/action genre is the fact that it very clearly shows the lengths to which humanity will go in order to survive. The only other show where this is highlighted is Tengen Toppa Gurren Lagann, which shows just how rare this theme is in anime. NGE wasn't so much about saving the world from aliens, but more about saving yourself. Another rarity is the fact that TwN also clearly shows the training that young people must go through before piloting a mech (something that is suspiciously glossed over in NGE and many other mech shows).

This is one of those shows that I would recommend to everyone. It's a rarity of an anime that combines a great story, great animation, and some excellent characters. Many NGE purists would have you believe that that show is Anno's greatest work, however this is not the case.

Anno's directorial debut remains, to this day, his finest achievement.
Reviewer’s Rating: 9
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