(Spoilers included)
Initiating Operation Ragnarok - putting Stein's Gate into perspective.
2011 AD: Stein's Gate (SG) had a huge fan base
2012 AD: The popularity of SG has not faded. We see the epilogue (that in itself does not contain much substance receiving extraordinary scores) getting very much undue popularity.
2014 AD: The hype dies down. The fanboys (and girls) from the FateZero campaign take over. Some die hard SG fans convert. SG is no longer #3 on MAL.
I had BIG expectations prior to viewing Stein's Gate. This was especially since it was able to top other strong contenders in 2011 such as Puella Magi and AnoHana. I was
...
told that it was "well executed with a touching and deep plot that tackled upon darker themes". However, after completing the SG I couldn't help feeling disappointed.
Stein's Gate works with concepts of time travel and uses it as a foundation for its narrative. It's refreshing that they're including real life references such as the LHC and other theories to back themselves up but ultimately the explanations and techno jargon used to verify the plausibility of time travel did not prove convincing.
SG’s synopsis about a group of friends avoiding SERN is misleading. While this does occur, it is not the focus of the series. In fact, SERN remains a mysterious organization after SG concludes. Stein’s Gate is more about attempting to return to one’s initial world line. The series has a slow start but does pick up its pace later on. By slow start, I mean the first 10 episodes were mundane with a few comedic moments that were not that funny. The plot thickens at the end of episode 11. At this point I thought to myself “okay now it gets serious, way to pick up the pace”. It was entertaining for a while… but then came episode 14, and my expectations of SG were shattered. In general, the arcs following this subscribe to a similar format: The problem, problem solving and finally resolution and reflection. It doesn’t seem as if SG is ready to challenge itself and present its rather well thought out story in a different manners. While some argue that the use of arcs was ingenious, I think otherwise. Despite the direct relationship between individual arcs and story events, these arcs feel disjointed from one another and the series did not flow as well as it could have. Another problem was that each arc did not receive sufficient screen time. Often, the resolution/reflection part of things seemed rushed. In all honesty, these parts should have been given extra care especially when they dealt with the more delicate themes.
Throughout SG, there were also ‘unnecessary’ inserts. Special mention goes to the intro scene in episode 12. This serene scene is sometime referred to again in the show. But what does it mean? What is its significance? Is it a figment of Okabe’s imagination or an actual event that he remembers subconsciously like how other lab members recall events of different world lines? These questions like many others in the series remain very unexplained. The dialogue makes no sense in this scene. Original Okarin? Original Mayuri? If time could be traversed in both directions, the past, present and future should be undefined. As a result, how can one say that one, from a certain time period (presumably from the “original” time period which should not exist), is more authentic than any of the others? Moving on, what was the point of showing Okabe’s ‘timeshift-like fever’ when he was young? It didn’t tie any loose ends. It contributed to the poor time management of the series. But hey, it was nice to know anyways!
The twists in SG were not as great as people made them out to be. Admittedly, some twists were unexpected like the one involving Suzu and Daru or Moeka and FB, but like much of the show they were not given much significance. You shouldn’t give 5 minutes to explain the aftermath of a twist. It undermines any cleverness behind the twist. As a result, they seemed like afterthoughts. Other twists regarding the cause of Kurisu’s death were obvious a long time before the second last episode. This brings us to that fated scene that filled me with many questions; how does failing to rescue Kurisu allow Okabe to see the video from his future self? This is especially since he did not cause any changes to that past, how could the present have changed? Also why doesn’t Suzu help him at all? Why does Kurisu’s Dad flee from a half dead person pointing a knife at him? How does Okabe with 170+ IQ make such a mistake that forces him to improvise at the heat of the moment when he had all the time to prepare? How does Okabe, with that amount of blood loss, stay conscious? And finally, why does reaching Stein’s Gate cause everything to conveniently fall in place? That, my friend, is bullshit. If someone can fill me in as to why the SG’s story deserves anything more than a 7/10, I would appreciate it.
There are other issues with the story, but for length’s sake I will stop here.
The art in SG is clean and the animation fluid. Upon first glance, character art seems a bit awkward to look at. But after a while it does grow on you. Character designs were okay. The wardrobe was fine but the faces of some female characters were close to identical. If you swapped the hairstyle and hair colour between Ruka and Feyris, or between Mayuri and Kuruse they could pass off as one another. On the other hand, the backgrounds were very very very well drawn.
Despite the OP and ED songs not being catchy by themselves, they do fit the show very well. Voice actor/actresses also did a fine job in giving life to the characters. Track insert choices and sequencing throughout the show did not overpower or undermine key scenes; instead they improved the atmosphere. In terms of sound, SG excels.
As for the characters (note I didn’t include some supporting characters because their role in the show was minimal):
• Okabe: Great lead. Definitely fascinating and different from many others who fall into specific stereotypes. He undergoes good character development, which was one of the things that kept me from dropping the series altogether.
• Mayuri: Tuturu? She’s a burden. It’s not her fault. She seems to be an ‘airhead’ but she isn’t really… just a boring girl.
• Kurisu: Tsundere for the sake of being tsundere
• Daru: Perverted and otaku-like dude. He’s a decent guy when he’s serious but that doesn’t occur very much.
• Feyris: The try to be cute character nyan.
• Suzu: The active character who was unlike some others quite real in her reactions.
• Moeka: The quiet character. Everyone should hate her. Everyone will hate her.
• Ruka: lolwut? No comment here.
• Mr Brown: Caring father and the landlord for the lab. He has a nice backstory. Wish they elaborated. Might have made him a better character.
I think what we see here is a recipe for a harem. At times, the show does feel like a harem, especially since many characters seem to be attracted to Okabe for one reason or the other. Owing to the little bit of harem in it, the drama in character arcs felt wrong.
One of the biggest issues I had with the characters was their selflessness. It’s quite hard to believe that a normal person would surrender their dreams so readily (in a matter of days) to a claim that cannot be factually verified (Mayuri’s death). Is their trust in Okabe, who calls himself a mad scientist and is known for making up stuff, so strong? Any sane person would do away with such claims. But hang on, these parts show “true” friendship someone says, and man tears need be shed. No correction, if anything this illustrates that these characters are naïve selfless freaks. Another issue I had was how the characters strangely faded away after their respective arcs and seem to have been forgotten when they could be ‘selflessly’ helping.
Overall, SG really wasn’t bad but it most definitely wasn’t great either. “Deceive yourself, deceive the world”. You can make believe that SG is a masterpiece well deserving of a 10/10. With sufficient effort you might even succeeded in making it the rage of 2011. However, understand that even if you found the series magnificent it should be reviewed free from personal bias and according to its actual worth. That is a combination of its literature value, its ability to induce emotions, visuals, sounds etc. Stein’s Gate does decently when you assess it according to the criteria above, but it certainly receives no nobel prizes in any one department. Consequently, the series always felt like it was missing something.
El Psy Congroo.
Aug 23, 2012
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(Spoilers included)
Initiating Operation Ragnarok - putting Stein's Gate into perspective. 2011 AD: Stein's Gate (SG) had a huge fan base 2012 AD: The popularity of SG has not faded. We see the epilogue (that in itself does not contain much substance receiving extraordinary scores) getting very much undue popularity. 2014 AD: The hype dies down. The fanboys (and girls) from the FateZero campaign take over. Some die hard SG fans convert. SG is no longer #3 on MAL. I had BIG expectations prior to viewing Stein's Gate. This was especially since it was able to top other strong contenders in 2011 such as Puella Magi and AnoHana. I was ... Jul 15, 2012
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