I thought the magic knights were developed enough already and they were able to use their maturity and experience, but they just simply couldn’t develop any further to some extent. To me, at that point, they just hit their peak. If they didn’t go back and have that ending where they are embracing each other and crying, then this story would have worked out better. It’s just my main beef will always be that the ending had an incredible impression on me filled with emotion and resolution But by going back, and then coming back, you truly do see their development of how much they cared about protecting Cefiro.
Along with the characters, we now have a lot of new elements to the series with design. Like the Autozam people represented industrial and robotic technology. Of course with the Magic Knights have those Mashins looking like mechs, the Autozam people have their own mechs like the FTO and the GTO. Their costume designs are pretty nifty as well. It has a descent balance of being fantasy and sci fi features to it. The FTO that Eagle pilots bares a very strong resemblance to the Dunbine from Aura Battler Dunbine which I thought was pretty cool, but had more of a First Appearance Iron Man twist to it. I also like how the other antagonists from Fahren and Chizeta were more cultural looking. Fahren was based on ancient China and Chizeta was more Arabic but they spoke in Osaka dialect. To combat the Mashin’s, Lady Aska brings a drawing that resembles her servant to a gigantic form and the Chizeta twins can use humongous genies.
Which leads me to the action. It is more reliant on the lets say “mech action” and we don’t see much sword play or magic. I guess that takes away from using excessive recycled footage. I really like the action, but I just really miss the approach and how it tried to distinguish itself from other magical girl anime. Now it tries to be more like a mech anime. Granted I do like the designs of the Mashins and the FTO, but giant genies and weird drawings once again comes into why I didn’t like the humor.
And the miniaturization of the characters isn’t really as prevalent as it was in the previous season.
Ferio now being revealed to have royal blood is now dressed up more formally, and lets say Caladina shedded some clothing.
Other than that, it’s the same old CLAMP school of how they draw eyes and faces. It’s a pity thanks to the circumstances of the story, we don’t get to see much of the scenery that the first season had which brought a great imagination element to it.
Well, I couldn’t get past an episode of watching the English dub in the first season, so I never really bothered watching the dub for the 2nd season. But anyway, the cast still remains the same that were initially introduced in the previous series. The original cast still do their roles very well and convincingly. I still love how passionate and emotional Hikaru always comes across. Juurouta Kosugi who played Zagato is also back and this time he is playing his brother Lantis. I don’t think the role really requires his charisma or his dark voice, but character wise, it was important.
Some additions to the cast are Inoue Yo and Hisakawa Aya as the Chizeta princess twins, Tatra and Tetra. Inoue Yo still has that calm voice you always hear in other roles as Belldandy from Ranma and Kasumi from Ranma. But she brings a more humorous tone with how she likes to joke around. Hisakawa Aya who has played Sailor Mercury as Chizeta is not really as recognizable as Inoue Yo. She is more darker toned and tends to sound more angry and serious.
Some of the background music is still the same from the first season. Like instrumental versions of Yuzurenai Negai are still sometimes used and still plays very orchestrated music. A lot of the new background music is well cultural appropriate to some of the characters. Especially that of Tetra and Tarta who represent more of an Arabian kind of background and that kind of music is played to represent them. So I think it’s really well appropriate to the mood as usual.
I can’t really get into the new opening theme, Hikari to Kage wo Dakishimete Mama. Sure it’s still sung by the same singer of the previous song, Naomi Tamura, but because I don’t like the themes of the story, the song also does a good job of telling it but doesn’t have the kind of pacing or the kind of emotion that was appealing that Yuzurenai Negai had. But on the other hand, the video clips does go pretty synch to the song.
Well, in terms of story, on a conceivable sense, it was a great idea. I thought it took a very original and distinctive approach. I really miss the Japanese style RPG like characteristics it had. And as a result, there are no video games based on this particular story arc in considering the fact I do happen to still enjoy the Sega Saturn and Super Nintendo games. And with the art and animation, since the 2nd season aired a week after the first season ended and didn’t have a year break like how other anime seasons do, they really couldn’t do much to have any significant improvement in the design. But the newer characters were fresh, but not really that exciting or distinctive. The music is still alright and didn’t really change too much.
