Reviews

Jan 5, 2012
Romantic Comedies are some of the most common stories in modern entertainment, there never seems to be a shortage of them. Naturally, the genre can often be stale, relying on the same old tired formula over and over again. Some try to change things up with peculiar or supernatural circumstances, but more often than not just come off gimmicky. But every once in a while a really good romantic comedy comes out that reminds people of the value of the genre. Toradora is definitely one of these.

The story follows two high school misfits, Ryuji Takasu and Taiga Aisaka, and their developing friendship. Ryuji is misunderstood by his schoolmates because of his intimidating appearance; in reality he is actually responsible nice guy (albeit certainly not a social butterfly). Taiga, on the other hand, despite her petite appearance is a real trouble child. She has a fierce and anti-social demeanor, and does not hesitate to put a beating to anyone who crosses her. These two are brought together because each has a crush on the other's best friend. They make an agreement to help one another win the hearts of their respective crushes. However, this is a lot harder done than said, as neither really has a clue about relationships. At the same time, they begin to find comfort in their makeshift friendship.

Admittedly, there is not anything particularly special about this set-up, and the story is actually quite predictable. You would have to be blind not to see how it ends from the moment Taiga and Ryuji meet. The funny thing is, though, none of that really matters. The real joy of Toradora lies in its presentation. Where other romantic comedies might rely on a quick gimmick to distinguish themselves from their kin, Toradora does not. What it does rely on, refreshingly enough, is quality writing and strong characterization.

Toradora has a nice balance of comedy and drama. The show can have you laughing one moment, then knock you down with hard hitting emotion the next. Silly misunderstandings, romantic rivalries, and other traits of the genre are utilized to develop characters in unexpected ways. Take for example the swimming contest between Taiga and her then rival Ami. It provided plenty of comedic moments that were amusing on their own, but also created a situation that further deepens Taiga and Ryuji's relationship as well. The way Toradora squeezes in character development at every opportunity is the key to its success. It turns what would otherwise be standard romantic comedy and school-life fair into something special.

The characters themselves, at first appearance, look like little more than a collection of tropes. Taiga is clearly a tsundere from the moment she appears, and there is not much that separates Ryuji from other protagonists. Taiga's best friend (Ryuji's crush) Minori is a hyperactive athlete; Ryuji's best friend (Taiga's crush) is an odd but popular student council member; and transfer student Ami serves as a rival to the tiny Taiga. Though they do not seem like anything special at first, they develop into well-rounded believable characters as the story progresses. Taiga's violent disposition becomes understandable as her numerous family problems are revealed; her tsudere tendencies are utilized convincingly to portray her as an aggressively guarded teenage girl. As energetic and weird as Minori is, she is more than just comedic relief, her hyperactive demeanor hides surprising depth. The two-faced Ami can come off as a bitch, but also has a side that is a sympathetic, and is remarkably well developed and interesting all on her own. While not as colorful in personality as the girls, Ryuji is an endearing lead whose presence never becomes bothersome. The rest of the cast is equally as likeable, though none shine as bright as the main cast.

Being in the slice-of-life genre, it is easy what to expect from Toradora visually. However, even here, the show delivers exceptionally well. Character designs are quite attractive; even though they are not particularly unconventional, there is a certain flair to them. The body language and facial expressions of each character is what brings them to life visually. Simlpy by the way they carry themselves and the way they move, it is easy to get a feel of who these characters are. Facial expressions are pivotal in conveying emotion, and it is clear Toradora's animators knew this, as they carefully handled the characters' exceptionally expressive faces to carry the subtlest of emotion.

Not to be outdone, the show's soundtrack is equally as impressive, if not even more so. While again not unconventional in the realm of slice-of-life anime, the music is magnificently composed. From the bubbly electrical pieces used in everyday school life scenes, to the fully orchestrated ones used in the show's emotional climaxes, every beat is a joy to listen to. This music is used masterfully, fitting the tone of every scene perfectly; becoming engraved with the emotion each contained. Even the transition into the charming J-pop ending themes is incredibly well done and memorable.

It is apparent that Toradora is not so much groundbreaking as it is incredibly well executed. It does not do anything especially innovative with its narrative, in fact, utilizing genre conventions. However, at the end of the day, such criticisms pale in comparison overwhelming merits of the show. It is inviting, funny, heartfelt, and overflowing with emotion. It easily stands proud among the best of its genre.
Reviewer’s Rating: 9
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